Download Free No Country Book in PDF and EPUB Free Download. You can read online No Country and write the review.

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a "profoundly disturbing and gorgeously rendered" novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
A Michelle Obama Reach Higher Fall 2022 reading list pick A Library Journal "BEST BOOK OF 2022" "Aguon’s book is for everyone, but he challenges history by placing indigenous consciousness at the center of his project . . . the most tender polemic I’ve ever read." —Lenika Cruz, The Atlantic "It's clear [Aguon] poured his whole heart into this slim book . . . [his] sense of hope, fierce determination, and love for his people and culture permeates every page." —Laura Sackton, BookRiot Part memoir, part manifesto, Chamorro climate activist Julian Aguon’s No Country for Eight-Spot Butterflies is a collection of essays on resistance, resilience, and collective power in the age of climate disaster; and a call for justice—for everyone, but in particular, for Indigenous peoples. In bracing poetry and compelling prose, Aguon weaves together stories from his childhood in the villages of Guam with searing political commentary about matters ranging from nuclear weapons to global warming. Undertaking the work of bearing witness, wrestling with the most pressing questions of the modern day, and reckoning with the challenge of truth-telling in an era of rampant obfuscation, he culls from his own life experiences—from losing his father to pancreatic cancer to working for Mother Teresa to an edifying chance encounter with Sherman Alexie—to illuminate a collective path out of the darkness. A powerful, bold, new voice writing at the intersection of Indigenous rights and environmental justice, Julian Aguon is entrenched in the struggles of the people of the Pacific to liberate themselves from colonial rule, defend their sacred sites, and obtain justice for generations of harm. In No Country for Eight-Spot Butterflies, Aguon shares his wisdom and reflections on love, grief, joy, and triumph and extends an offer to join him in a hard-earned hope for a better world.
LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.
No Country argues for a rethinking of the genre of working-class literature. Sonali Perera expands our understanding of of working-class fiction by considering a range of international and non-canonical texts, identifying textual, political, and historical linkages often overlooked by Eurocentric and postcolonial scholarship.
In 2005, Cormac McCarthy's novel, No Country for Old Men, was published to wide acclaim, and in 2007, Ethan and Joel Coen brought their adaptation of McCarthy's novel to the screen. The film earned praise from critics worldwide and was honored with four Academy Awards', including Best Picture, Best Director, and Best Adapted Screenplay. In No Country for Old Men: From Novel to Film, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both literature and film studies.
Refer a critical discussion of the content in this book by Martin Ravallon in 'Economic and Political Weekly'. Vol. 37, 46, 2002. pp. 4638-4645.
In November 1989, an Indian couple are discovered murdered in a small town in upstate New York. They lie together as though just disengaged from a long embrace. Yet their murder has been two centuries in the making. County Sligo, Ireland, 1843. Seventeen-year-old Brendan McCarthaigh and his best friend Padraig have everything ahead of them. Quiet Brendan is in love with books and headstrong, spirited Padraig is madly in love with black-haired Brigid. But when the sanctimonious Father Conlon discovers Padraig and Brigid's clandestine affair, he sets in motion a chain of unforeseeable, irrevocable events that will propel one to North America and the other to Bengal. Weaving together private histories and real events, and taking us on a journey across the globe - Kalyan Ray has crafted a sweeping, epic, multigenerational saga spanning two centuries. A rich, compelling tale of home and exile, identity and hybridity, it is also a story of oppression, friendship and compassion, and the few intimate degrees of separation that lie between love and murder.
'Hannah August's intelligent and humane study illuminates, sometimes uncomfortably, the ways in which our demographics are changing and our attitudes are not. This is public intellection that is curious, rigorous, and highly relevant to our time.' Eleanor Catton In 2013, there were over 66,000 more women between the ages of 25-49 living in New Zealand than there were men. This so-called ‘man drought’ is a hot topic for journalists and academics alike, who comment on how the situation might affect New Zealand women’s chances of finding love. Yet they rarely stop to ask women their own opinions on the matter. In this BWB Text, Hannah August does just that, integrating interview material, statistics and cultural commentary in order to demonstrate why we need to talk differently about the ‘man drought’.
Collected interviews with the quirky and distinctive writer/director team of such films as Raising Arizona, Intolerable Cruelty, and Barton Fink
“Wondrous . . . Compelling . . . Piercing.” —The New York Times Book Review Award-winning writer Matti Friedman’s tale of Israel’s first spies has all the tropes of an espionage novel, including duplicity, betrayal, disguise, clandestine meetings, the bluff, and the double bluff—but it’s all true. Journalist and award-winning author Matti Friedman’s tale of Israel’s first spies reads like an espionage novel--but it’s all true. The four agents at the center of this story were part of a ragtag unit known as the Arab Section, conceived during World War II by British spies and Jewish militia leaders in Palestine. Intended to gather intelligence and carry out sabotage operations, the unit consisted of Jews who were native to the Arab world and could thus easily assume Arab identities. In 1948, with Israel’s existence hanging in the balance, these men went undercover in Beirut, where they spent the next two years operating out of a newsstand, collecting intelligence and sending messages back to Israel via a radio whose antenna was disguised as a clothesline. Of the dozen spies in the Arab Section at the war’s outbreak, five were caught and executed. But in the end, the Arab Section would emerge as the nucleus of the Mossad, Israel’s vaunted intelligence agency. Spies of No Country is about the slippery identities of these young spies, but it’s also about the complicated identity of Israel, a country that presents itself as Western but in fact has more citizens with Middle Eastern roots and traditions, like the spies of this narrative. Meticulously researched and masterfully told, Spies of No Country is an eye-opening look at the paradoxes of the Middle East.