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Publisher Description
This is the companion book to the Hollywood film, "Nixon". It includes the annotated screenplay, an interview with Oliver Stone, essays by prominent figures associated with Nixon and Watergate, previously classified memos and documents from the Nixon White House, and transcripts of Nixon's taped conversations in the Oval Office. Oliver Stone is the director, producer and co-author of "Nixon".
Richard Nixon and the film industry arrived in Southern California in the same year, 1913. In Nixon and the Silver Screen, Mark Feeney offers a new and often revelatory way of thinking about one of our most controversial presidents: by looking not just at Nixon's career—but Hollywood's. Nixon viewed more movies while in office than any other president, and Feeney argues that Nixon’s story, both in politics and in his personal life, is nothing if not quintessentially American. Bearing in mind the events that shaped his presidency from 1969 to 1974, Feeney sees aspects of Nixon’s character—and the nation’s—refracted and reimagined in the more than 500 films Nixon watched during his tenure in the White House. The verdict? Nixon’s legacy, for better or worse, is forever representative of the “Silver Age” in Hollywood, shaping and being shaped by that flickering silver screen.
A memoir by an accomplished former Congressional staffer who left D.C. for L.A. and a job with filmmaker Oliver Stone in 1993. Expecting to make politically engaged films and make a difference for the better, he instead found himself immersed in a wildly dysfunctional world ruled by greed, paranoia, narcissism, competition, alcohol, and drugs. Annotation copyrighted by Book News, Inc., Portland, OR
The most celebrated "voice" in Hollywood speaks for herself! Everyone knows Marni Nixon...even if they think they don’t. One of the best-known and best-loved singing voices in the world, Nixon dubbed songs for Natalie Wood inWest Side Story, Audrey Hepburn inMy Fair Lady, and Deborah Kerr inThe King and I. She was the voice of Hollywood’s leading ladies, arriving in filmland after a debut with the Los Angeles Philharmonic at 17 and continuing her career with Leonard Bernstein, Aaron Copland, Charles Ives, Stephen Sondheim, Rogers and Hammerstein, and many others. Her inspiring autobiography reveals Nixon as a singer, an actress, and a woman fighting for artistic recognition. Today, a survivor of breast cancer, she works on Broadway and television’sLaw & Order SVU, tours with her own stage show, and teaches master classes in voice.I Could Have Sung All Nightreveals the woman behind the screen in a frank, funny biography that is as remarkable as the woman whose story it tells. • Beloved show-biz icon Nixon dubbed the singing of Natalie Wood inWest Side Story, Deborah Karr inThe King and I, and Audrey Hepburn inMy Fair Lady—she now tells her story for the first time • Entertaining behind-the-scenes celebrity stories from six decades of performing • Nostalgia appeal, plus insider's account of the music and film worlds of the 20th century • Breast cancer survivor Nixon is an inspiration to millions of women
From the late 1940s to the mid-1970s, Richard Nixon was a polarizing figure in American politics, admired for his intelligence, savvy, and strategic skill, and reviled for his shady manner and cutthroat tactics. Conrad Black, whose epic biography of FDR was widely acclaimed as a masterpiece, now separates the good in Nixon -- his foreign initiatives, some of his domestic policies, and his firm political hand -- from the sinister, in a book likely to generate enormous attention and controversy. Black believes the hounding of Nixon from office was partly political retribution from a lifetime's worth of enemies and Nixon's misplaced loyalty to unworthy subordinates, and not clearly the consequence of crimes in which he participated. Conrad Black's own recent legal travails, though hardly comparable, have undoubtedly given him an unusual insight into the pressures faced by Nixon in his last two years as president and the first few years of his retirement.
“People will be arguing over Nixon at the Movies as much as, for more than half a century, the country at large has been arguing about Nixon.”—Greil Marcus Richard Nixon and the film industry arrived in Southern California in the same year, 1913, and they shared a long and complex history. The president screened Patton multiple times before and during the invasion of Cambodia, for example. In this unique blend of political biography, cultural history, and film criticism, Mark Feeney recounts in detail Nixon’s enthusiastic viewing habits during his presidency, and takes a new and often revelatory approach to Nixon’s career and Hollywood’s, seeing aspects of Nixon’s character, and the nation’s, refracted and reimagined in film. Nixon at the Movies is a “virtuosic” examination of a man, a culture, and a country in a time of tumult (Slate). “By Feeney's count, Nixon, an unabashed film buff, watched more than 500 movies during the 67 months of his presidency, all carefully listed in an appendix titled ‘What the President Saw and When He Saw It.’ Nixon concentrated intently on whatever was on the screen; he refused to leave even if the picture was a dud and everyone around him was restless. He was omnivorous, would watch anything, though he did have his preferences…Only rarely did he watch R-rated or foreign films. He liked happy endings. Movies were obviously a means of escape for him, and as the Watergate noose tightened, he spent ever more time in the screening room.”—The New York Times
The rise, fall, and rebirth of Richard Nixon is perhaps the most fascinating story in American politics—and perhaps the most misunderstood. Nixon: A Life is the first entirely objective biography of Richard Nixon. Former British Defense Minister Jonathan Aitken conducted over sixty hours of interviews with the impeached former president and was granted unprecedented access to thousands of pages of Nixon’s previously sealed private documents. Nixon reveals to Aitken why he didn’t burn the Watergate tapes, how he felt when he resigned the presidency, his driving spiritual beliefs, and more. Nixon: A Life breaks important new ground as a major work of political biography, inspiring historians to recognize the outstanding diplomatic achievements of a man whose journey from tainted politician to respected foreign policy expert and elder statesman was nothing short of remarkable.
From a prize-winning biographer comes the defining portrait of a man who led America in a time of turmoil and left us a darker age. We live today, John A. Farrell shows, in a world Richard Nixon made. At the end of WWII, navy lieutenant “Nick” Nixon returned from the Pacific and set his cap at Congress, an idealistic dreamer seeking to build a better world. Yet amid the turns of that now-legendary 1946 campaign, Nixon’s finer attributes gave way to unapologetic ruthlessness. The story of that transformation is the stunning overture to John A. Farrell’s magisterial biography of the president who came to embody postwar American resentment and division. Within four years of his first victory, Nixon was a U.S. senator; in six, the vice president of the United States of America. “Few came so far, so fast, and so alone,” Farrell writes. Nixon’s sins as a candidate were legion; and in one unlawful secret plot, as Farrell reveals here, Nixon acted to prolong the Vietnam War for his own political purposes. Finally elected president in 1969, Nixon packed his staff with bright young men who devised forward-thinking reforms addressing health care, welfare, civil rights, and protection of the environment. It was a fine legacy, but Nixon cared little for it. He aspired to make his mark on the world stage instead, and his 1972 opening to China was the first great crack in the Cold War. Nixon had another legacy, too: an America divided and polarized. He was elected to end the war in Vietnam, but his bombing of Cambodia and Laos enraged the antiwar movement. It was Nixon who launched the McCarthy era, who played white against black with a “southern strategy,” and spurred the Silent Majority to despise and distrust the country’s elites. Ever insecure and increasingly paranoid, he persuaded Americans to gnaw, as he did, on grievances—and to look at one another as enemies. Finally, in August 1974, after two years of the mesmerizing intrigue and scandal of Watergate, Nixon became the only president to resign in disgrace. Richard Nixon is a gripping and unsparing portrayal of our darkest president. Meticulously researched, brilliantly crafted, and offering fresh revelations, it will be hailed as a master work.
Following the resounding success of the eponymous West End and Broadway hit play, Frost/Nixon tells the extraordinary story of how Sir David Frost pursued and landed the biggest fish of his career—and how the series drew larger audiences than any news interview ever had in the United States, before being shown all over the world. This is Frost's absorbing story of his pursuit of Richard Nixon, and is no less revealing of his own toughness and pertinacity than of the ex-President's elusiveness. Frost's encounters with such figures as Swifty Lazar, Ron Ziegler, potential sponsors, and Nixon as negotiator are nothing short of hilarious, and his insight into the taping of the programs themselves is fascinating. Frost/Nixon provides the authoritative account of the only public trial that Nixon would ever have, and a revelation of the man's character as it appeared in the stress of eleven grueling sessions before the cameras. Including historical perspective and transcripts of the edited interviews, this is the story of Sir David Frost's quest to produce one of the most dramatic pieces of television ever broadcast, described by commentators at the time as “a catharsis” for the American people.