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We all feel like we sometimes have the weight of the world on our shoulders, but what happens if we actually do? Zaine Michaels, Cat Harper, and Asa O'Reiley are dealing with just that. Their lives were so simple when they were just normal human beings, but when they discover that they are actually angelic beings called the Tzadikim Nistarim or Hidden Righteous ones, their worlds start to fall apart. Now, they are responsible for saving the entire human race from the diabolical plans of an evil demonness who hasn't been heard from in over 1,000 years!
Judas hung himself in a place known as the Akeldama or Field of Blood. But what if his death didn't end his betrayal? What if his tainted blood seeped deep into the earth, into burial caves, causing a counterfeit resurrection of the dead? Gina Lazarescu, a Romanian girl with a scarred past, has no idea she is being sought by the undead. The Collectors, those released from the Akeldama, feed on souls and human blood. But there are also the Nistarim, those who rose from their graves in the shadow of the Nazarene's crucifixion--and they still walk among us, immortal, left to protect mankind. Gina realizes her future will depend on her understanding of the past, yet how can she protect herself from Collectors who have already died once but still live? The Jerusalem's Undead Trilogy takes readers on a riveting journey, as imaginative fiction melds with biblical and archaeological history.
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Katya Mandoki advances in this book the thesis that it is not only possible but crucial to open up the field of aesthetics (traditionally confined to the study of art and beauty) toward the richness and complexity of everyday life. She argues that in every process of communication, whether face to face or through the media, fashion, and political propaganda, there is always an excess beyond the informative and functional value of a message. This excess is the aesthetic. Following Huizinga's view of play as an ingredient of any social environment, Mandoki explores how various cultural practices are in fact forms of playing since, for the author, aesthetics and play are Siamese twins. One of the unique contributions of this book is the elaboration and application of a semiotic model for the simultaneous analysis of social interactions in the four registers, namely visual, auditory, verbal and body language, to detect the aesthetic strategies deployed in specific situations. She argues that since the presentation of the self is targeted towards participants' sensibilities, aesthetics plays a key role in these modes of exchange. Consequently, the author updates important debates in this field to clear the way for a socio-aesthetic inquiry through contexts such as the family, school, medical, artistic or religious traditions from which social identities emerge.
For millennia, two groups of immortals have roamed the earth in a spiritual chess game for human souls. Now they enter the time of Final Vengeance. On one side are the Collectors--unholy, undead entities who feed on misery and blood. In opposition are the Nistarim--saints raised from their tombs during the Nazarene's resurrection, who work to protect mankind. Natira, a powerful Collector infused with Judas's blood, is on the verge of finding the last of the Nistarim. To destroy them all in one master stroke, he must find the Nazarene's Crown of Thorns which is believed to be buried near Jerusalem. But the Nistarim have a potent weapon of their own, a boy who carries immortal blood. He has been hiding and waiting until now, when both sides collide in a battle of biblical proportions at Israel's historic Valley of Bones. The Jerusalem's Undead Trilogy takes readers on a riveting journey, as imaginative fiction melds with biblical and archaeological history.
In order to become a Blood Guard, Ronan and his friends are sent to compete in the "Glass Gauntlet," a series of dangerous tests against ruthless opponents where no one is as they seem.
Thirteen-year-old Ronan Truelove leaves school one day and discovers he's a member of The Blood Guard - an ancient order of protectors. He will acquire invaluable skills; learn that he has magical talents he never dreamed of; rescue his parents from certain death and finally fall for the wrong girl and overlook the right one.
With exacting scholarship and fecund analysis, Manuel Oliveira probes through the lens of Martin Buber (1878-1965) the theological and political ambiguities of Israel’s divine election. These ambiguities became especially pronounced with the emergence of Zionism. Wary, indeed, alarmed by the tendency of some of his fellow Zionists to conflate divine chosenness with nationalism, Buber sought to secure the theological significance of election by both steering Zionism from hypertrophic nationalism and by a sustained program to revalorize what he called alternately “Hebrew Humanism.” As Oliveira demonstrates, Buber viewed the idea of election teleologically, espousing a universal mission of Israel, which effectively calls upon Zionism to align its political and cultural project to universal objectives. Thus, in addressing a Zionist congress, he rhetorically asked, “What then is this spirit of Israel of which you are speaking? It is the spirit of fulfillment. Fulfillment of what? Fulfillment of the simple truth that man has been created for a purpose (...) Our purpose is the upbuilding of peace (...) And that is its spirit, the spirit of Israel (...) the people of Israel was charged to lead the way to righteousness and justice.”
An innovative, spiritual workbook that integrates the Tarot and the Kabbalistic tradition of Counting the Omer • Explores the origins and meaning of the 49-day Kabbalistic meditative practice of Counting the Omer and how it can lead to spiritual revelation, personal insight, and connection with the Divine • Reveals the correspondence of the Tarot’s minor arcana with the Sephirot of the Tree of Life and explains how both relate to the Omer meditation • Provides a daily practice workbook that explores the related Sephirot and Tarot cards for each day, examines their Kabbalistic and spiritual meanings, and provides questions for daily reflection and meditation guidance The 49-day mystical practice known as Counting the Omer is an ancient Jewish ritual observed between the holidays of Passover and Shavuot (also known as Pentecost). As practiced by Kabbalists, it is designed to cleanse and purify the soul in preparation for spiritual revelation and a personal connection with God. The ritual creates a spiritual inner journey that follows the path of the ancient Israelites from the moment of their physical freedom from slavery in Egypt to the establishment of their spiritual freedom forty-nine days later when they arrived at Mt. Sinai. Adeptly integrating this mystical practice with the transformative symbolism of the Tarot, Mark Horn uses the ritual of Counting the Omer as a template for a guided meditative practice that gives readers insight into their personal life journey and help in overcoming the issues that hinder their growth and spiritual awakening. Examining the correspondence of the Tarot’s minor arcana with the Sephirot of the Kabbalistic Tree of Life, he shows how using the cards in connection with Counting the Omer can unlock the gates to a deep experience of the sacred. In the detailed daily practice workbook section, Horn provides day-by-day descriptions of the 49-day meditative practice of Counting the Omer. He divides the journey into seven week-long segments, which in turn are broken down into seven daily practices. For each day, he explains the related Sephirot and Tarot cards and their Kabbalistic and spiritual meanings, providing the reader with questions for daily reflection, guidance for meditation, and insight from traditional Jewish texts as well as teachings from Christian, Buddhist, Hindu, and Muslim traditions. Unveiling the relationship between Tarot and the Kabbalah, Horn shows readers how uniting these two practices can open them to a deeper experience of the Divine.
Why should anyone be a Zionist, a supporter of a Jewish state in the land of Israel? Why should there be a Jewish state in the land of Israel? This book seeks to provide a philosophical answer to these questions. Although a Zionist need not be Jewish, nonetheless this book argues that Zionism is only a coherent political stance when it is intelligently rooted in Judaism, especially in the classical Jewish doctrine of God's election of the people of Israel and the commandment to them to settle the land of Israel. The religious Zionism advocated here is contrasted with secular versions of Zionism that take Zionism to be a replacement of Judaism. It is also contrasted with versions of religious Zionism that ascribe messianic significance to the State of Israel, or which see the main task of religious Zionism to be the establishment of an Israeli theocracy.