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Tiring of the company of junkies and burn-outs, Thomas Skelton goes home to Key West to take up a more wholesome life. But things fester in America's utter South. And Skelton's plans to become a skiff guide in the shining blue subtropical waters place him on a collision course with Nichol Dance, who has risen to the crest of the profession by dint of infallible instincts and a reputation for homicide. Out of their deadly rivalry, Thomas McGuane has constructed a novel with the impetus of a thriller and the heartbroken humor that is his distinct contribution to American prose. "Full of surprises and rewards and an exhilaration one feels only rarely." Newsweek on Ninety-Two in the Shade.
Set in Key West--the nation's extreme limit--this is the story of a man seeking refuge from a world of drug addiction by becoming a skiff guide for tourists--even though a tough competitor threatens to kill him. Copyright © Libri GmbH. All rights reserved.
A refugee from a world of drug addicts and misfits, Thomas Skelton goes home to Key West. But Key West itself turns out to be an alien world - torrid, hostile and grotesque. Taking up residence in an abandoned airplane fuselage, Skelton plans to become a skiff guide in the shining blue subtropical waters and enters into a competition with Nichol Dance, supreme guide of the Keys. Dance has already killed one man while tending bar in Kentucky and will not hesitate to kill another. But Skelton will not back down and the two, surrounded by an assortment of eccentric characters, embark on a deadly course from which neither can turn back.
A novel about a former soldier in Big Sky Country whose life is spiraling out of control, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, who is "among the most arresting and fascinating [writers] of his generation" (San Francisco Chronicle). In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane's Montana. Nowhere has McGuane mapped that territory more precisely—or with such tenderhearted lunacy—than in Nobody's Angel, a novel that places him in a genre of his own.
A funny, rueful, and beautifully rendered portrait of American manhood on the rocks from the highly acclaimed author of Cloudbursts and Ninety-two in the Shade In life Lucien Taylor has made several mistakes, but the two most grievous are as follows: leaving his wife and son to take up with his old flame, Emily; and putting up Emily's bail when she is arrested for murder. The upshot is that Lucien is left stranded in Montana, with a malodorous hot spring and a squandered sense of purpose. As told by Thomas McGuane, Lucien's attempt to recoup his losses makes for a book that says volumes about the lives of dogs and falcons, the yearnings of sons for fathers, and the skeptical truce that men and women sometimes reach when they get tired of fighting.
ONE OF THE WALL STREET JOURNAL'S BEST BOOKS OF THE YEAR For more than four decades, Thomas McGuane has been heralded as an unrivaled master of the short story. Now the arc of that achievement appears in one definitive volume--forty-five stories, including two new and six previously uncollected pieces. Set in the seedy corners of Key West, the remote shore towns of the Bahamas, and McGuane's hallmark Big Sky country with its vast and unforgiving landscape, these are stories of people on the fringes of society, whose twisted pasts meddle with their chances for companionship. Moving from the hilarious to the tragic and back again, McGuane writes about familial dysfunction, emotional failure, and American loneliness, celebrating the human ability to persist through life's absurdities.
Collected interviews with the author of Ninety-two in the Shade, The Sporting Club, and other novels
From the acclaimed author of Ninety-two in the Shade and Cloudbursts—the stories of Gallatin Canyon are rich in the wit, compassion, and matchless language for which Thomas McGuane is celebrated. Set mostly in famed Big Sky Country, McGuane brings us an "astonishing" (The New York Times Book Review) collection in which place exerts the power of destiny. A boy makes a surprising discovery skating at night on Lake Michigan; an Irish clan in Massachusetts gather around their dying matriarch; a battered survivor of the glory days of Key West washes up on other shores. Several of the stories unfold in Big Sky country: a father tries to buy his adult son’s way out of virginity; a convict turns cowhand on a ranch; a couple makes a fateful drive through a perilous gorge. McGuane's people are seekers, beguiled by the land's beauty and myth, compelled by the fantasy of what a locale can offer, forced to reconcile dream and truth.
In a compilation of thirty-three essays, the author reflects on the world of angling as he shares his observations on his quarry, great fishing spots around the world, and fishing equipment.
True stories of writers and pirates, painters and potheads, guitar pickers and drug merchants in Key West in the 1970s. For Hemingway and Fitzgerald, there was Paris in the twenties. For others, later, there was Greenwich Village, Big Sur, and Woodstock. But for an even later generation—one defined by the likes of Jimmy Buffett, Tom McGuane, and Hunter S. Thompson—there was another moveable feast: Key West, Florida. The small town on the two-by-four-mile island has long been an artistic haven, a wild refuge for people of all persuasions, and the inspirational home for a league of great American writers. Some of the artists went there to be literary he-men. Some went to re-create themselves. Others just went to disappear—and succeeded. No matter what inspired the trip, Key West in the seventies was the right place at the right time, where and when an astonishing collection of artists wove a web of creative inspiration. Mile Marker Zero tells the story of how these writers and artists found their identities in Key West and maintained their friendships over the decades, despite oceans of booze and boatloads of pot, through serial marriages and sexual escapades, in that dangerous paradise. Unlike the “Lost Generation” of Paris in the twenties, we have a generation that invented, reinvented, and found itself at the unending cocktail party at the end—and the beginning—of America’s highway.