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Nineteenth century lamps are showcased through the use of color photos, old etchings, and period lighting catalogues. Provides brief histories of the better known manufacturers and valuable information on heights, shade ring fitter diameters, and value ranges. Also includes types of lighting fuel, terminology, manufacturer's marks, and how to identify reproductions. An essential reference for all collectors of lighting and fine art.
A survey of candle powered lighting devices used in Northern Europe, the British Isles, and the United States. Focus is on domestic lighting situations, with some from the public sector.
Wolfgang Schivelbusch tells the story of the development of artificial light in the nineteenth century. Not simply a history of a technology, Disenchanted Night reveals the ways that the technology of artificial illumination helped forge modern consciousness. In his strikingly illustrated and lively narrative, Schivelbusch discusses a range of subjects including the political symbolism of streetlamps, the rise of nightlife and the shopwindow, and the importance of the salon in bourgeois culture.
Many basic questions confronting antique lamp buyers, from "Where do I look for a manufacturer's signature?" to "How do I distinguish reproductions from originals?" are answered here. Using color photographs and catalogue illustrations, a wealth of information is presented including buying or selling old lighting, restoration issues like rewiring, practical uses for fixtures originally made for gas or oil, and restoring and protecting metal finishes.
Between 1890 and 1920 the best kerosene lamps made were being manufactured by three of the premier lamp and glasshouses of the day: The Consolidated Lamp & Brass Company; The Pittsburgh Brass, Lamp & Glass Company; and The Fostoria Glass Glass Company. This book is the first to authenticate all of the patterns in art glass chamber lamps as well as to authenticate which manufacturer produced which patterns and when. It tells the history of each manufacturer as well as provides a compilation of over 300 full-color photos and over 100 black and white photos. 2009 values.
A new and groundbreaking historical narrative, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores how technical innovations in Paris transformed the grand opera into a transcendent, dream-like audio-visual spectacle.
The first comprehensive encyclopedia of world photograph up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come.
The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in Illuminated Paris, Hollis Clayson shows that there’s more to these clichés than meets the eye. In this richly illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies. While older gas lighting produced a haze of orange, new electric lighting was hardly an improvement: the glare of experimental arc lights—themselves dangerous—left figures looking pale and ghoulish. As Clayson shows, artists’ representations of these new colors and shapes reveal turn-of-the-century concerns about modernization as electric lighting came to represent the harsh glare of rapidly accelerating social change. At the same time, in part thanks to American artists visiting the city, these works of art also produced our enduring romantic view of Parisian glamour and its Belle Époque.
An Original Research Area – Little has been written on the connections between artificial light and literature in this period. Substantial Textual Coverage – A wide range of literature is analysed in this manuscript, which makes it beneficial to new or experienced scholars. Some more canonical texts are studied, and some more obscure authors and texts. The Holistic Approach – This manuscript tackles the entire history of nineteenth century illumination; it is an excellent primer for those interested in the field, and an example of what can be done within it.
During the nineteenth century, Britain became the first gaslit society, with electric lighting arriving in 1878. At the same time, the British government significantly expanded its power to observe and monitor its subjects. How did such enormous changes in the way people saw and were seen affect Victorian culture? To answer that question, Chris Otter mounts an ambitious history of illumination and vision in Britain, drawing on extensive research into everything from the science of perception and lighting technologies to urban design and government administration. He explores how light facilitated such practices as safe transportation and private reading, as well as institutional efforts to collect knowledge. And he contends that, contrary to presumptions that illumination helped create a society controlled by intrusive surveillance, the new radiance often led to greater personal freedom and was integral to the development of modern liberal society. The Victorian Eye’s innovative interdisciplinary approach—and generous illustrations—will captivate a range of readers interested in the history of modern Britain, visual culture, technology, and urbanization.