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Focusing on the Paris book world of this period, Allen reveals how the rise of a new popular literature—jolly chansonniers, the roman-feuilletons or serial novels, melodramas, gothic and sentimental novels, dramatic nationalistic histories—by such authors as Dumas, Sand, Lamennais, Ancelot, Desnoyer, and de Kock coincided with remarkable developments in the production, distribution, and consumption of books. Allen's research ranges from a survey of the then-popular romantic titles and authors and the trade catalogs of booksellers and lending libraries, to the police records of their activities, diaries and journals of working people, and military conscript records and ministerial literacy statistics. The result is a remarkable picture of the exchange between elite and popular culture, the interaction between ideas and their material reality, and the relationship between the literature and the history of France in the romantic period.
In this brilliant new study Mr. Denommé examines four key figures--Alphonse de Lamartine, Alfred de Vigny, Victor Hugo, and Alfred de Musset--for the aesthetic, social, and philosoph­ical implications of romanticism in their writings. He estab­lishes the background of the French Revolution and translates into English selections from the poets' work chosen to illus­trate the ideas and forms they expressed. The book thus probes the depths of French romanticism.
This volume of essays, written by scholars from a wide range of critical and theoretical viewpoints, presents a fresh approach to the study of nineteenth-century French poetry. Each of the eleven essays, on different poets from Lamartine to Mallarmé and Laforgue, focuses on the detailed organisation of a single poem. The method of close reading has been adopted in order to effect an introduction to the analysis of the 'basics' of poetic language (sound, metre, syntax, etc.), and in order to explore and illustrate some of the claims and arguments about poetry arising from developments in the prevailing literary theory. Theoretical positions are posed and tested in the terms of practical analysis and interpretation. Christopher Prendergast's introduction to the volume situates the essays in a series of general perspectives and contexts, and Clive Scott has provided an appendix on French versification.
A consideration of Petrarch's influence on, and appearance in, French texts - and in particular, his appropriation by the Avignonese. Was Petrarch French? This book explores the various answers to that bold question offered by French readers and translators of Petrarch working in a period of less well-known but equally rich Petrarchism: the nineteenth century. It considers both translations and rewritings: the former comprise not only Petrarch's celebrated Italian poetry but also his often neglected Latin works; the latter explore Petrarch's influence on and presence in French novels aswell as poetry of the period, both in and out of the canon. Nineteenth-century French Petrarchism has its roots in the later part of the previous century, with formative contributions from Voltaire, Rousseau, and, in particular, the abbé de Sade. To these literary catalysts must be added the unification of Avignon with France at the Revolution, as well as anniversary commemorations of Petrarch's birth and death celebrated in Avignon and Fontaine-de-Vaucluse across the period (1804-1874-1904). Situated at the crossroads of reception history, medievalism, and translation studies, this investigation uncovers tensions between the competing construction of a national, French Petrarch and a local, Avignonese or Provençal poet. Taking Petrarch as its litmus test, this book also asks probing questions about the bases of nationality, identity, and belonging. Jennifer Rushworth is a Junior Research Fellowat St John's College, Oxford.
The Oxford Handbook of European Romanticism focuses on the period beginning with the French Revolution and extending to the uprisings of 1848 across Europe. It brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism. The volume begins with a series of chapters examining key texts written by major writers in languages including French, German, Italian, Spanish, Russian, Hungarian, Greek, and Polish amongst others. Then follows a second section based on the naturally inter-disciplinary quality of Romanticism, encapsulated by the different discourses with which writers of the time, set up an internal comparative dynamic. These chapters highlight the sense a discourse gives of being written knowledgeably against other pretenders to completeness or comprehensiveness of understanding, and the Enlightenment encyclopaedic project. Discourses typically push their individual claims to resume European culture, collaborating and trying to assimilate each other in the process. The main examples featuring here are history, geography, drama, theology, language, geography, philosophy, political theory, the sciences, and the media. Each chapter offers original and individual interpretation of individual aspects of an inherently comparative world of individual writers and the discursive idioms to which they are historically subject. Together the forty-one chapters provide a comprehensive and unique overview of European Romanticism.
Contributing to the current lively discussion of collaboration in French letters, this collection of essays raises fundamental questions about the limits and definition of authorship in the context of the nineteenth century's explosion of collaborative ventures. The volume will interest scholars of nineteenth-century French literature, and more generally, any scholar interested in what's at stake in redefining the role of the French author.
Robert T. Denommé, who has written ex­tensively on French literature, here offers a companion volume to his Nineteenth­-Century French Romantic Poets, previ­ously published in this series. Once again working within an historical, philosophi­cal, and aesthetic context, he provides a wealth of critical insights for the general reader as well as the specialist. His first chapter surveys the evolution of poetic expression in France, and succeeding chapters study the major poets--Théophile Gautier, Théodore de Banville, Leconte de Lisle, and José-Maria de He­redia. Incisive and concise, the book provides a good general introduction to, and a long-overdue reassessment of, French Par­nassianism.
"Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"--
Examines nineteenth-century hairstyles and their cultural associations, and analyzes the social and symbolic roles that hair played in literary representations of the new body ideal of the era in fashion magazines, and as clues to social status, sexual availability and character in the fiction of major French authors including Baudelaire, Balzac, Flaubert, and Zola.