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Between 1890 and 1920 the best kerosene lamps made were being manufactured by three of the premier lamp and glasshouses of the day: The Consolidated Lamp & Brass Company; The Pittsburgh Brass, Lamp & Glass Company; and The Fostoria Glass Glass Company. This book is the first to authenticate all of the patterns in art glass chamber lamps as well as to authenticate which manufacturer produced which patterns and when. It tells the history of each manufacturer as well as provides a compilation of over 300 full-color photos and over 100 black and white photos. 2009 values.
The vast and variegated de Boos-Smith Collection offers a comprehensive and fascinating panorama of 19th-century Murano glass production, from filigree to millefiore, from avventurine to chalcedony, that will also appeal to a non-expert audience.
The glasshouses of the nineteenth century represent a remarkable confluence of opposites in architecture and technology. The architecture was designed to create an artificial climate in which people could return to paradise, and yet the technical means employed were also basic to the century's developing industrial grime -the other side of paradise. Enriched by more than 700 illustrations, Houses of Glass chronicles these pristine structures as they evolved from hothouses into exhibition halls, ballrooms, and theaters. Georg Kohlmaier is an architect and Barna von Sartory a sculptor. They have collaborated on many books and articles on contemporary architecture.
A beautifully illustrated guide to the world of Victorian stained glass and its manufacturers and designers. Victorian stained glass – magnificent, colourful and artistic – adorns countless British churches, municipal buildings and homes. Across the decades, several artistic movements influenced these designs, from the Gothic Revival, through the Arts and Crafts Movement and into Art Nouveau as a new century dawned. Historian Trevor Yorke shows how craftsmen re-learned the lost medieval art of colouring, painting and assembling stained glass windows – but also, in this age of industry, how windows were templated and mass produced. Showcasing the exquisite glass generated by famous designers such as A.W.N. Pugin, Pre-Raphaelites William Morris and Edward Burne-Jones, and by leading manufacturers such as Clayton and Bell, this beautifully illustrated book introduces the reader to many wonderful examples of Victorian stained glass and where it can be found.
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.
"Glass can be decorative or utilitarian, and its forms often reflect technological innovations and social change. Drawing on an insightful selection from the Yale University Art Gallery and other collections at Yale, American Glass illuminates the vital and often intimate roles that glass has played in the nation's art and culture. Spectacularly illustrated, the publication showcases eighteenth-century mold-blown vessels, nineteenth-century pressed glass, innovative studio work, and luminous stained-glass windows by John La Farge and Louis Comfort Tiffany, the latter reproduced as a lush gatefold. These are considered alongside beguiling objects that broaden our expectations of glass and speak to the centrality of the medium in American life, including one of the oldest complex microscopes in the United States, an early Edison light bulb, glass-plate photography, jewelry, and more. With an essay on the history of collecting American glass and discussions of each object that present new scholarship, this engaging book tells the long and rich history of glass in America--from prehistoric minerals to contemporary sculptures"--Dust jacket front flap.
An insightful corrective demonstrating the Arts and Crafts Movement's indelible impact on British and American stained glass Beautifully illustrated and based on more than three decades of research, Arts & Crafts Stained Glass is the first study of how the late-19th-century Arts and Crafts Movement transformed the aesthetics and production of stained glass in Britain and America. A progressive school of artists, committed to direct involvement both in making and designing windows, emerged in the 1880s and 1890s, reinventing stained glass as a modern, expressive art form. Using innovative materials and techniques, they rejected formulaic Gothic Revivalism while seeking authentic, creative inspiration in medieval traditions. This new approach was pioneered by Christopher Whall (1849-1924), whose charismatic teaching educated a generation of talented pupils--both men and women--who produced intensely colorful and inventive stained glass, using dramatic, lyrical, and often powerfully moving design and symbolism. Peter Cormack demonstrates how women made critical contributions to the renewal of stained glass as artists and entrepreneurs, gaining meaningful equality with their male colleagues, more fully than in any other applied art. Cormack restores stained glass to its proper status as an important field of Arts and Crafts activity, with a prominent role in the movement's polemical campaigning, its public exhibitions, and its educational program. Published for the Paul Mellon Centre for Studies in British Art
A superbly illustrated and meticulously researched standard work for connoisseurs and collectors of Venetian art glass. Includes a marks table and a glossary.
This survey explores the history of nineteenth-century European art and visual culture. Focusing primarily on painting and sculpture, it places these two art forms within the larger context of visual culture including photography, graphic design, architecture, and decorative arts. In turn, all are treated within a broad historical framework to show the connections between visual cultural production and the political, social, and economic order of the time. Topics covered include The Classical Paradigm, Art and Revolutionary Propaganda In France, The Arts under Napoleon and Francisco Goya and Spanish Art at the Turn of the Eighteenth Century. For art enthusiasts, or anyone who wants to learn more about Art History.