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NIÑA de TIJUANA: una novela divertida y emocionante desde la primera página. El ingenio e imaginación del autor no lleva de una aventura a otra acompañando a los protagonistas, sin poder evitarlo. En su reconocida narrativa Javier DUHART nos regala con pasajes sorprendentes de gran emoción y suspenso. El desparpajo con que maneja el modo de habar de los jóvenes de TIJUANA, nos sitúa con precisión en esa ciudad fronteriza de Baja California, México. Setecientos treinta y seis mil dólares, encontrados en un lujoso automóvil que choca conducido por un hombre herido de bala; Javier, el joven protagonista, casualmente presencia el accidente ocurrido por la madrugada en su hora de ejercicio. Con intensión de prestarle ayuda al herido lo lleva a un hospital y queda en custodia de los dólares, el lujoso automóvil, un fino reloj de oro y una pistola de última tecnología con cuatro cargadores. Bienes que trata de devolver a la esposa del herido, (encantadora norteamericana, pelirroja) que no puede salir del coma en que cae a causa de las heridas y finalmente muere, precisamente cuando Javier acaba de hacer el amor con la hermosa mujer que ha quedado viuda. Resultando esta una de muchas otras aventuras que corre el protagonista. En compañía de su primo Marco Tulio se ven envueltos en guerra entre narcotraficantes, carreras de caballos, peleas de gallos. Conquistan mujeres a quienes hacen el amor narrado con el más puro erotismo.
Perhaps William Ramon Daniel Chang was always destined to live a life full of heartache, hardships, and turmoil. His mother, who herself was abandoned by her own mother, treated little Willie and his father, Ramon, badly. She was more in love with alcohol and fornicating with random men than spending time with her family.
New York Times bestselling author Perri O’Shaughnessy has garnered impressive acclaim for her tough, passionate thrillers set against the lush Lake Tahoe landscape and the world of one remarkable character: Attorney Nina Reilly. In this spellbinding new novel, O’Shaughnessy delves deeper into the heart and psyche of her popular heroine as Nina journeys back to her hometown to heal old wounds, and instead discovers that old secrets can be the deadliest kind.... Nina Reilly needs a fresh start. In three years, she’s taken on some of Lake Tahoe’s most controversial cases and has turned her struggling one-woman law firm into a thriving practice. Now she’s ready to sort out her complex relationship with her boyfriend, Monterey P.I. Paul van Wagoner. So she’s heading to the Carmel Valley, the place where she began her career and where her estranged father lives. It’s also a place of dramatic contradictions and hidden tensions, of new wealth and old families. And, within days of her arrival, Nina is already feeling the heat, as a case of arson exposes some of the darkest secrets of her hometown. Two suspicious fires have already raged through the valley this summer, igniting suspicions of arson. When a third blaze ends in a fatality, police zero in on a suspect: Wish, the son of Sandy Whitefeather, Nina’s ex-assistant. The dead man is identified as Wish’s childhood friend, a troubled local auto mechanic who hated the changes wealthy newcomers had brought to the valley. Nina and Paul are certain that there is more to this strange case than meets the eye. As they work together to clear Wish, new, more frightening questions are raised, and another fire is set. And out of the flames a terrifying picture emerges: a community steeped in secrets and rage, a tangled history between two men, and a killer whose motives are dark and wrenching. With the relentless page-turning suspense that has become her trademark, Perri O’Shaughnessy once again demonstrates her talent to enthrall. A haunting tale of crime and punishment, old grudges and second chances, Presumption of Death is suspense fiction at its finest--instantly compelling and utterly impossible to put down.
Gloria Alvarado Crecí en Chihuahua a lado de mi abuela tuve una niñez muy feliz. Los primeros años de mi vida los pase a lado de mis abuelos, en un pueblo de Chihuahua, llama do el Terrero, Para mí en mis recuerdos un paraíso' a los quince años empecé a viajar era una necesidad de conocer diferentes lugares, diferentes personas. He leído todo tipo de libros. La historia siempre me fascino, el conocer la cultura de otros lugares, siempre tuve una inquietud, lograr transmitir algo, a los demás, a los veinte años me puse a estudiar modelaje, a los veinte siete, viaje a los Ángeles CA, con la intención de lograr algo no savia que, forme una familia me case tuve mis hijos a los cuales adoro con todo mi alma, después de un divorcio en la cuidad de Phoenix AZ, me dedique a sacar adelante a mis hijos deje toda vida social pero no deje de viajar, de hecho actualmente después de vivir unos años en Houston TX, llegamos aquí en San Antonio . encontré, personas maravillosas de hecho yo empecé a escribir mi primer libro, con ayuda de mis hijos que me daban ideas, cuando conocí al grupo de escritores latinos de san Antonio, yo ya estaba casi lista con ellos aprendí muchas cosas Berta, Patricia, . Marta, que también escriben me llevaron a animarme a publicar mi primer libro de los que ya tengo escrito siento que me identifico con las personas muy fácilmente que las entiendo por lo mismo que tuve la oportunidad de estar cerca de ellos cuando viajaba trate mucha gente que recuerdo con mucho cariño. Soy una persona inquieta creo mucho en Dios sin caer en el fanatismo, algo que recuerdo mucho, De mi abuela, Luisa. Ni la hoja del árbol se mueve sin la voluntad de Dios.
Violence has only increased in Mexico since 2000: 23,000 murders were recorded in 2016, and 29,168 in 2017. The abundance of laws and constitutional amendments that have cropped up in response are mirrored in Mexico's fragmented cultural production of the same period. Contemporary Mexican literature grapples with this splintered reality through non-linear stories from multiple perspectives, often told through shifts in time. The novels, such as Jorge Volpi's Una novela criminal [A Novel Crime] (2018) and Julián Herbert's La casa del dolor ajeno [The House of the Pain of Others] (2015) take multiple perspectives and follow non-linear plotlines; other examples, such as the very short stories in ¡Basta! 100 mujeres contra la violencia de género [Enough! 100 Women against Gender-Based Violence] (2013), present perspectives from multiple authors. Few scholars compare cultural production and legal texts in situations like Mexico, where extreme violence coexists with a high number of human rights laws. Unlawful Violence measures fictional accounts of human rights against new laws that include constitutional amendments to reform legal proceedings, laws that protect children, laws that condemn violence against women, and laws that protect migrants and Indigenous peoples. It also explores debates about these laws in the Mexican house of representatives and senate, as well as interactions between the law and the Mexican public.
In recent years, Mexican films have received high acclaim and impressive box-office returns. Moreover, Mexico has the most advanced movie industry in the Spanish-speaking world, and its impact on Mexican culture and society cannot be overstated. Mexico's Cinema: A Century of Film and Filmmakers is a collection of fourteen essays that encompass the first 100 years of the cinema of Mexico. Included are original contributions written specifically for this title, plus a few classic pieces in the field of Mexican cinema studies never before available in English. These essays explore a variety of themes including race and ethnicity, gender issues, personalities, and the historical development of a national cinematic style. Each of the book's three sections-The Silent Cinema, The Golden Age, and The Contemporary Era-is preceded by a short introduction to the period and a presentation of the major themes addressed in the section. This insightful anthology is the first published study that includes pieces by Mexican and North American scholars, including a piece by the internationally acclaimed essayist Carlos Monsivais. Contributors include other acclaimed scholars and critics as well as young scholars who are currently making their mark in the area of film studies of Mexico. These authors represent various fields-community studies, film studies, cultural history, ethnic studies, and gender studies-making this volume an interdisciplinary resource, important for courses in Latin America and Third World cinema, Mexican history and culture, and Chicana/o and ethnic studies.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.