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Nights of the Dispossessed brings together artistic works, political texts, and research projects from across the world in an endeavor to sense, chronicle, and think through recent riots and uprisings.
A brilliant physicist attempts to salvage his planet of anarchy.
After liberating itself from French colonial rule in one of the twentieth century's most brutal wars of independence, Algeria became a standard-bearer for the non-aligned movement. By the 1990s, however, its revolutionary political model had collapsed, degenerating into a savage conflict between the military and Islamist guerillas that killed some 200,000 citizens. In this lucid and gripping account, Martin Evans and John Phillips explore Algeria's recent and very bloody history, demonstrating how the high hopes of independence turned into anger as young Algerians grew increasingly alienated. Unemployed, frustrated by the corrupt military regime, and excluded by the West, the post-independence generation needed new heroes, and some found them in Osama bin Laden and the rising Islamist movement. Evans and Phillips trace the complex roots of this alienation, arguing that Algeria's predicament-political instability, pressing economic and social problems, bad governance, a disenfranchised youth-is emblematic of an arc of insecurity stretching from Morocco to Indonesia. Looking back at the pre-colonial and colonial periods, they place Algeria's complex present into historical context, demonstrating how successive governments have manipulated the past for their own ends. The result is a fractured society with a complicated and bitter relationship with the Western powers-and an increasing tendency to export terrorism to France, America, and beyond.
The Dispossessed has been described by political thinker Andre Gorz as 'The most striking description I know of the seductions—and snares—of self-managed communist or, in other words, anarchist society.' To date, however, the radical social, cultural, and political ramifications of Le Guin's multiple award-winning novel remain woefully under explored. Editors Laurence Davis and Peter Stillman right this state of affairs in the first ever collection of original essays devoted to Le Guin's novel. Among the topics covered in this wide-ranging, international and interdisciplinary collection are the anarchist, ecological, post-consumerist, temporal, revolutionary, and open-ended utopian politics of The Dispossessed. The book concludes with an essay by Le Guin written specially for this volume, in which she reassesses the novel in light of the development of her own thinking over the past 30 years.
The first comprehensive, in-depth book on the Trump administration’s assault on asylum protections Arnovis couldn’t stay in El Salvador. If he didn’t leave, a local gangster promised that his family would dress in mourning—that he would wake up with flies in his mouth. “It was like a bomb exploded in my life,” Arnovis said. The Dispossessed tells the story of a twenty-four-year-old Salvadoran man, Arnovis, whose family’s search for safety shows how the United States—in concert with other Western nations—has gutted asylum protections for the world’s most vulnerable. Crisscrossing the border and Central America, John Washington traces one man’s quest for asylum. Arnovis is separated from his daughter by US Border Patrol agents and struggles to find security after being repeatedly deported to a gang-ruled community in El Salvador, traumatic experiences relayed by Washington with vivid intensity. Adding historical, literary, and current political context to the discussion of migration today, Washington tells the history of asylum law and practice through ages to the present day. Packed with information and reflection, The Dispossessed is more than a human portrait of those who cross borders—it is an urgent and persuasive case for sharing the country we call home.
“The Dispossessed is a great sui generis book that, for all its cultural differences, touches us deeply. We recognize it as tragic, truthful and visionary wherever we are.” — George Szirtes, New York Times Book Review This hypnotic, hauntingly beautiful first novel from the acclaimed, award-winning poet and author Szilárd Borbély depicts the poverty and cruelty experienced by a partly Jewish family in a rural village in the late 1960s and early 1970s. In a tiny village in northeast Hungary, close to the Romanian border, a young, unnamed boy warily observes day-to-day life and chronicles his family’s struggles to survive. Like most of the villagers, his family is desperately poor, but their situation is worse than most—they are ostracized because of his father’s Jewish heritage and his mother’s connections to the Kulaks, who once owned land and supported the fascist Horthy regime before it was toppled by Communists. With unflinching candor, the little boy’s observations are related through a variety of narrative voices—crude diatribes from his alcoholic father, evocative and lyrical tales of the past from his grandparents, and his own simple yet potent prose. Together, these accounts reveal not only the history of his family but that of Hungary itself, through the physical and psychic traumas of two World Wars to the country’s treatment of Jews, both past and present. Drawing heavily on Borbély’s memories of his own childhood, The Dispossessed is an extraordinarily realistic novel. Raw and often brutal, yet glimmering with hope, it is the crowning achievement of an uncompromising talent.
A collection of nine critical essays on the modern social science fiction novel, arranged in chronological order of their original publication.
An "ethnographic" novel that portrays life in California's Napa Valley as it might be a very long time from now, imagined not as a high tech future but as a time of people once again living close to the land.
From the four-time Nebula Award–winning author, an indispensable work of science fiction criticism, revised and expanded. Samuel R. Delany’s The Jewel-Hinged Jaw appeared originally in 1977, and is now long out of print and hard to find. The impact of its demonstration that science fiction was a special language, rather than just gadgets and green-skinned aliens, began reverberations still felt in science fiction criticism. This edition includes two new essays, one written at the time and one written about those times, as well as an introduction by writer and teacher Matthew Cheney, placing Delany’s work in historical context. Close textual analyses of Thomas M. Disch, Ursula K. Le Guin, Roger Zelazny, and Joanna Russ read as brilliantly today as when they first appeared. Essays such as “About 5,750 Words” and “To Read The Dispossessed” first made the book a classic; they assure it will remain one. “Delany’s first work of non-fiction, The Jewel Hinged Jaw: Notes on the Language of Science Fiction, remains a benchmark of sf criticism thirty-three years after its initial publication in 1977. . . . Extensively revised and reissued in 2009, JHJ has become even stronger, containing twelve essays in ten chapters and two appendixes.” —Isiah Lavender, Science Fiction Studies “I re-read The Jewel-Hinged Jaw every year as a source of guidance, as a measure of what all criticism and literature should aspire to be, and as a challenge for those of us who want to write.” —Junot Díaz, Pulitzer Prize–winning author of The Brief Wondrous Life of Oscar Wao “What a joy it is to have The Jewel-Hinged Jaw back in print! These essays glitter with insights into writing, reading, society, and the multiple relationships of the three.” —Reginald Shepherd, author of Orpheus in the Bronx