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John Cheney was a well educated businessman living in Dixon, Illinois. In 1862 he raised an artillery company-Battery F, 1st Illinois Light Artillery-and served as its captain. Battery F fought in the Western Theatre in the Army of the Tennessee (Gens. Grant and Sherman). This volume draws on 318 entries from Cheney's Civil War diary and 100 letters he wrote home to his wife, plus additional documents, photos, and material relating to his life before, during and after the war. Cheney's letters and diary entries have a warmth and intimacy that is unusual in writing of that time. John Cheney served out a strong sense of duty to the country that had provided him with security and opportunity. Over time he developed health problems that tested that sense of duty. Cheney was entirely absorbed in his activities when in combat or advancing on Confederate troops. During times of inactivity he suffered boredom and experienced loneliness being separated from his wife and two children. During the Atlanta campaign, his 11-year-old son Royce accompanied him. Cheney was an ordinary man doing his best in the extraordinary occurrences of war.
For the most part, the women portrayed have speak to us through intermediaries. Hildegard of Bingen, Christine de Pisan, and Ann Hutchinson's 'recusant nuns' may present themselves in their own words - though even here there are veils of concealment, dissimulation, assumption and presumption to be removed - but Chaucer's women, Chretien's patrons, Milton's Eve, the conflation of saints which comprises Wilgefortis, Ste Foy, and the imperious Theodora are presented in the words, works and social milieux of men. Where they are, ostensibly, given their own voices it is by male authors.
Holmes and Watson's exploits during the Great Hiatus are revealed in a series of short stories and novellas. These adventures include how they separately helped stop the Moriarities from starting a world war and using a legendary stone to destroy London. Also revealed are the facts behind the Giant Rat of Sumatra and Holmes's encounter with Jack the Ripper.
As heart-warming as it is heartbreaking, this novel is unputdownable' Sunday Express. It is 1953 and five very different girls are arriving at the nurses' home in Lovely Lane, Liverpool, to start their training at St Angelus Hospital. Dana has escaped from her family farm on the west coast of Ireland. Victoria is running away from a debt-ridden aristocratic background. Beth is an army brat and throws her lot in with bitchy Celia Forsyth. And Pammy has come from quite the wrong side of the tracks in Liverpool. The world in which they now find themselves is complicated and hierarchical, with rules that must be obeyed. Everyone has their place at St Angelus and woe betide anyone who strays from it. But when an unknown girl is admitted, after a botched late abortion in a backstreet kitchen, a tragedy begins to unfold which will rock the world of St Angelus to its foundations. Can't wait for the next one? THE CHILDREN OF LOVELY LANE is out now! What people are saying about THE ANGELS OF LOVELY LANE: 'Nadine Dorries's writing is sparkling and vibrant, her books are a joy to read' 'The book was like a dream – difficult to put down' 'You feel as if you know the characters personally!' 'Enthralling read, can't wait to read more
Comics Writing: Communicating With Comic Books unveils the basics in comics writing from Steven Philip Jones, a professional comic book writer and instructor. Comics Writing shows you the step-by-step process of creating a comics script and how it is turned into a finished comics page. With the help of examples and comic book illustrations, this book will introduce you to: the different styles of comic book scripts; the tools of cartoon communications like panels, borders, and speech balloons; how to write a story as a comics script; the collaborative process between writer and artists; how to find and develop ideas for your comics stories; tips on creating characters; how to avoid common mistakes new comics writers often make; and other tips of the trade. If you're a writer wanting to find out how to write comic books, or if you are any kind of communicator wanting to learn the basics of communicating by using the comics medium Comics Writing can be a valuable tool. A Caliber Comics release.
In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe "Indian Territory" that will contain and neutralize Indians. Countering this colonial "Territory" is what Owens defines as "Frontier," a dynamic, uncontainable, multi-directional space within which cultures meet and even merge. Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and D'Arcy McNickle to N. Scott Momaday, Leslie Silko, James Welch, and Gerald Vizenor. In his analysis of Indians in film he scrutinizes distortions of Indians as victims or vanishing Americans in a series of John Wayne movies and in the politically correct but false gestures of the more recent Dances With Wolves. As Owens moves through his personal landscape in Oklahoma, Mississippi, California, and New Mexico, he questions how human beings collectively can alter their disastrous relationship with the natural world before they destroy it. He challenges all of us to articulate, through literature and other means, messages of personal and environmental — as well as cultural—survival, and to explore and share these messages by writing and reading across cultural boundaries.
After the death of Marion Morrison, known as John Wayne, in 1979, President Jimmy Carter said that Wayne "was bigger than life. In an age of few heroes, he was the genuine article. But he was more than a hero; he was a symbol of many of the qualities that made America great." The first section of this study concentrates on Wayne's style of work and sphere of action as an actor: The man who works for a living and is concerned with his audience and the constraints of his immediate environment. The second section examines the artist: the man who lives in his art, who disappears into his character as an archetype of human fears and desires. Analyses of films that have made Wayne a hero are presented in the third section. A comprehensive filmography and numerous photographs are included.
Includes inclusive "Errata for the Linage book."