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It is the end of an historical epoch, but to an old professor of physics, Victor Jakob, sitting in his unlighted study, eating dubious bread with jam made from turnips, it is the end of a way of thinking in his own subject. Younger men have challenged the classical world picture of physics and are looking forward to observational tests of Einstein's new theory of relativity as well as the creation of a quantum mechanics of the atom. It is a time of both apprehension and hope. In this remarkable book, the reader literally inhabits the mind of a scientist while Professor Jakob meditates on the discoveries of the past fifty years and reviews his own life and career--his scientific ambitions and his record of small successes. He recalls the great men who taught or inspired him: Helmholtz, Hertz, Maxwell, Planck, and above all Paul Drude, whose life and mind exemplified the classical virtues of proportion, harmony, and grace that Jakob reveres. In Drude's shocking and unexpected suicide, we see reflected Jakob's own bewilderment and loss of bearings as his once secure world comes to an end in the horrors of the war and in the cultural fragmentation wrought by twentieth-century modernism. His attempt to come to terms with himself, with his life in science, and with his spiritual legacy will affect deeply everyone who cares about the fragile structures of civilization that must fall before the onrush of progress.
The sub-title of this symposium is accurate and, in a curious way, promises more than it states: Classical Physicist, Modem Philosopher. Heinrich Hertz, as the con summate experimentalist of 19th century technique and as brilliant clarifying critic of physical theory of his time, achieved one of the fulfilments but at the same time opened one of the transition points of classical physics. Thus, in his 'popular' lecture 'On the Relations Between Light and Electricity' at Heidelberg in the Fall of 1889, Hertz identified the ether as henceforth the most fundamental problem of physics, as the conceptual mystery but also the key to understanding mass, electric ity, and gravity. Of Hertz's demonstration of electric waves, Helmholtz told the Physical Society of Berlin: "Gentlemen! I have to communicate to you today the most important physical discovery of the century. " Hertz, philosophizing in his direct, lucid, pithy style, once wrote "We have to imagine". Perhaps this is metaphysics on the horizon? In the early pages of his Principles of Mechanics, we read A doubt which makes an impression on our mind cannot be removed by calling it metaphysical: every thoughtful mind as such has needs which scientific men are accustomed to denote as metaphysical. (PM23) And at another place, concerning the terms 'force' and 'electricity' and the alleged mystery of their natures, Hertz wrote: We have an obscure feeling of this and want to have things cleared up.
In this book, a professor of literature and a physicist offer a broad, new, interdisciplinary account of Modernism. Thomas Vargish and Delo E. Mook encompass physics, the visual arts and literature in a thought-provoking analysis of the period from the 1880s to World War II. Uncovering common structures and values underlying each of these disparate fields, the authors define Modernism and its historical location between nineteenth-century intellectual conventions that preceded it and the Postmodernism that followed. Bridging boundaries that traditionally divide disciplines, Vargish and Mook create a uniquely coherent and comprehensive view of the aesthetics and intellectual values that characterize the culture of Modernism.
Presents a history of physics, examining the theories and experimental practices of the science.
Hermann von Helmholtz (1821-1894) was a polymath of dazzling intellectual range and energy. Renowned for his co-discovery of the second law of thermodynamics and his invention of the ophthalmoscope, Helmholtz also made many other contributions to physiology, physical theory, philosophy of science and mathematics, and aesthetic thought. During the late nineteenth century, Helmholtz was revered as a scientist-sage—much like Albert Einstein in this century. David Cahan has assembled an outstanding group of European and North American historians of science and philosophy for this intellectual biography of Helmholtz, the first ever to critically assess both his published and unpublished writings. It represents a significant contribution not only to Helmholtz scholarship but also to the history of nineteenth-century science and philosophy in general.
This interdisciplinary collection of essays demonstrates how the ethical and political problems we are confronted with today have come to focus largely on life. The contributors to this volume define and assess the specific meaning of life itself. It is only by doing so that we can understand why life has become an all-encompassing problem, why all questions, especially ethical and political, have become vital questions. We have reached a moment in history where every distinction and opposition is no longer in relation to life, but within it, and where life is at once a theoretical and practical problem. This book throws light on this nexus of problems at the heart of contemporary debates in bioethics and biopolitics. It helps us understand why and how life is understood, valued, cared for and framed today. Taking a genuinely transdisciplinary approach, these essays demonstrate how life is a multifaceted problem and how diverse the origins, foundations and also consequences of bioethics and biopolitics therefore are.
A collection of thoughtul presentations on transference and countertransference highlights The Realities of Transference, Volume 6 in the Progress in Self Psychology series. The selfobject transferences receive special attention. Elsewhere in this volme, selfobject phenomena are examined in relation to the process of working through, the origins of ambition, the psychology of addiction, the psychodynamic consequences of AIDS, and creativity. An exploration of the selfobjects of the second half of life offers new insight into later development.
The book highlights the personal and scientific struggles of Arthur Erich Haas (1884-1941), an Austrian Physicist from a wealthy Jewish middle-class family, whose remarkable accomplishments in a politically hostile but scientifically rewarding environment deserve greater recognition. Haas was a fellow student of both Lise Meitner and Erwin Schrödinger and was also one of the last doctoral students of Ludwig Boltzmann. Following Boltzmann's suicide, Haas was forced to submit a more independent doctoral thesis in which he postulated new approaches in early quantum theory, actually introducing the idea of the Bohr radius before Niels Bohr. It is the lost story of a trailblazer in the fields of quantum mechanics and cosmology, a herald of nuclear energy and applications of modern science. This biography of Haas is based on new and previously unpublished family records and archived material from the Vienna Academy of Science and the University of Notre Dame, which the author has collected over many years. From his analysis of the letters, documents, and photos that rested for nearly a century in family attics and academic archives, Michael Wiescher provides a unique and detailed insight into the life of a gifted Jewish physicist during the first half of the twentieth century. It also sheds light on the scientific developments and thinking of the time. It appeals not only to historians and physicists, but also general readers. All appreciate the record of Haas’ interactions with many of the key figures who helped to found modern physics.
The ambition of this volume is twofold: to provide a comprehensive overview of the field and to serve as an indispensable reference work for anyone who wants to work in it. For example, any philosopher who hopes to make a contribution to the topic of the classical-quantum correspondence will have to begin by consulting Klaas Landsman's chapter. The organization of this volume, as well as the choice of topics, is based on the conviction that the important problems in the philosophy of physics arise from studying the foundations of the fundamental theories of physics. It follows that there is no sharp line to be drawn between philosophy of physics and physics itself. Some of the best work in the philosophy of physics is being done by physicists, as witnessed by the fact that several of the contributors to the volume are theoretical physicists: viz., Ellis, Emch, Harvey, Landsman, Rovelli, 't Hooft, the last of whom is a Nobel laureate. Key features - Definitive discussions of the philosophical implications of modern physics - Masterly expositions of the fundamental theories of modern physics - Covers all three main pillars of modern physics: relativity theory, quantum theory, and thermal physics - Covers the new sciences grown from these theories: for example, cosmology from relativity theory; and quantum information and quantum computing, from quantum theory - Contains special Chapters that address crucial topics that arise in several different theories, such as symmetry and determinism - Written by very distinguished theoretical physicists, including a Nobel Laureate, as well as by philosophers - Definitive discussions of the philosophical implications of modern physics - Masterly expositions of the fundamental theories of modern physics - Covers all three main pillars of modern physics: relativity theory, quantum theory, and thermal physics - Covers the new sciences that have grown from these theories: for example, cosmology from relativity theory; and quantum information and quantum computing, from quantum theory - Contains special Chapters that address crucial topics that arise in several different theories, such as symmetry and determinism - Written by very distinguished theoretical physicists, including a Nobel Laureate, as well as by philosophers
Science and literature have always been strange bedfellows. Like puzzle pieces, they fit because they're different. Some of the greatest works of world literature have been inspired by the marvels of the scientific world. Scientists have written works of the imagination. Even formal scientific writings have been known to employ rhetoric. There is a tendency to think of literature—and the humanities in general—as having little to do with science. Yet scholars have conducted fruitful studies of the history and philosophy of science. With the rise of technology, scholars have also applied scientific analysis to the study of literature and the creative process. The intersection of scientific and humanistic inquiry is finally being mapped. This volume includes more than 650 A-Z entries on topics and themes in science and literature, significant writers, key scientists, seminal works, and important theories and methodologies. This reference defines the rapidly emerging interdisciplinary field of literature and science. An introductory essay traces the history of the field, its growing reputation, and the current state of research. Broad in scope, the volume covers world literature from its beginnings to the present day and illuminates the role of science in literature and literary studies. A wide range of experts contributed entries to this volume, each of which concludes with a brief bibliography. The entire volume closes with a list of works for further reading.