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When CBS cancelled Serling's series, The Twilight Zone, Serling sought a similar concept in Night Gallery in the early 1970s as a new forum for his brand of storytelling, a mosaic of classic horror and fantasy tales. In this work, the authors explore the genesis of the series and provide production detail and behind-the-scenes material. They offer critical commentary and off-screen anecdotes for every episode, complete cast and credit listings, and synopses of all 43 episodes. Also featured are interviews with television personalities including Roddy McDowall, John Astin, Richard Kiley and John Badham.
The Season To Be wary is unique in that it is one of the first examples of Rod Serling publishing stories he created first in narrative form. This collection of three novellas provides poignant insights into the human condition with all its' moral and ethical dilemmas. Of the three, Escape Route and Eyes were included in the pilot for The Night Gallery, with the latter starring Joan Crawford and directed by new comer, Steven Spielberg. Darkly disturbing, these stories remain relevant today.
Rod Serling considered Night Gallery to be a logical or natural extension of his more well-known series, The Twilight Zone, which ended in 1964. Night Gallery had more horror stories. Set in a dimly lit museum, it featured Serling playing curator, introducing macabre tales, and showing the audience paintings that featured in the stories.
This anthology brings together original stories that Rod Serling made into episodes of his "Night Gallery" series, including works by H.P. Lovecraft, C.M. Kornbluth, Fritz Leiber, Richard Matheson, and Serling himself
Selected carefully by well-respected editor Robert Weinberg and with an introduction by award-winning author Gene Wolfe, The Return of the Sorcerer: The Best of Clark Ashton Smith offers both readers and scholars a definitive collection of short fiction and short novels, by an overlooked master of fantasy, horror and science-fiction.
Samara Golden: The Flat Side of the Knife is the first monograph on the work of Los Angeles-based artist Samara Golden (American, b. 1973). Published on the occasion of Golden's exhibition of the same title at MoMA PS1, New York, the book includes an essay by MoMA PS1 Assistant Curator, Mia Locks, an interview with the artist by Sarah Lehrer-Graiwer, and full-bleed installation views of Golden's recent works exploring what she terms "the sixth dimension."
From Kristin Hannah, the #1 New York Times bestselling author of the smash-hit novels Firefly Lane, The Nightingale, and The Four Winds comes a novel about how one reckless night destroys the lives of three teenagers and their families. For eighteen years, Jude Farraday has put her children's needs above her own, and it shows—her twins, Mia and Zach, are bright and happy teenagers. When Lexi Baill moves into their small, close-knit community, no one is more welcoming than Jude. Lexi, a former foster child with a dark past, quickly becomes Mia's best friend. Then Zach falls in love with Lexi and the three become inseparable. Jude does everything to keep her kids out of harm's way. But senior year of high school tests them all. It's a dangerous, explosive season of drinking, driving, parties, and kids who want to let loose. And then on a hot summer's night, one bad decision is made. In the blink of an eye, the Farraday family will be torn apart and Lexi will lose everything. In the years that follow, each must face the consequences of that single night and find a way to forget...or the courage to forgive. Vivid, universal, and emotionally complex, Night Road raises profound questions about motherhood, identity, love, and forgiveness. It is a luminous, heartbreaking novel that captures both the exquisite pain of loss and the stunning power of hope. This is Kristin Hannah at her very best, telling an unforgettable story about the longing for family, the resilience of the human heart, and the courage it takes to forgive the people we love. "You cannot read Night Road and not be affected by the story and the characters. The total impact of the book will stay with you for days to come after it is finished." —The Huffington Post