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The fifth book in the series about the much-loved cheeky French schoolboy and his friends. In this new collection of adventures, things are never easy for Nicholas and his gang: the shopkeeper won't let them buy chocolate, their teacher won't let them play Geoffrey's fantastic new game and Jeremy is none to pleased about the appearance of his new little brother. This international classic in children's fiction by Jean-Jacques Sempé (b.1932) and René Goscinny (1926 - 77) is now available to English-speaking children worldwide in a delightful translation by Anthea Bell. It features 16 stories written by one of the most successful children's authors of all time, with illustrations by one of today's best-loved illustrators. Aimed at readers from 7 upwards, these stories will be enjoyed by adults and children alike.
UK edition. The day-to-day adventures of an amusing, endearing young school boy.
US edition. More classic adventures in this sequel to Nicholas.
Fishing trips, miniature golf, and a whole new gang of friends figure in the third book in the classic series about the cheeky French schoolboy, Nicholas. Illustrations.
When Titanium Chief captures Wasabi and his green flame and makes a duplicate of the little hero, it is up to Sushi Pack to locate the real Wasabi and save his friend from the dangerous grip of the evil villain in this exciting media tie-in to the television show "Sushi Pack." Simultaneous.
Forget naughty or nice; this is a battle of good and evil. Luminary Joyce and co-author Geringer deliver the first book in a new series. Before Santa was Santa, he was Nicholas St. North--a daredevil swordsman whose prowess with double scimitars was legendary. Illustrations.
Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.
Christian picture book author shares another compelling story that illustrates faith at work in nature. Once again, her touching, true story is brought to life by the gifted artist Anna McCullough.
Frank Lloyd Wright's foray into affordable housing--the American System-Built Homes--is frequently overlooked. When Nicholas and Angela Hayes became stewards of one of them, they began to unearth evidence that revealed a one-hundred-year-old fiasco fueled by competing ambitions and conflicting visions that eventually gave way to Wright's most creative period.
Given his line of work in the employ of a psychotic Brooklyn crime boss, Trent finds himself on the wrong end of too many bullets. Yet each time he's killed, he wakes a few minutes later completely healed of his wounds but with no memory of his past identity. What's worse, each time he cheats death someone else dies in his place. Sent to steal an antique box from some squatters in an abandoned warehouse near the West Side Highway, Trent soon finds himself stumbling into an age-old struggle between the forces of good and evil, revealing a secret world where dangerous magic turns people into inhuman monstrosities, where impossible creatures hide in plain sight, and where the line between the living and the dead is never quite clear. And when the mysterious box is opened, he discovers he has only twenty-four hours to save New York City from certain destruction, in Dying Is My Business by Nicholas Kaufmann.