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A mesmerizing collection from the US Poet Laureate whose work is “as intense and elliptical as [Emily] Dickinson, as buoyant and rueful as [Robert] Frost” (J. D. McClatchy, American Poet). In granting the prestigious Ruth Lilly Prize to Kay Ryan, Poetry magazine editor Christian Wiman wrote that “[she] can take any subject and make it her own. Her poems—which combine extreme concision and formal expertise with broad subjects and deep feeling—could never be mistaken for anyone else’s. Her work has the kind of singularity and sustained integrity that are very, very rare.” Winner of the Pulitzer Prize, Kay Ryan’s poems are “Fabergé eggs, tiny, ingenious devices that inevitably conceal some hidden wonder.” The Niagara River is full of such hidden gems. Bafflingly effective, the poems in this collection seem too brief and blithe to pack so much wallop. Their singular music makes it clear why her poetry has been featured everywhere from the Sunday funnies to New York subways to plaques at the zoo to the pages of The New Yorker and The Paris Review (Salon). “Empathic and wryly unforgiving of the human condition, the poems [in The Niagara River] are equal parts pith and punch. The effect is bracing.” —Publishers Weekly
"Everything and Other Poems" is a new collection of poetry by Charles North. North has published eleven books of poems, three books of critical prose, and collaborations with artists and other poets. With James Schuyler, he edited the poet/painter anthologies "Broadway" and "Broadway 2." His "New and Selected: What It Is Like" headed NPR's Best Poetry Books of 2011, and he has received a Foundation for Contemporary Arts Grant, two NEA grants, four Fund For Poetry Awards, and a Poets Foundation Award. He lives with his wife, the painter Paula North, in New York City. More info at charles-north.com"--
Americans call Niagara Falls a natural wonder, but the Falls aren't very natural anymore. In fact, they are a study in artifice. Water diverted, riverbed reshaped, brink stabilized and landscape redesigned, the Falls are more a monument to man's meddling than to nature's strength. Held up as an example of something real, they are hemmed in with fakery -- waxworks, haunted houses, IMAX films and ersatz Indian tales. A symbol of American manifest destiny, they are shared politely with Canada. Emblem of nature's power, they are completely human-controlled. Archetype of natural beauty, they belie an ugly environmental legacy still bubbling up from below. On every level, Niagara Falls is a monument to how America falsifies nature, reshaping its contours and redirecting its force while claiming to submit to its will. Combining history, reportage and personal narrative, Inventing Niagara traces Niagara's journey from sublime icon to engineering marvel to camp spectacle. Along the way, Ginger Strand uncovers the hidden history of America's waterfall: the Mohawk chief who wrested the Falls from his adopted tribe, the revered town father who secretly assisted slave catchers, the wartime workers who unknowingly helped build the Bomb and the building contractor who bought and sold a pharaoh. With an uncanny ability to zero in on the buried truth, Strand introduces us to underwater dams, freaks of nature, mythical maidens and 280,000 radioactive mice buried at Niagara. From LaSalle to Lincoln to Los Alamos, Mohawks to Marilyn, Niagara's story is America's story, a tale of dreams founded on the mastery of nature. At a time of increasing environmental crisis, Inventing Niagara shows us how understanding the cultural history of nature might help us rethink our place in it today.
A delightful collection of religious poems by Benjamin Copeland. He expressed his thoughts in beautiful words that are a joy to read. Copeland will take the readers on a fascinating journey to the world of poetry with his verses. This volume features 'The First Robin,' 'The Meadow Air Is Sweet,' 'A Contrast,' 'The Goal,' and many more poems.
This novel-in-verse tells the fascinating story of Annie Taylor, who, in 1901, became the first person to plunge over the brink of Niagara Falls in a barrel. But as Joan Murray reveals, America didn't know what to do with a mature and self-possessed heroine: Annie Taylor, as an 'older woman,' was rejected and exploited and finally eclipsed by the man who repeated her stunt ten years later.