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First published in 1963, James Baldwin's A Fire Next Time stabbed at the heart of America's so-called ldquo;Negro problemrdquo;. As remarkable for its masterful prose as it is for its uncompromising account of black experience in the United States, it is considered to this day one of the most articulate and influential expressions of 1960s race relations. The book consists of two essays, ldquo;My Dungeon Shook mdash; Letter to my Nephew on the One Hundredth Anniversary of Emancipation,rdquo; and ldquo;Down At The Cross mdash; Letter from a Region of My Mind.rdquo; It weaves thematic threads of love, faith, and family into a candid assault on the hypocrisy of the so-say ldquo;land of the freerdquo;, insisting on the inequality implicit to American society. ldquo;You were born where you were born and faced the future that you facedrdquo;, Baldwin writes to his nephew, ldquo;because you were black and for no other reason.rdquo; His profound sense of injustice is matched by a robust belief in ldquo;monumental dignityrdquo;, in patience, empathy, and the possibility of transforming America into ldquo;what America must become.rdquo;
As a wife and mother of five, I know all too well how destructive building a faade that everything is fine can be. Tearing down this wall and letting people see the real methe pain, the struggles, the tears, and the triumphs has been difficult but rewarding. Get REAL: Stop Hiding Behind the Mask examines how to do just that. It delves into discovering a persons true identity, centered on Gods view of each of us, letting go of the insecurities that so easily entangle our lives and finally, living with eternal perspectivekeeping our focus heavenward instead of inward.
As the national bestselling Food Lovers’ Village Mysteries continue, the merchants of Jewel Bay, Montana, try to heat up chilly winter business with a new film festival. But their plans are sent reeling when a dangerous killer dims the lights on a local vendor... In an attempt to woo tourists to Jewel Bay and cheer up the townies, Erin Murphy, manager of the specialty local foods market known as the Merc, is organizing the First Annual Food Lovers’ Film Festival, filled with classic foodie flicks and local twists on favorite movie treats. But when her partner in planning, painter Christine Vandeberg, is found dead only days before the curtain rises, Erin suspects someone is attempting to stop the films from rolling. To make matters worse, Nick—Erin’s brother and Christine’s beau—has top billing on the suspect list. Convinced her brother is innocent and determined that the show must go on, Erin has to find who’s really to blame before Nick gets arrested or the festival gets shut down. But the closer she gets to the killer, the more likely it becomes that she’ll be the next person cut from the program... INCLUDES DELICIOUS RECIPES!
This is a book of the last century of the world. Or a book of life, about us, the people of the world and each individual. Or a book of answers that people do not always obey. From the past to present to the future. Family, parents, children, life, wife. Respect. Our past, our countries, our choices, our freedom. With total connection, with ideology, view, and mentality of our ancestors. Include our American founding fathers, Words, views, and hobbies. This book was born in an old-fashioned barbershop, made by an old-school Soviet barber. It has been offered to read to real-life customers on the spot while they were waiting for the best haircuts. From simple realities of small business owners and realities in old-fashioned barbershops, to simple realities and history of the country to around the world. Included is the Soviet barber's life story and roads to freedom, where American people will see their history, or real history, and reality of their ancestors who made tough decisions and choices and dangerous roads, to freedom and independence. It is based on conversations between the customers and the barber.
You can take the woman out of the country… When Ellie Nelson traded life in rural England for the big city, she left painful memories behind. Coming home to Little Dale means getting back in touch with nature and the animals that inspire her. And a local wildlife vet could even help the fledgling painter realize her dreams. Except he's the one who broke her heart. Andy Montgomery has to tread with caution. He can't put the creatures he's sworn to protect at risk. And Ellie isn't ready to trust him again. He doesn't blame her—he still hasn't told her his biggest secret. Once he does, will Ellie leave their close-knit community forever?
The Custom of the Country by Edith Wharton Considered by many to be her masterpiece, Edith Wharton's second full-length work is a scathing yet personal examination of the exploits and follies of the modern upper class. As she unfolds the story of Undine Spragg, from New York to Europe, Wharton affords us a detailed glimpse of what might be called the interior d cor of this America and its nouveau riche fringes. Through a heroine who is as vain, spoiled, and selfish as she is irresistibly fascinating, and through a most intricate and satisfying plot that follows Undine's marriages and affairs, she conveys a vision of social behavior that is both supremely informed and supremely disenchanted. - Anita Brookner We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Problems at work? Lucy Kellaway has the answers: "Should I tell my boss what I think of him?" "How can I be more political and still be myself?" "I have to sack my friend or fire someone better." "I am a foreigner and my views are ignored." These are typical conundrums faced by many of us, and just a few of the hundreds sent every week to Lucy Kellaway's popular "agony aunt" column in the Financial Times. Whether it's a problem of working with an ex-lover, firing a litigious employee, or dealing with accusations of racism, Kellaway's advice is always simple and practical, and essential reading for those trying to cope with troublesome co-workers. Better still, there is the wisdom, rage, expertise, and folly of the managers and self-appointed experts who add their thoughts. Lucy Kellaway is the management columnist at the Financial Times. She was Columnist of the Year in 2006, and is the author of Sense and Nonsense in the Office and Martin Lukes: Who Moved My BlackBerry?.