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Perle Besserman's adventures in a Japanese Zen monastery provide the groundwork for this lively, heartwarming narrative of a woman's life in Zen. Engaging in cross-cultural dialogues with nuns and laywomen in India, China, Japan, and more, Besserman dispels the notion that women had nothing to do with the founding and sustaining of Zen. She shows how women continue to transform traditional Zen in new and creative ways, integrating the practice of meditation into their lives. Both informative and entertaining, A New Zen for Women offers a new look at Western women encountering Zen.
Discover how the mysterious, powerful form of the koan—known for bringing about sudden enlightenment—can disrupt and illuminate your everyday understanding of life. Traditionally, Zen koans—the teaching stories of Zen—are drawn from the words and teachings of ancient masters and primarily address the concerns of (male) monastic practitioners. In The Crow Flies Backward, Ross Bolleter changes all at. The 108 modern koans offered within address sexuality and childbirth, family, parenthood, work, money and even the nature time itself. These koans are drawn from a variety of modern sources: Western philosophy, the Bible, contemporary and classic literature from Proust to Lewis Carroll and Mary Oliver and Anne Carson, as well as stories provided by author’s encounters with his Zen students. Bolleter’s commentaries provide guidance to the reader on how to engage with each koan and koans in general, and direct guidance to meditate with koans. An appendix offers rarely-seen intimate and in-depth accounts of the process of koan introspection, from four of the author’s senior students.
New Zen is a unique publication - a collection of the most innovative modern Japanese tea ceremony rooms, or chashitsu, designed by contemporary architects. Traditionally chashitsu are made up of certain elements - an alcove (tokonoma), with a flower and painted scroll, tatami mats, a sunken heart (ro) and chashitsu windows - never contain furniture and are used for contemplation. In the last fifteen years Japanese architects have been reinterpreting the tea ceremony room, creating modern meditative spaces. The result is that these rooms represent some of the most interesting interior design and architecture in Japan, featuring a vast array of materials, including paper, wood, plastic, metal and concrete. This book is the only one to examine this phenomenon.
"Among the Zen handbooks or primers out there, none fit your hand so simply as these sixty-four poetry-like chapters of Hoag Holmgren's No Better Place. Like the sixty-four hexagrams of the I Ching, each widens into a far-off state of mind. Turn them over in your thoughts though, and they prove to be guides to where you are standing. Ten in particular, which refer to the 12th century Chinese Oxherding Pictures, point North American Zen back to a mythic world of ancestors. Old-time buddhas, those ancestors. They are our brothers and sisters in the ecology of mind. Thanks to Holmgren's book, you can stand eyebrow-to-eyebrow with them.". -Andrew Schelling Editor of The Wisdom Anthology of North American Buddhist Poetry .."No Better Place is a penetrating and affecting presentation of the Buddha Dharma cast in a thoroughly Western idiom. Hoag's simple, clear prose invites entry in this very place, now." -Danan Henry Roshi.."Hoag Holmgren writes from the depths of his own understanding in this profound and simply expressed primer. These words will touch and inspire readers to surrender to a joyful experience of compassion for all.". -Jiun Hosen, Osho Abbess, Bodhi Manda Zen Center.."While No Better Place may seem like a slight book, it's actually a wide-open doorway-into the essence of Zen! It says so much so succinctly and insightfully, that reading its brief chapters brings real "Aha!" delight. I look forward to sharing this book with my own Zen students. Many thanks to Hoag Holmgren!". -Rafe Martin Sensei, Award-winning author, founding teacher and spiritual director, Endless Path Zendo.."No Better Place is simple, clear, and beautifully written. I highly recommend it for anyone (new or experienced) interested in the path of Zen. This book captures the heart of this journey and beckons one to step in.". -Peggy Metta Sheehan Sensei, Zen Center of Denver..
Green drinks gone boozy Green drinks gone boozy! Create your own delicious cocktails using ingredients you can find in your own backyard, windowsill, or local farmer’s market. Learn to make your own simple syrups and infusions with immune boosting fruits, herbs and veggies that will leave you feeling refreshed and energized. Lavishly illustrated with full-color photographs and offering over 100 fun, simple, and delicious cocktail recipes, Zen and Tonic lets you infuse your life and drinks with healthy, wholesome, revitalizing ingredients.Complete with a thorough introduction to today’s producers of organic and quality spirits, and a spotlight on the wholesome herbs, spices and super foods featured in the recipes, Zen and Tonic, brings a fresh twist to the classic toast: “Let’s drink to your health!”
The Roaring, Stream: A New Zen Reader is a groundbreaking, immensely readable anthology drawn From the vast corpus of Ch'an and Zen Buddhist literature. It offers readers a tour through more than a millennium of writing, presenting one masterpiece after another in chronological progression. "You can dip into the waters of this stream, again and again, at any point Finding refreshment and perspective, " notes Robert Aitken in his introduction. "A year From now you can dip in again and find treasures that were not at all evident the First time." From lectures to letters, brief poems to extended disquisitions, this collection is an ideal point of entry For newcomers to the Zen tradition, and an essential sourcebook For those who are already " on the way." "Now the masterpieces of Zen Buddhist writing are availa6le in a single volume," applauds Library Journal. "[This] will be the standard introduction to Zen Buddhism For years to come."
New and revised. Based on an ancient and beloved Zen fable, this story is about a wise girl who experiences a series of events that at first seem lucky (or unlucky) but then turn out to be quite the opposite. A bike disappears, but then she gets a new one. She hurts herself, but then she enjoys a nice day at home. For each incident, was what happened good luck? Maybe. Was it bad luck? Maybe. Or, perhaps the girl simply does not get caught up in the emotion of the moment, because she can never know what that event might lead to, good or bad . . .
Although the lines of the palm of the hand are barely visible in the early light, the monks of the Tofukuji monastery have been about their familiar rounds of daily tasks for several hours. Their routine is simple but faithfully practiced. Within its repetition lies the key to the self and the Buddha who resides within. The daily life of the monastery is portrayed here in ninety-seven watercolor sketches. Drawn during his last years by the Zen monk Giei Sato, these sketches recollect his days as an unsui, an apprentice monk. With humor and steadfast warmth Sato depicts the day of leaving home and the day of returning; the rainy season and the snowy season; the chores, the celebrations, the days of cleaning, and the days of begging. Each of the charming drawings is enhanced by a brief description of the event portrayed, a touch of Zen teaching, or a note on monastic life.