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Hundreds of enticing recipes: soups and gumbos, seafoods, meats, rice dishes and jambalayas, cakes and pastries, fruit drinks, French breads, many other delectable dishes. Explanations of traditional French manner of preparations.
The genesis and aftermath of the print edition's death knell. In May 2012, the New York Times broke a story that the internationally acclaimed, locally beloved, Pulitzer Prize-winning New Orleans Times-Picayune would become a three-day-a-week publication. The profitable newspaper slashed its veteran newsroom, antagonized the city, state, and nation, and jeopardized its vaunted reputation-all in an effort to create a new blueprint for American newspapers in the increasingly digital world. Here is the insider's account of the outrage, betrayal, and aftermath of the death of the daily edition of the Times-Picayune.
"In 1984, the city of New Orleans hosted the last world's fair held in the United States. Conceived as part of an ambitious effort to revitalize a dilapidated section of the city and establishe New Orleans as a year-round tourist destination, it took more than 12 years of political intrigue and design changes before the gates finally opened. Stretching 84 acres along the Mississippi River, the fair entertained more than seven million guests with a colorful collection of pavilions, rides, and restaurants during its six-month run. While most world's fairs lose money, the 1984 New Orleans World's Fair had the dubious distinction of going bankrupt and almost closing early. However, the $350-million investment did succeed in bringing new life to the area, which is now home to the city's convention center and a bustling arts district" -- back cover.
For twenty years, starting in 1999, Jarvis DeBerry's New Orleans Times-Picayune column was the place where the city got its most honest look at itself: the good, the bad, the wonderful, and yes, also the weird. And the city took note. DeBerry's columns inspired letters to the editor, water cooler conversations, city council considerations, and barbershop pontification. I Feel To Believe collects his best columns, documenting two decades of constancy and upheaval, loss, racial injustice, and class strife. In a world of tradition in which lifelong New Orleanians hold strongly that one has to be us to truly see us, DeBerry arrived and began his journey. Generations from now, his readers will receive a deep look at the Crescent City before, during, and after Katrina. I Feel To Believe is all at once an accounting, a reckoning, a celebration.