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This corrective history of Scotland reveals the little-told stories of freedom fighters and suffragettes—offering a passionate case for Scottish Independence. A People’s History of Scotland looks beyond the kings and queens, the battles and bloody defeats of the past. It captures the history that matters today—stories of freedom fighters, suffragettes, the workers of Red Clydeside, and the hardship and protest of the treacherous Thatcher era. With riveting storytelling, Chris Bambery recounts the struggles for nationhood. He charts the lives of Scots who changed the world, as well as those who fought for the cause of ordinary people at home, from the poets Robbie Burns and Hugh MacDiarmid to campaigners such as John Maclean and Helen Crawfurd. This is a passionate cry for more than just independence but also for a nation based on social justice.
ÿQueen Margaret II of Scotland (1489-1541) has been all but forgotten in the story of the Tudor dynasty established by her father, Henry VII. Misunderstood and underestimated by many historians, she has been seen as a spectator to history, her motivations described as foolish, self-seeking, corrupt or treacherous. Yet the truth is rather different. After her husband, James IV of Scotland, was killed in the battle of Flodden Field in 1513, Margaret found herself fighting for her infant son, the future James V. A young and inexperienced queen without an army, she had to grow up fast. Through love or necessity, she formed alliances with several powerful and dangerous men, while dealing with the clumsy and inept policies of her brother, Henry VIII. Yet despite endless heartbreaks, deceptions and defeats, Queen Margaret proved that she had the determination to win through. This book tells the story of Queen Margaret Tudor and her many struggles to ensure the survival and birthright of her royal son.
This book brings together academics, writers and politicians to explore the range and nature of the media in Scotland. The book includes chapters on the separate histories of the press, broadcasting and cinema, on the representation and construction of Scotland, the contemporary communications environment, and the languages used in the media. Other chapters consider television drama, soap opera, broadcast comedy, gender, the media and politics, race and ethnicity, gender, popular music, sport and new technology, the place of Gaelic, and current issues in screen fiction. Among the contributors are David Bruce, Myra Macdonald, Brian McNair, Hugh O'Donnell, Mike Russell, Philip Schlesinger and Brian Wilson.
This book is the story of a changing Scotland as it was heard and seen by the people of Scotland. We all may have our ideas about where we are headed as nation and a society, but none of us knows. That makes what lies ahead so fascinating. Just like what's gone before. JOHN MacKAY John MacKay is one of Scotland's best known broadcasters. His career as a reporter, anchor and presenter has spanned from the Thatcher Years to the Independence Referendum and beyond. MacKay has been witness to the major stories in the country's recent past. There have been the tragedies of Lockerbie, Dunblane and Clutha; sporting triumphs and tears; the opening of the new Scottish Parliament; the drama of parliamentary elections and referendums; interviews with Prime Ministers and First Ministers; and the death of Donald Dewar. From being in a room with a grizzly bear to trying to calm an irate – and topless – Alex Salmond, MacKay's career has been nothing if not varied. Using archive scripts, interview transcripts, recollections and personal diaries, he tells the story of one of the most tumultuous periods in Scotland's peacetime history.
LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 'To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach - may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .' Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by echoes that travel across time. In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach. Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community. In the present day, young Lachie whispers to Maja of a ghost he thinks he has seen. Reflecting on her long life, Maja believes him, for she is haunted by ghosts of her own. News of the Dead is a captivating exploration of refuge, retreat and the reception of strangers. It measures the space between the stories people tell of themselves - what they forget and what they invent - and the stories through which they may, or may not, be remembered.
A BEST BOOK OF JANUARY: O Magazine A BEST BOOK OF THE YEAR in the UK: The Guardian, The Times “[Moss] writes beautifully about... souls in tumult, about people whose lives have not turned out the way they’d hoped. . .There’s little doubt, reading Moss, that you’re in the hands of a sophisticated and gifted writer." —Dwight Garner, The New York Times The acclaimed author of Ghost Wall offers a new, devastating, masterful novel of subtle menace They rarely speak to each other, but they take notice—watching from the safety of their cabins, peering into the half-lit drizzle of a Scottish summer day, making judgments from what little they know of their temporary neighbors. On the longest day of the year, the hours pass nearly imperceptibly as twelve people go from being strangers to bystanders to allies, their attention forced into action as tragedy sneaks into their lives. At daylight, a mother races up the mountain, fleeing into her precious dose of solitude. A retired man studies her return as he reminisces about the park’s better days. A young woman wonders about his politics as she sees him head for a drive with his wife, and tries to find a moment away from her attentive boyfriend. A teenage boy escapes the scrutiny of his family, braving the dark waters of the loch in a kayak. This cascade of perspective shows each wrapped up in personal concerns, unknown to each other, as they begin to notice one particular family that doesn’t seem to belong. Tensions rise, until nightfall brings an irrevocable turn. From Sarah Moss, the acclaimed author of Ghost Wall—a “riveting” (Alison Hagy, The New York Times Book Review) “sharp tale of suspense” (Margaret Tablot, The New Yorker), Summerwater is a searing exploration of our capacity for kinship and cruelty, and a gorgeous evocation of the natural world that bears eternal witness.
After the Referendum on whether Scotland should become an independent country in September 2014 "e; and following a momentous mobilisation of voters by both the Yes and No campaigns "e; Scotland's political environment has been fundamentally energised. But how was the Referendum campaign reported and structured in the media in Scotland, the wider United Kingdom, and in other parts of the world, and was it a matter of 'construction' rather than 'representation'?In this book scholars, commentators and journalists from Britain, Europe and beyond examine how the media across the world presented the debate itself and the shifting nature of Scottish and British identity which that debate revealed. Several of the contributors also explore how the emphases and constructions which were put on the debate in their particular countries illuminated these countries' own responses to nationalism and separatism. The consequences of the Referendum's No result are traced in the media through until the May general election of 2015.
The 2014 Referendum on Scottish independence sparked debate on every dimension of modern statehood. Levels of public interest and engagement were unprecedented, as demonstrated by record-breaking voter turnout. Yet aside from Trident, the issue of security was relatively neglected in the campaigns, and there remains a lack of literature on the topic. In this volume Andrew Neal has collated a variety of interdisciplinary perspectives on security and constitutional change in Scotland and the UK, including writing from experts in foreign policy analysis, intelligence studies, parliamentary studies, and journalism. Security in a Small Nation provides an illuminating analysis of the politics of security. Its authors reflect on a number of related issues including international comparisons, alliances, regional cooperation, terrorism, intelligence sharing, democratic oversight, and media coverage. It has a particular focus on what security means for small states and democratic politics. The book draws on current debates about the extent of intelligence powers and their implications for accountability, privacy, and human rights. It examines the foreign and security policy of other small states through the prism of Scottish independence, providing unique insight into the bureaucratic and political processes associated with multi-level security governance. These contributions provide a detailed picture of the changing landscape of security, including the role of diverse and decentralised agencies, and new security interdependencies within and between states. The analysis presented in this book will inform ongoing constitutional debates in the UK and the study of other secessionist movements around the world. Security in a Small Nation is essential reading for any follower of UK and Scottish politics, and those with an interest in security and nationhood on a global scale.
ownership of the News : 1st report of session 2007-08, Vol. 2: Evidence