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Drawing on textual and anthropological research, this book demonstrates how popular ritual texts and stories have shaped the religion and culture of the only surviving Mahayana Buddhist society, the Newars of Kathmandu.
Will Tuladhar-Douglas sheds new light on an important branch of Mahayana Buddhism and establishes the existence, character and causes of a renaissance of Buddhism in the fifteenth century in the Kathmandu Valley of Nepal. He provides the basis for the historical study of Newar Buddhism as one distinct tradition among the many that comprise Indic Buddhism. Through a thorough study of the relevant texts in the classical Himalayan languages (Sanskrit, Newari, Tibetan and Nepali), the book puts forward a new thesis about how the Newars legitimated and reinvented their tradition by devising new concepts of canonicity, as such it will appeal to scholars of the history and philology of Buddhism.
This Title Is A Historical Analysis Of Origin And Development Of Buddhist Sects And Sectarianism In The History Of The Succession Of Schools, It Is Found That The First Schism In The Sangha Was Followed By A Series Of Schisms Leading To The Formation Of Different Sub-Sects, And In The Course Of Time Eleven Such Sub-Sects Arose Out Of The Theravada While Seven Issued From The Mahasasnghikas. All These Branches Of Buddhist Sects Appeared One After Another In Close Succession Which In Three Or Four Hundred Years After The Buddha'S Parinirvana. Here, We Focus On Following Important Aspects: Growth And Ramification Of Buddhist Sects And Sectarian Schools; Mahayana Buddhism, Theravada Buddhism, Tantric Buddhism, Yogacara, Newar Buddhism, Bhutanese Buddhist Sects, Protestant Buddhism, Nichren Buddhism, Amida Buddhism, Tendai Buddhism, Shingon Buddhism, Zen Buddhism, Millennial Buddhism, There Are Different Authorities, Such As The Traditions Of The Theravadins, Sammitiyas, Mahasanghikas, And Subsequently The Tibetan And Chinese Translations Which Give Us Accounts Of The Origin Of The Different Sects And Sectarianism.
Winner, 2018 Edward Cameron Dimock, Jr. Prize in the Indian Humanities Buddhist representations of the cosmos across nearly two thousand years of history in Tibet, Nepal, and India show that cosmology is a rich language for the expression of diverse religious ideas, with cosmological thinking at the center of Buddhist thought, art, and practice. In Creating the Universe, Eric Huntington presents examples of visual art and architecture, primary texts, ritual ideologies, and material practices—accompanied by extensive explanatory diagrams—to reveal the immense complexity of cosmological thinking in Himalayan Buddhism. Employing comparisons across function, medium, culture, and history, he exposes cosmology as a fundamental mode of engagement with numerous aspects of religion, from preliminary lessons to the highest rituals for enlightenment. This wide-ranging work will interest scholars and students of many fields, including Buddhist studies, religious studies, art history, and area studies. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/creating-the-universe
First Published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
Explore new research on the religious and cultural traditions of the Himalayan Buddhist world. Over decades, hundreds of American undergraduates spending a semester abroad have been introduced to Tibetan culture in India, Nepal, and China by Hubert Decleer. A number went on to become prominent scholars in the field at institutions such as Yale, Berkeley, and Georgetown, and as a tribute to him they have put together this collection of cutting-edge research in Himalayan studies, bringing together contributions of this new generation with those of senior researchers in the field. This new research on the religion and culture of the Himalayan Buddhist world spans a broad range of subjects, periods, and approaches, and the diversity and strength of the contributions ensures Himalayan Passages be warmly welcomed by scholars, travelers, and Tibetan Buddhists alike. Highlights include: Donald S. Lopez, Jr. tells the story of Gendun Chopel's unusual visit to Sri Lanka in 1941. Leonard van der Kuijp examines the Bodhicittavivarana, an ancient work on the enlightened resolve to free all beings. Kabir Mansingh Heimsath compares Western and Chinese curatorial approaches to Tibetan modern art. Alexander von Rospatt illuminates the fascinating history and artistic details of the famous Svayambhu stupa in Kathmandu. Sarah H. Jacoby translates the short autobiography of Sera Khandro, the celebrated female Tibetan mystic of a century ago. Additional contributors include Franz-Karl Ehrhard, Ernst Steinkellner, Jacob P. Dalton, Iain Sinclair, Anne Vergati, Punya Prasad Parajuli, and Dominique Townsend.
Rebuilding Buddhism describes in evocative detail the experiences and achievements of Nepalis who have adopted Theravada Buddhism. This form of Buddhism was introduced into Nepal from Burma and Sri Lanka in the 1930s, and its adherents have struggled for recognition and acceptance ever since. With its focus on the austere figure of the monk and the biography of the historical Buddha, and more recently with its emphasis on individualizing meditation and on gender equality, Theravada Buddhism contrasts sharply with the highly ritualized Tantric Buddhism traditionally practiced in the Kathmandu Valley. Based on extensive fieldwork, interviews, and historical reconstruction, the book provides a rich portrait of the different ways of being a Nepali Buddhist over the past seventy years. At the same time it explores the impact of the Theravada movement and what its gradual success has meant for Buddhism, for society, and for men and women in Nepal.
Published in conjunction with a 2003 exhibition co-organized by the Columbus Museum of Art and the Los Angeles County Museum of Art, this hefty, oversize (10x13 catalogue features approximately 160 powerful masterpieces of Indian, Nepalese, Tibetan, Chinese, and Mongolian art produced over the pa
Tantric traditions in both Buddhism and Hinduism are thriving throughout Asia and in Asian diasporic communities around the world, yet they have been largely ignored by Western scholars until now. This collection of original essays fills this gap by examining the ways in which Tantric Buddhist traditions have changed over time and distance as they have spread across cultural boundaries in Asia. The book is divided into three sections dedicated to South Asia, Central Asia, and East Asia. The essays cover such topics as the changing ideal of masculinity in Buddhist literature, the controversy triggered by the transmission of the Indian Buddhist deity Heruka to Tibet in the 10th century, and the evolution of a Chinese Buddhist Tantric tradition in the form of the True Buddha School. The book as a whole addresses complex and contested categories in the field of religious studies, including the concept of syncretism and the various ways that the change and transformation of religious traditions can be described and articulated. The authors, leading scholars in Tantric studies, draw on a wide array of methodologies from the fields of history, anthropology, art history, and sociology. Tantric Traditions in Transmission and Translation is groundbreaking in its attempt to look past religious, linguistic, and cultural boundaries.