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STORYLINES NOTABLE BOOK AWARD 2014 'Take me with you to New Zealand!' Ireland to New Zealand, 1874. When ten-year-old Rebecca Kelly is sent to the dreary Derry workhouse she decides that this is not the life for her, so she steals a pony to ride to Belfast. Rebecca is determined to join her brother, who is a sailor on the ship Queen of Nations bound for New Zealand, but this is difficult for a young girl without a penny to her name. Rebecca must become a servant and earn her passage to the new colony. Join Rebecca as she experiences the excitement and fears of life as a nineteenth-century immigrant girl. What was life like so many years ago? Find out through the eyes of a girl who's just like you.
'I'm sure it'll be much more fun at the goldfields'. Dunedin, 1865 Charlotte loves to play marbles with her best friend Harry and read about adventures on the high seas. But Charlotte will have to leave school soon and help her mother with the house and the younger children. Charlotte can't imagine anything worse. When it looks like her mother is going to keep her home for good, Charlotte and her new friend Cyril board a Cobb & Co coach and head to Hogburn Gully, where the Otago gold rush is in full swing. But the mining town isn't what Charlotte imagined. Can Charlotte find a fortune in the goldfields? Or will she have to return home to a narrow life of sewing, cooking and looking after her little sisters?
Hene is a Maori girl living in 1840s New Zealand. When her twin brother falls dangerously ill, her parents fear she will also catch the sickness, so they send her away from her home at the pa to the Paihia mission station. Life with the missionaries is difficult. Hene must wear an uncomfortable European dress and learn to sew, which she hates. Meanwhile, across the water in Russell, the world is in turmoil. Hone Heke has cut down the flagpole again and has attacked Korororeka. Hene sees smoke and fire from across the bay; the town is on fire and her best friend from the mission house, Rangi, is trapped there. Hene is the only one who can save her.
The most comprehensive guide on postgraduate grants and professional funding globally. For thirty-four years it has been the leading source for up-to-date information on the availability of, and eligibility for, postgraduate and professional awards. Each entry is verified by its awarding body and all information is updated annually.
Published in 1998, Ladies in the Laboratory provided a systematic survey and comparison of the work of 19th-century American and British women in scientific research. A companion volume, published in 2004, focused on women scientists from Western Europe. In this third volume, author Mary R.S. Creese expands her scope to include the contributions of 19th- and early 20th-century women of South Africa, Australia, New Zealand, and Canada. The women whose lives and work are discussed here range from natural history collectors and scientific illustrators of the early and mid years of the 19th century to the first generation of graduates of the new colonial colleges and universities. Rarely acknowledged in publications of the British and European specialists, the contributions of these women nonetheless formed a significant part of the natural history information about extensive, previously unknown regions and their products. Rather than a biographical dictionary or a collection of self-contained essays on individuals from many time periods, Ladies in the Laboratory III is a connected narrative tied into the wider framework of 19th-century science and education. A well-organized blend of individual life stories and quantitative information, this volume is for everyone interested in the story of women's participation in 19th century science. The stories of these women make for fascinating reading and serve as a valuable source for the student of women's and colonial history.
Drawing upon ancient and contemporary theologians, Dani Treweek offers biblical, historical, cultural, and theological reflections to retrieve a theology of singleness for the church today. Far from being a burden, she shows that singleness presents the church with a foretaste of the eschatological reality that awaits all of God's people.
This memorial book honours the legacy of Eric Richards’s work in an interplay of academic essays and personal accounts of Eric Richards. Following the Eric Richards methodology, it combines micro- and macro-perspectives of British migration history and covers topics such as Scottish and Irish diasporas, religious, labour and wartime migrations. Eric Richards was an international leading historian of British migration history and a pioneer at exploring small- and large-scale migrations. His last public intervention, given in Amiens, France, in September 2018, opens the book. It is preceded by a tribute from David Fitzpatrick and Ngaire Naffine’s eulogy. This book brings together renowned scholars of British migration history. The book combines local and global migrations as well as economic and social aspects of nineteenth and twentieth century British migration history.
Paula Bartley’s Queen Victoria examines Victorian Britain from the perspective of the Queen. Victoria’s personal and political actions are discussed in relation to contemporary shifts in Britain’s society, politics and culture, examining to what extent they did – or did not – influence events throughout her reign. Drawing from contemporary sources, including Queen Victoria’s own diaries, as well as the most recent scholarship, the book contextualises Victoria historically by placing her in the centre of an unparalleled period of innovation and reform, in which the social and political landscape of Britain, and its growing empire, was transformed. Balancing Victoria’s private and public roles, it will examine the cultural paradox of the Queen’s rule in relation to the changing role of women: she was a devoted wife, prolific mother and obsessive widow, who was also Queen of a large Empire and Empress of India. Marrying cultural history, gender history and other histories ‘from below’ with high politics, war and diplomacy, this is a concise and accessible introduction to Queen Victoria’s life for students of Victorian Britain and the British Empire.
With the volume's global perspective and comparative framework, this collection contributes to the ongoing scholarly examination of consumption by taking the topic of women, material culture, and consumption into new arenas. The essays explore the connections between consumption and subjectivity; they build upon and complicate the idea that consumption, as a form of meaning making, is key to the construction of gendered, classed, and national identities. Providing a cross-cultural perspective on consumption, the essays are historically specific case studies. While some essays examine women's consumption in a range of Anglophone and Francophone locations, primarily in Britain, France, Australia, Canada, and the US, other essays on Chinese, Senegalese, Indian, and Mexican women's consumption, particularly as it relates to fashion and design, provide a comparative framework that will recalibrate ongoing discussions about consumption and domesticity, dress and identity, and desire and subjectivity. In addition to its focus on gender and consumption, this volume addresses gender and collecting, exploring the tensions between accumulation and systematic collecting. Also examined is the way in which the display of collected objects?in Impressionists' paintings, in mass-produced illustrations, in the glass cases of museums and department stores?participates in the construction of particular identities as well as serving as a kind of value-producing material practice.
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.