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In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'
In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'
The public debate over American interventionism at the dawn of the 20th century is vividly brought to life in this “engaging, well-focused history” (Kirkus, starred review).
Cities provide infinite sources of inspiration. Carlo Stanga's I Am the City series animates the cultural and economic production of prominent metropolises. Following editions on Milan and London, Stanga leads readers on a tour of New York, paying tribute to local lifestyle, landmarks, parks, and architecture. His playful illustrations and intimate anecdotes showcase the personalities of cities and the idiosyncrasies that make them unique. From the Chrysler Building to the bagel, I Am New York is an illustrated journey of the Big Apple like no other. Stanga's love letter to New York captures the magic of the city.
July Fourth, "The Star-Spangled Banner," Memorial Day, and the pledge of allegiance are typically thought of as timeless and consensual representations of a national, American culture. In fact, as Cecilia O'Leary shows, most trappings of the nation's icons were modern inventions that were deeply and bitterly contested. While the Civil War determined the survival of the Union, what it meant to be a loyal American remained an open question as the struggle to make a nation moved off of the battlefields and into cultural and political terrain. Drawing upon a wide variety of original sources, O'Leary's interdisciplinary study explores the conflict over what events and icons would be inscribed into national memory, what traditions would be invented to establish continuity with a "suitable past," who would be exemplified as national heroes, and whether ethnic, regional, and other identities could coexist with loyalty to the nation. This book traces the origins, development, and consolidation of patriotic cultures in the United States from the latter half of the nineteenth century up to World War I, a period in which the country emerged as a modern nation-state. Until patriotism became a government-dominated affair in the twentieth century, culture wars raged throughout civil society over who had the authority to speak for the nation: Black Americans, women's organizations, workers, immigrants, and activists all spoke out and deeply influenced America's public life. Not until World War I, when the government joined forces with right-wing organizations and vigilante groups, did a racially exclusive, culturally conformist, militaristic patriotism finally triumph, albeit temporarily, over more progressive, egalitarian visions. As O'Leary suggests, the paradox of American patriotism remains with us. Are nationalism and democratic forms of citizenship compatible? What binds a nation so divided by regions, languages, ethnicity, racism, gender, and class? The most thought-provoking question of this complex book is, Who gets to claim the American flag and determine the meanings of the republic for which it stands?
The original and insightful collection that combines Mark Twain's journal writings with his rarely seen sketches and doodles. Fascinating and often hilarious, this is a complete record of the thoughts, ideas, and observations of the father of American literature. A national treasure and a cultural and literary icon, Mark Twain was called "the father of American literature" by William Faulkner. His beloved works include The Adventures of Huckleberry Finn, Tom Sawyer, and 26 other books. His inimitable prose seamlessly weaves together humor, insight, vivid details, and memorable characters. Along with these published works, Twain, who was also a journalist, produced approximately 40 to 50 pocket notebooks and wrote countless letters, essays, travelogues, and lectures in his lifetime. Mark Twain's Notebooks is the first collection to gather these writings and combine them with dozens of Twain's rarely seen sketches, doodles, and diagrams, as well as facsimiles of his original journal pages, letters, and essays. The result is page after beautifully designed page of some of the best, yet little-known, writings of Mark Twain. Organized by topics such as science, literature, health, family life, and food, the collection also includes intimate letters that describe the home he built in Hartford, Connecticut; his travels across Europe, the Middle East, and the United States; and his agony over the death of his favorite daughter. The writing and art is selected by book and publishing veteran Carlo De Vito, who provides fascinating commentary and insights into the material throughout the book.
The twelve notebooks in volume 1 provided information about the eighteen years in which the most profound, even dramatic, changes took place in Clemens' life. He early achieved the limits of his boyhood ambition by becoming a steamboat pilot on the Mississippi River, a position there is no reason to believe he would have abandoned if the Civil War had not forced him to do so. In fleeing from a war which principle and temperament prevented him from supporting, Clemens entered into the first stages of his literary career by serving as a reporter for newspapers in Virginia City and San Francisco. When the restricted experiences available to a local reporter had been thoroughly explored, he moved on as a traveling correspondent to the Sandwich Islands and then still farther to Europe and the Near East. The latter travels provided him with material for The Innocents Abroad, the book that established Mark Twain as a popular author with an international reputation in 1869. In 1872 he further exploited his personal history by publishing Roughing It and in the same year visited England to gather material on English people and institutions. He returned to England the following year, this time accompanied by his family and by a secretary who would record the observations printed as the last notebook in volume 1. Volume 2 of Mark Twain's Notebooks and Journals, documenting Clemens' activities in the years from 1877 to 1883, consists largely of the record of three trips which would serve as the source for three travel narratives: the excursion to Bermuda, a prolonged tour of Europe, and an evocative return to the Mississippi River. Despite the common impulse to preserve observations and impressions for literary use, the contents of the notebooks are remarkably different in their vitality-and the works which developed from the notes are correspondingly varied.
With the publication of Liberty Tree, acclaimed historian Alfred F. Young presents a selection of his seminal writing as well as two provocative, never-before-published essays. Together, they take the reader on a journey through the American Revolution, exploring the role played by ordinary women and men (called, at the time, people out of doors) in shaping events during and after the Revolution, their impact on the Founding generation of the new American nation, and finally how this populist side of the Revolution has fared in public memory. Drawing on a wide range of sources, which include not only written documents but also material items like powder horns, and public rituals like parades and tarring and featherings, Young places ordinary Americans at the center of the Revolution. For example, in one essay he views the Constitution of 1787 as the result of an intentional accommodation by elites with non-elites, while another piece explores the process of ongoing negotiations would-be rulers conducted with the middling sort; women, enslaved African Americans, and Native Americans. Moreover, questions of history and modern memory are engaged by a compelling examination of icons of the Revolution, such as the pamphleteer Thomas Paine and Boston's Freedom Trail. For over forty years, history lovers, students, and scholars alike have been able to hear the voices and see the actions of ordinary people during the Revolutionary Era, thanks to Young's path-breaking work, which seamlessly blends sophisticated analysis with compelling and accessible prose. From his award-winning work on mechanics, or artisans, in the seaboard cities of the Northeast to the all but forgotten liberty tree, a major popular icon of the Revolution explored in depth for the first time, Young continues to astound readers as he forges new directions in the history of the American Revolution.