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The definitive history of a key period in rock ‘n’ roll, from new wave to no wave, punk to punk revival, from the bestselling author of American Hardcore.
From the churches and street corners of Harlem and The Bronx to the underground clubs of the East Village, New York City has been a musical mecca for generations, and Rock & Roll Explorer Guide to New York City is the definitive story of its development throughout the five boroughs. Plug in and walk the same streets a young Bob Dylan walked. See where Patti Smith, the Ramones, Beastie Boys, and Jeff Buckley played. Visit on foot the places Lou Reed mentions in his songs or where Paul Simon grew up; where the Strokes drowned their sorrows, Grizzly Bear cut their teeth and Jimi Hendrix found his vision. Rock and Roll Explorer Guide gives fans a behind-the-scenes look at how bands came together, scenes developed, and classic songs were written. Artists come and go, neighborhoods change, venues open and close, but the music lives on. Contents Upper Manhattan and Harlem Upper West Side The Velvet Underground Upper East Side The Beatles John & Yoko Central Park Patti Smith Midtown West Beastie Boys Midtown East Madonna Chelsea & Hudson Yards Jimi Hendrix & Electric Lady Union Square & Madison Square New York Dolls West Village Bob Dylan East Village Blondie Soho & TriBeCa Sonic Youth Lower East Side The Strokes Brooklyn Talking Heads Queens Ramones Simon & Garfunkel The Bronx Kiss Staten Island Rock & roll may not have been born in New York, but this is one of the places it grew up and blew up and presented itself to the world. From the churches and street corners of Harlem and the Bronx to the underground clubs of the East Village, New York City has been a musical Mecca for generations, and The Rock & Roll Explorer Guide to New York City is an historical journey through its development across all five boroughs. The Rock & Roll Explorer Guide to New York City restores a sense of time and place to music history by identifying and documenting critical points of interest spanning genres and eras, and delineating the places in New York City critical to its musical development and ultimate triumphs and tragedies. Through this lens, we can see and understand how bands came together, scenes developed, and classic songs were written. In some cases, the buildings are still there, in others only the address remains, but you still get a sense of the history that happened there. Among the many locations in this book are addresses musicians and other key rock & roll figures once called home. In a very few instances we’ve included current addresses, but only when the location is historically significant and widely known; otherwise, we consciously left current residences out. The Rock & Roll Explorer Guide to New York City is intended as a fun travel guide through music history rather than a means of locating famous musicians. Most New Yorkers understand that everyone has a right to privacy. That’s one of the reasons many of these artists live here. Because of the city’s rich history, this book cannot be a comprehensive encyclopedia of music, rock venues, or the music industry; nor do we present the definitive biographies of the musicians included. The artists and locations chosen represent a sometimes broad look at the history of rock & roll in the city, with an eye on those who either grew up or spent their formative years here. But there’s so much more we couldn’t include, and we hope readers will be inspired to go even further, whether they’re hitting the streets themselves or experiencing the city vicariously from afar. Artists come and go, neighborhoods change, venues open and close, but the music lives on.
Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.
San Francisco’s rich and unique cultural history since its time as a gold rush frontier town has long made it a bastion of forward thinking and freedom of expression. It makes perfect sense, then, that both it and the surrounding Bay Area should prove to be a crucible for some of the most enduring and influential music of the rock and roll era. From the heady days of Haight-Ashbury in the ’60s to today, San Francisco and the Bay Area have provided a distinctive soundtrack to the American experience that has often been confrontational, controversial, enlightening, and always entertaining. Perhaps best known for the '60s psychedelic scene which included the Grateful Dead, Jefferson Airplane, Creedence Clearwater Revival, Santana, the Steve Miller Band, Sly & the Family Stone, and Janis Joplin, the Bay Area's rock and roll history twists and turns like Lombard Street itself. The first wave San Francisco punks wrought the Avengers and Dead Kennedys; punk later gripped the East Bay, giving us Green Day and Rancid. From the folk and blues eras through the chart-topping sounds of Journey and Huey Lewis & the News. The rock equivalent of Manifest Destiny carried wave upon wave of young musicians in search of fame, fortune and the great lost chord to Golden Gate City. San Francisco and the surrounding Bay Area have collectively produced countless key figures in rock and roll, from musicians to journalists to entrepreneurs. The modern concept of the vast outdoor rock festival took root in and around San Francisco. The Bay Area is also where music history happened to artists from almost everywhere else: San Francisco is where the Beatles played their final concert and the Sex Pistols fell apart; where the Clash recorded much of their second album; where a drug-addled Keith Moon passed out during a concert by the Who only to be replaced behind the drum kit by an eager fan. Rock and roll is baked into the Bay Area’s culture and story to this day. A guide to the places that shaped the local scene and world-famous sound, the Rock and Roll Explorer Guide to San Francisco and the Bay Area will take you to where music makers lived, rocked, performed, recorded, met, broke up, and much, much more.
Steven Blush's New York Rock presents the definitive history of a key period in rock ‘n’ roll, from new wave to no wave, punk to punk revival, from the bestselling author of American Hardcore. As a city that represents endless possibilities, New York has been the setting for the dawning of new movements, styles, and genres. In the 20th century, the birth of Rock represented a connection between art forms and the city’s socioeconomic, racial, and sexual variants. New York Rock breaks down the rock scene’s half-century connection to New York and analyzes its distinct subculture through the prism of influences, crosscurrents and psychoactive distractions. Over 1,500 musicians, clubs, and labels, from Madonna to the Ramones, held roles in the making of New York Rock, and it’s their contributions that created this iconic art form. A compilation of firsthand narratives about each genre of rock, from Punk New Wave and Glitter Rock to New York Hardcore and Indie rock, New York Rock is the ultimate illustrated account of Rock’s role in New York City.
Evans tells the New York rock story, making the connections through rhythm & blues, folk and funk, disco and punk, to the contemporary cutting edge, tracing a musical evolution spanning five decades in one city that is a microcosm of rock 'n' roll itself. 40 photos.
The first English-language collection of a contemporary Russian master of the short story, recenly profiled in The New Yorker Maxim Osipov, who lives and practices medicine in a town ninety miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, frustrations, and moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices and on trains and in planes. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption.
For rock music and film buffs alike, this is the ultimate guide exploring the electrifying, entertaining, and often daring marriage of rock & roll and cinema. When the use of Bill Haley’s “Rock Around the Clock” turned 1955’s Blackboard Jungle into a teen sensation and a box-office smash, it proved the opening shot in a cinematic and cultural revolution. Starting with Elvis Presley and the teensploitation films of the ’50s and ’60s, in Rock on Film award-winning author and former Rolling Stone editor Fred Goodman takes readers on a wide-ranging journey through film and pop history. Along the way, he measures the transformative impact of the mid-’60s landmarks A Hard Day’s Night and Dont Look Back and how they seeded an almost unbelievably broad genre of films made by increasingly ambitious musicians and filmmakers across the past seven decades. From the carefree to the complex, the mindless to the mind-bending, rock films have staked out their own turf by simultaneously celebrating innocence and challenging artistic and social conventions. With an insightful round-up of fifty must-see rock films spanning crowd-pleasers, art-house favorites, underground gems, and undisputed classics, Rock on Film surveys the nearly seventy-year canon of a genre like no other. A series of original interviews with Cameron Crowe, Jim Jarmusch, Penelope Spheeris, Taylor Hackford, and John Waters illuminates how rock has influenced the work of some of the most divergent and thoughtful directors in movie history. Illustrated throughout by more than 150 full-color and black-and-white images, Rock on Film brings the history of music in the movies to vivid life.
This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.
During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem. Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City.