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The 205 new writings by William Hazlitt collected for the first time in this volume provide a fuller picture than has hitherto been available of his career as journalist, particularly his work for the Morning Chronicle, The Times and The Atlas. Newly discovered works include major essays on the poetry of Wordsworth and Coleridge, a defence of Byron and Shelley against charges of immorality, an analysis of the three trials of the Regency publisher and writer William Hone, and a series of reminiscences and anecdotes from Hazlitt's last years. In addition, there are important essays on Napoleon, the Vienna Congress, and on Southey's appointment as Poet Laureate; notices of Edmund Kean, Dora Jordan and Fanny Kemble; reviews of Coleridge's Christabel, Byron's Sardanapalus and Hunt's Rimini; and essays on the fine arts, including exhibitions at the British Institution. Duncan Wu has surveyed all the publications for which Hazlitt wrote, as well as many for which he didn't, to find these neglected works. Each one is edited from its original printed source, prefaced with a detailed explanation of its attribution, and annotations providing information necessary to a full understanding of context and content. The volume also provides a partial bibliography of Hazlitt's journalism.
William Hazlitt's tough, combative writings on subjects ranging from slavery to the imagination, boxing matches to the monarchy, established him as one of the greatest radicals of his age and have inspired journalists and political satirists ever since.
William Hazlitt (1778-1830) developed a variety of identities as a writer: essayist, philosopher, critic of literature, drama, and painting, biographer, political commentator, and polemicist. What unites this variety is his dramatic and passionate intelligence, his unswerving commitment to individual and political liberty, and his courageous opposition to established political and cultural power. Hailed in 1819 as `one of the ablest and most eloquent critics of our nation', Hazlitt was also reviled for his political radicalism by the conservative press of the period. His writing engages with many of the important cultural and political debates of a revolutionary period, and retains its power both to provoke and move the reader.
When cultural critics with such wildly divergent views as Jacques Barzun, Christopher Hitchens, Joseph Epstein, Dana Gioia, and Morris Dickstein all agree about the merits of one contemporary essayist, shouldn't you find out why? "I never think except when I sit down to write." -- Attributed to Montaigne by Edgar Allan Poe From Montaigne in the sixteenth century to Orwell, Eliot, and Trilling in the twentieth, the best literary essayists combine a gift for observation with an abiding commitment to books. Although it may seem that books are becoming less essential and that a revolution in sensibility is taking place, the essays of Arthur Krystal suggest otherwise. Companionable without being chummy, engaged without being didactic, erudite without being stuffy, he demonstrates that literature, even in the digital age, remains the truest expression of the human condition. Covering subjects as diverse as aphorisms, dueling, the night, and the 1960s, the essays gathered here offer the common reader uncommon pleasure. In prose that is both vibrant and elegant, Krystal negotiates among myriad subjects-from historical writing as exemplified by Jacques Barzun to the art of screenwriting as not so happily represented by F. Scott Fitzgerald. His cardinal rule as a writer? William Hazlitt's "Confound it, man, don't be insipid." No fear of that. Except When I Write is thoughtful in the most joyful sense-brimming with ideas in order to give us the flow and cadence of someone actually thinking. Keenly observant and death on pretension, Krystal examines the world of books without ever losing sight of the world beyond them. Literature may be the bedrock on which these essays rest, but as F. R. Leavis aptly noted, "One cannot seriously be interested in literature and remain purely literary in interests." Except When I Write is a reminder of both the pleasure and the power of a well-tuned essay.
William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.
This volume gathers together some of the most brilliant and influential essays ever written in English.The Spirit of Controversy uses versions of the essays as they first appeared in the magazines of his day.