Download Free New Women Of Empire Book in PDF and EPUB Free Download. You can read online New Women Of Empire and write the review.

Strong, bold, and vivacious—Japanese American young women were leaders and heroines of the Roaring Twenties. Controversial to the male immigrant elite for their rebellion against gender norms, these women made indelible changes in the community, including expanding sexual freedoms, redefining women's roles in public and private spheres, and furthering racial justice work. Young men also reconceptualized their ideas of manliness to focus on intellectualism and athleticism, as racist laws precluded many from expressing masculinity through land ownership or citizenry. New Women of Empire centers the compelling life histories of five young women and men in Los Angeles to illuminate how they negotiated overlapping imperialisms through new gender roles. With extensive youth networks and the largest Japanese population in the United States, Los Angeles was a critical site of transnational relations, and in the 1920s and '30s Japanese American youth became politicized through active participation in Christian civic organizations. By racially uplifting their peers through youth clubs, athletics, and cultural ambassadorship, these young leaders reshaped Japanese and US imperialisms and provided the groundwork for future expressions of model minority respectability and Japanese American feminisms.
In this collection of lively essays, Cynthia Enloe makes better sense of globalization and international politics by taking a deep and personal look into the daily realities in a range of women's lives. She proposes a distinctively feminist curiosity that begins with taking women seriously, especially during this era of unprecedented American influence. This means listening carefully, digging deep, challenging assumptions, and welcoming surprises. Listening to women in Asian sneaker factories, Enloe reveals, enables us to bring down to earth the often abstract discussions of the global economy. Paying close attention to Iraqi women's organizing efforts under military occupation exposes the false global promises made by officials. Enloe also turns the beam of her inquiry inward. In a series of four candid interviews and a new set of autobiographical pieces, she reflects on the gradual development of her own feminist curiosity. Describing her wartime suburban girlhood and her years at Berkeley, she maps the everyday obstacles placed on the path to feminist consciousness—and suggests how those obstacles can be identified and overcome. The Curious Feminist shows how taking women seriously also challenges the common assumption that masculinities are trivial factors in today's international affairs. Enloe explores the workings of masculinity inside organizations as diverse as the American military, a Serbian militia, the UN, and Oxfam. A feminist curiosity finds all women worth thinking about, Enloe claims. She suggests that we pay thoughtful attention to women who appear complicit in violence or in the oppression of others, or too cozily wrapped up in their relative privilege to inspire praise or compassion. Enloe's vitality, passion, and incisive wit illuminate each essay. The Curious Feminist is an original and timely invitation to look at global politics in an entirely different way.
Frances Willard founded the Woman's Christian Temperance Union in 1884 to carry the message of women's emancipation throughout the world. Based in the United States, the WCTU rapidly became an international organization, with affiliates in forty-two countries. Ian Tyrrell tells the extraordinary story of how a handful of women sought to change the mores of the world -- not only by abolishing alcohol but also by promoting peace and attacking prostitution, poverty, and male control of democratic political structures. In describing the work of Mary Leavitt, Jessie Ackermann, and other temperance crusaders on the international scene, Tyrrell identifies the tensions generated by conflict between the WCTU's universalist agenda and its own version of an ideologically and religiously based form of cultural imperialism. The union embraced an international and occasionally ecumenical vision that included a critique of Western materialism and imperialism. But, at the same time, its mission inevitably promoted Anglo-American cultural practices and Protestant evangelical beliefs deemed morally superior by the WCTU. Tyrrell also considers, from a comparative perspective, the peculiar links between feminism, social reform, and evangelical religion in Anglo-American culture that made it so difficult for the WCTU to export its vision of a woman-centered mission to other cultures. Even in other Western states, forging links between feminism and religiously based temperance reform was made virtually impossible by religious, class, and cultural barriers. Thus, the WCTU ultimately failed in its efforts to achieve a sober and pure world, although its members significantly shaped the values of those countries in which it excercised strong influence. As and urgently needed history of the first largescale worldwide women's organization and non-denominational evangelical institution, Woman's World / Woman's Empire will be a valuable resource to scholars in the fields of women's studies, religion, history, and alcohol and temperance studies.
Feminism's Empire investigates the complex relationships between imperialisms and feminisms in the late nineteenth century and demonstrates the challenge of conceptualizing "pro-imperialist" and "anti-imperialist" as binary positions. By intellectually and spatially tracing the era's first French feminists' engagement with empire, Carolyn J. Eichner explores how feminists opposed—yet employed—approaches to empire in writing, speaking, and publishing. In differing ways, they ultimately tied forms of imperialism to gender liberation. Among the era's first anti-imperialists, French feminists were enmeshed in the hierarchies and epistemologies of empire. They likened their gender-based marginalization to imperialist oppressions. Imperialism and colonialism's gendered and sexualized racial hierarchies established categories of inclusion and exclusion that rested in both universalism and ideas of "nature" that presented colonized people with theoretical, yet impossible, paths to integration. Feminists faced similar barriers to full incorporation due to the gendered contradictions inherent in universalism. The system presumed citizenship to be male and thus positioned women as outsiders. Feminism's Empire connects this critical struggle to hierarchical power shifts in racial and national status that created uneasy linkages between French feminists and imperial authorities.
This brings together much of Enloe's recent work, including her famous pieces on sneakers and feminism, as well as showcasing some new, unpublished pieces.
When Germany annexed colonies in Africa and the Pacific beginning in the 1880s, many German women were enthusiastic. At the same time, however, they found themselves excluded from what they saw as a great nationalistic endeavor. In German Women for Empire, 1884–1945 Lora Wildenthal untangles the varied strands of racism, feminism, and nationalism that thread through German women’s efforts to participate in this episode of overseas colonization. In confrontation and sometimes cooperation with men over their place in the colonial project, German women launched nationalist and colonialist campaigns for increased settlement and new state policies. Wildenthal analyzes recently accessible Colonial Office archives as well as mission society records, periodicals, women’s memoirs, and fiction to show how these women created niches for themselves in the colonies. They emphasized their unique importance for white racial “purity” and the inculcation of German culture in the family. While pressing for career opportunities for themselves, these women also campaigned against interracial marriage and circulated an image of African and Pacific women as sexually promiscuous and inferior. As Wildenthal discusses, the German colonial imaginary persisted even after the German colonial empire was no longer a reality. The women’s colonial movement continued into the Nazi era, combining with other movements to help turn the racialist thought of the late-nineteenth and early-twentieth centuries into the hierarchical evaluation of German citizens as well as colonial subjects. Students and scholars of women’s history, modern German history, colonial politics and culture, postcolonial theory, race/ethnicity, and gender will welcome this groundbreaking study.
The New Woman and the Empire examines the intersections of gender, race, and colonial issues in the work of four culturally, socially, and nationally disparate New Women: Sarah Grand, George Egerton, Elizabeth Robins, and Amy Levy. Iveta JusovA underscores essential differences in these women's negotiations of the Victorian colonial narrative and ascertains how these authors located the fin-de-siEcle New Woman project in relation to the late-Victorian colonial contest and the racially biased narratives of evolution. Seeking to contribute to our understanding of the discursive strategies available to late-Victorian women's efforts to create space for their feminist agenda in public discourse, the book urges the reader to confront the fact that the success of these strategies was often predicated on marginalizing others. It underscores the various ways in which the work of all of the examined authors supported British imperialist efforts. Viewing much of Grand's and Robins' works' embracement of the official colonial narrative as a strategically motivated move, The New Woman and the Empire focuses on the limitations such a narrative choice placed on these authors' feminisms. But the book also highlights various discursive strategies that Egerton and Levy, and to a lesser extent Robins and Grand, forged to express a more resistant position towards both colonial narrative and evolutionary discourse.
Many well-known male writers produced fictions about colonial spaces and discussed the advantages of realism over romance, and vice versa, in the ‘art of fiction’ debate of the 1880s; but how did female writers contribute to colonial fiction? This volume links fictional, non-fictional and pictorial representations of a colonial otherness with the late nineteenth-century artistic concerns about representational conventions and possibilities. The author explores these texts and images through the postcolonial framework of ‘exoticism’, arguing that the epistemological dilemma of a ‘self’ encountering an ‘other’ results in the interrelated predicament to find poetic modalities – mimetic, realistic and documentary on the one hand; romantic, fantastic and picturesque on the other – that befit an ‘exotic’ representation. Thus women writers did not only participate in the making of colonial fictions but also in the late nineteenth-century artistic debate about the nature of fiction. This book maps the epistemological concerns of exoticism and of difference – self and other, home and away, familiarity and strangeness – onto the representational modes of realism and romance. The author focuses exclusively on female novelists, travel writers and painters of the turn-of-the-century exotic, and especially on neglected authors of academically under-researched genres such as the bestselling novel and the travelogue.