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Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Despite the prejudices of critics, popular romance fiction remains a complex, dynamic genre. It consistently maintains the largest market share in the American publishing industry, even as it welcomes new subgenres like queer and BDSM romance. Digital publishing originated in erotic romance, and savvy online communities have exploded myths about the genre's readership. Romance scholarship now reflects this diversity, transformed by interdisciplinary scrutiny, new critical approaches, and an unprecedented international dialogue between authors, scholars, and fans. These eighteen essays investigate individual romance novels, authors, and websites, rethink the genre's history, and explore its interplay of convention and originality. By offering new twists in enduring debates, this collection inspires further inquiry into the emerging field of popular romance studies.
The raw charm of rustic farmhouses, the inviting ease of country homes: New Romance presents romantic interiors inspired by modernity. From country house to chalet, New Romance highlights the charm and grace of interiors. Soft classic tones and unfinished woods provide the look and feel of dreamy antiquity. Mudrooms and breezeways bring the bright airiness of rustic outdoor spaces within the walls of beautiful homes and residences. The classic lines and traditional textures nestled within a palette of pale greys and rosé tones add to the visual storyline: soft and sophisticated, nostalgic and contemporary. New Romance features the impeccably stylized and the casually comfortable whilst providing creative insight and inspiration for established interior designers, quixotic stylists, and those undertaking their own DIY projects. This romantic collection presents an array of desirable and divine dream homes.
The #1 New York Times Bestseller “An engaging look at the often head-scratching, frequently infuriating mating behaviors that shape our love lives.” —Refinery 29 A hilarious, thoughtful, and in-depth exploration of the pleasures and perils of modern romance from Aziz Ansari, the star of Master of None and one of this generation’s sharpest comedic voices At some point, every one of us embarks on a journey to find love. We meet people, date, get into and out of relationships, all with the hope of finding someone with whom we share a deep connection. This seems standard now, but it’s wildly different from what people did even just decades ago. Single people today have more romantic options than at any point in human history. With technology, our abilities to connect with and sort through these options are staggering. So why are so many people frustrated? Some of our problems are unique to our time. “Why did this guy just text me an emoji of a pizza?” “Should I go out with this girl even though she listed Combos as one of her favorite snack foods? Combos?!” “My girlfriend just got a message from some dude named Nathan. Who’s Nathan? Did he just send her a photo of his penis? Should I check just to be sure?” But the transformation of our romantic lives can’t be explained by technology alone. In a short period of time, the whole culture of finding love has changed dramatically. A few decades ago, people would find a decent person who lived in their neighborhood. Their families would meet and, after deciding neither party seemed like a murderer, they would get married and soon have a kid, all by the time they were twenty-four. Today, people marry later than ever and spend years of their lives on a quest to find the perfect person, a soul mate. For years, Aziz Ansari has been aiming his comic insight at modern romance, but for Modern Romance, the book, he decided he needed to take things to another level. He teamed up with NYU sociologist Eric Klinenberg and designed a massive research project, including hundreds of interviews and focus groups conducted everywhere from Tokyo to Buenos Aires to Wichita. They analyzed behavioral data and surveys and created their own online research forum on Reddit, which drew thousands of messages. They enlisted the world’s leading social scientists, including Andrew Cherlin, Eli Finkel, Helen Fisher, Sheena Iyengar, Barry Schwartz, Sherry Turkle, and Robb Willer. The result is unlike any social science or humor book we’ve seen before. In Modern Romance, Ansari combines his irreverent humor with cutting-edge social science to give us an unforgettable tour of our new romantic world.
The Instant New York Times Bestseller and TikTok Sensation! As seen on THE VIEW! A BuzzFeed Best Summer Read of 2021 When a fake relationship between scientists meets the irresistible force of attraction, it throws one woman's carefully calculated theories on love into chaos. As a third-year Ph.D. candidate, Olive Smith doesn't believe in lasting romantic relationships--but her best friend does, and that's what got her into this situation. Convincing Anh that Olive is dating and well on her way to a happily ever after was always going to take more than hand-wavy Jedi mind tricks: Scientists require proof. So, like any self-respecting biologist, Olive panics and kisses the first man she sees. That man is none other than Adam Carlsen, a young hotshot professor--and well-known ass. Which is why Olive is positively floored when Stanford's reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend. But when a big science conference goes haywire, putting Olive's career on the Bunsen burner, Adam surprises her again with his unyielding support and even more unyielding...six-pack abs. Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.
New York Times bestselling author Mary Balogh presents the first historical romance in the Westcott series, where the death of an earl reveals a most scandalous secret. Humphrey Westcott, Earl of Riverdale, has died, leaving behind a fortune and a scandalous secret that will forever alter the lives of everyone in his family—including the daughter no one knew he had... Anna Snow grew up in an orphanage in Bath knowing nothing of the family she came from. Now she discovers that the late Earl of Riverdale was her father and that she has inherited his fortune. She is also overjoyed to learn she has siblings. However, they want nothing to do with her or her attempts to share her new wealth. But the new earl’s guardian is interested in Anna… Avery Archer, Duke of Netherby, keeps others at a distance. Yet something prompts him to aid Anna in her transition from orphan to lady. As London society and her newfound relatives threaten to overwhelm Anna, Avery steps in to rescue her and finds himself vulnerable to feelings and desires he has hidden so well and for so long.
When the notorious Black Daniel is carried, badly injured, into Hester Wyatt's home, there is no question that he will be cared for and protected. Once a slave herself, Hester regularly gives shelter to runaways, yet the man of mysteries she now harbours brings greater danger than she's ever known, for Black Daniel is a member of a unique elite class of pre Civil War blacks, involved in subversive underground activity, and is also after her heart whether she wants him or not.
Do you know who you are? Diego Manning thinks he does, until the high school senior enrolls in an exclusive summer study program at the Mission of San Bernardino Realino. Within the walls of this converted monastery, Diego will discover a world of sexual license and secrets with roots as old and deep as those of the Mission's winery, La Viuda Riseuna. Diego will discover that, sometimes, you don't know who you are until you lose yourself.
**Free digital sampler that highlights four truly addictive romance novels** All books out now! Featuring extended excerpts from some of the most exciting new writers in the romance world. From intense mafia romance to the sweet story of a love reunited. From a young almost-billionaire’s arranged romance to an intense spark that ignites into something more, these four stories will sweep you off your feet.