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Culled from four decades of writing, a volume of multicultural poetry offers insight into the MacArthur fellow's spiritual and political beliefs as well as his journeys throughout America, Japan, Africa, and other regions, in an anthology that includes pieces on such topics as war, prejudice, and George W. Bush.
Gathers poems from each period of Hall's career, including "The One Day," the long poem that won the National Book Critics Circle Award.
The first new collection in twelve years by renowned California poet and New Formalist, Timothy Steele. A quiet intelligence pervades the lines of these poems and reinforces Steele's mastery of form and image.
Drawing on four decades of work and including new poems published here for the first time, this selection of Mei-mei Berssenbrugge’s poetry displays the extraordinary luminosity characteristic of her style—its delicate, meticulous observation, great scenic imagination, and unusual degree of comfort with states of indetermination, contingency, and flux.
This retrospective collection of verse from the former US poet laureate and National Medal of Arts winner spans six decades of celebrated work. Throughout his writing life Donald Hall has garnered numerous accolades and honors, culminating in 2006 with his appointment as poet laureate of the United States. White Apples and the Taste of Stone collects more than two hundred poems from across sixty years of Hall’s celebrated career, and includes poems published in The New Yorker, the American Poetry Review, and the New York Times. Those who have come to love Donald Hall's poetry will welcome this vital and important addition to his body of work. For the uninitiated it is a spectacular introduction to this critically acclaimed and admired poet.
Spanning the period between 1964 and 2006, a new collection of poetry by the author of Dog Heart and Lady One includes many never-before-published works, including poems written in prison after being jailed in South Africa for his anti-apartheid activism, as well as 1960s works from Paris, and poems of exile from New York in the 1990s.
Clive James is one of our finest critics and best-loved cultural voices. He is also a prize-winning poet. Since he was first enthralled by the mysterious power of poetry, he has been a dedicated student. In fact, for Clive, poetry has been nothing less than the occupation of a lifetime, and in this book he presents a distillation of all he's learned about the art form that matters to him most. With his customary wit, delightfully lucid prose style and wide-ranging knowledge, Clive explains the difference between the innocuous stuff that often passes for poetry today and a real poem: the latter being a work of unity that insists on being heard entire and threatens never to leave the memory. A committed formalist and an astute commentator, Clive offers close and careful readings of individual poems and poets (from Shakespeare to Larkin, Keats to Pound), and in some case second readings or re-readings late in life - just to be sure he wasn't wrong the first time! Whether discussing technical details of metaphorical creativity or simply praising his five favourite collections of all time, he is never less than captivating. Filled with insight and written with an honest, infectious enthusiasm, Poetry Notebook is the product of over fifty years of writing, reading, translating and thinking about poetry.
The poems embody ideas about writing and formal inventions, demonstrating how one invention leads to the next. -- Jacket flap.
'The New Faber Book of Love Poems' presents some of the most emotive and memorable lyric poems produced in the English language from the Renaissance to the present.
Kenneth Koch, who has already considerably "stretched our ideas of what it is possible to do in poetry" (David Lehman), here takes on the classic poetic device of apostrophe, or direct address. His use of it gives him yet another chance to say things never said before in prose or in verse and, as well, to bring new life to a form in which Donne talked to Death, Shelley to the West Wind, Whitman to the Earth, Pound to his Songs, O'Hara to the Sun at Fire Island. Koch, in this new book, talks to things important in his life -- to Breath, to World War Two, to Orgasms, to the French Language, to Jewishness, to Psychoanalysis, to Sleep, to his Heart, to Friendship, to High Spirits, to his Twenties, to the Unknown. He makes of all these "new addresses" an exhilarating autobiography of a most surprising and unforeseeable kind.