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Scholars of the middlebrow have demonstrated that the preferences and choices of both women writers and women readers have suffered considerably from the dismissive attitude of earlier critics. George Eliot’s famous attack on ‘Silly Novels by Lady Novelists’ set the tone for the long tradition of gendered disputes over the literary merit of works of fiction – a controversy which eventually coalesced with a class-based hegemony of taste in the so-called Battle of the Brows. The new research presented in this volume demonstrates that this gendered inflection of the critical debate is not only one-sided but tends to obfuscate the significance the middlebrow literary spectrum had for the wider dissemination of new concepts of gender. By exploring the scope of middlebrow media culture between 1890 and 1945, from household magazines to popular novels, the essays in this volume give evidence of the relative proximity that existed between middlebrow writers and the avant-garde in their concern for gender issues. Contributors: Nicola Bishop, Elke D’hoker, Petra Dierkes-Thrun, Stephanie Eggermont, Christoph Ehland, Wendy Gan, Emma Grundy Haigh, Kate Macdonald, Louise McDonald, Tara MacDonald, Isobel Maddison, Ann Rea, Cornelia Wächter, Alice Wood
Immerse yourself in the literary delights of 1922 with "The Best British Short Stories Of 1922," curated by Stacy Aumonier and others. Explore a treasure trove of storytelling brilliance, where each tale offers a glimpse into the rich tapestry of British life and culture. As you delve into these captivating stories, you'll encounter a diverse array of characters and settings, each woven with skill and precision. But amidst the narrative richness, a question arises: What defines the essence of a truly remarkable short story, and why do some tales linger in our minds long after we've turned the final page? Experience the artistry of Aumonier and his contemporaries as they masterfully capture the essence of life in early 20th-century Britain. Each story is a testament to the enduring power of storytelling, capable of transporting readers to distant lands and bygone eras. But beyond the literary craftsmanship lies a deeper truth: In the tumultuous aftermath of World War I, these stories serve as windows into the hopes, fears, and aspirations of a generation grappling with profound social and cultural change. Prepare to be enchanted by the literary gems contained within "The Best British Short Stories Of 1922." Aumonier and his fellow authors invite you on a journey of discovery, where each story offers a unique perspective on the human condition. Indulge in the richness of British literature as you explore themes of love, loss, identity, and redemption. Through these timeless tales, you'll gain a deeper appreciation for the power of storytelling to illuminate the complexities of the human experience. Are you ready to lose yourself in the captivating world of 1922 Britain? Secure your copy of "The Best British Short Stories Of 1922" today and embark on a literary adventure that will transport you to another time and place. Don't miss your chance to experience the magic of these classic stories. Order now and discover why the tales of 1922 continue to captivate readers around the world. ```
After the Modernist literary experiments of her earlier work, Virginia Woolf became increasingly concerned with overt social and political commentary in her later writings, which are preoccupied with dissecting the links between patriarchy, patriotism, imperialism and war. This book unravels the complex textual histories of The Years (1937), Three Guineas (1938) and Between the Acts (1941) to expose the genesis and evolution of Virginia Woolf's late cultural criticism. Fusing a feminist-historicist approach with the practices and principles of genetic criticism, this innovative study scrutinizes a range of holograph, typescript and proof documents within their historical context to uncover the writing and thinking processes that produced Woolf's cultural analysis during 1931-1941. By demonstrating that Woolf's late cultural criticism developed through her literary experimentalism as well as in response to contemporary social, political and economic upheavals, this book offers a fresh perspective on her emergence as a cultural commentator in her final decade and paves the way for further genetic enquiries in the field.