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Characters hunt for fame and fortune. Children rise from the dead to return to their mothers. The world is on fire. New Australian Fiction showcases the strength and diversity of Australian short fiction at its best. Now in its fourth year, these stories will move, entertain and enlighten you. With contributions by: KAVITA BEDFORD WHITNEY CHEN MAXINE BENEBA CLARKE WILL COX JACQUI DAVIES A E MACLEOD JASMIN MCGAUGHEY NINA NEWCOMBE RAEDEN RICHARDSON MELANIE SAWARD BOBUQ SAYED ELIZABETH TAN JACK VENING CHLOE WILSON Praise for previous editions: ‘These beautiful stories will transport you to other worlds.’ – Mirandi Riwoe ‘A versatile and immersive collection that promises to delight all lovers of fiction.’ – Books+Publishing
The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong, and the daughter’s own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken? Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them. 'So calm and clear and deep, I wished it would flow on forever.' — Helen Garner 'Rarely have I been so moved, reading a book: I love the quiet beauty of Cold Enough for Snow and how, within its calm simplicity, Jessica Au camouflages incredible power.' — Edouard Louis 'Au’s prose is elegant and measured. In descriptions of bracing clarity she evokes ‘shaking delicate impressions’ of worlds within worlds that are symbolic of the parts of ourselves we keep hidden and those we choose to lay bare. Put simply, this novel is an intricate and multi-layered work of art — a complex and profound meditation on identity, familial bonds and our inability to fully understand ourselves, those we love and the world around us.' — Jacqui Davies, Books+Publishing
A moving and original debut novel. Observant, warm and extraordinary. 'There is an other-worldly quality about the Abrolhos which is beyond the reach of ordinary storytelling. Emily Brugman has captured them, staked them to the page in all their isolation and aridity and scoured indifference, because her storytelling is extraordinary.' Jock Serong, bestselling author of Preservation 'Strongly written, deeply felt, original.' Tegan Bennett Daylight 'Beautiful, fresh, wise and true - startlingly good.' - Robert Drewe, award-winning author of Whipbird In the mid-1950s, a small group of Finnish migrants set up camp on Little Rat, a tiny island in an archipelago off the coast of Western Australia. The crayfishing industry is in its infancy, and the islands, haunted though they are by past shipwrecks, possess an indefinable allure. Drawn here by tragedy, Onni Saari is soon hooked by the stark beauty of the landscape and the slivers of jutting coral onto which the crayfishers build their precarious huts. Could these reefs, teeming with the elusive and lucrative cray, hold the key to a good life? The Islands is the sweeping story of the Saari family: Onni, an industrious and ambitious young man, grappling with the loss of a loved one; his wife Alva, quiet but stoic, seeking a sense of belonging between the ramshackle camps of the islands and the dusty suburban lots of the mainland; and their pensive daughter Hilda, who dreams of becoming the skipper of her own boat. As the Saari's try to build their future in Australia, their lives entwine with those of the fishing families of Little Rat, in myriad and unexpected ways. A stunning, insightful story of a search for home. 'A beautiful, breathtaking, salty book about finding home on the far reaches of the continental shelf.' Marele Day, author of bestselling Lambs of God
Set in the near future – during a time of plummeting fish stocks, toxic algae blooms and jellyfish swarms – The Good Captain follows a group of radical environmentalists committed to a mission of extreme civil disobedience against the powers threatening to destroy the last of the world’s marine life. Led by the wild Rena – born and raised by the ocean – the characterful crew engages in a high seas drama that contains all the thrill of a cat-and-mouse seafaring classic, while at the same time offering a timely warning for the political classes that their negligence will not go unpunished. Evoking a disturbing vision of what the world that might soon become – random, dangerous, surprising and sometimes even miraculous – The Good Captain is a gripping, confronting and truly unique novel. ‘If you care about the ocean, about extinction, about deforestation you’ll find yourself immersed in this novel. With originality and wit, Sean Rabin asks “how far is too far?” when you’re fighting to save the planet.’ — Jane Rawson, author of The History of Dreams and From the Wreck
New Australian Fiction features brilliant writers with distinct experiences, voices and styles from all corners of Australia. Together they showcase the strength and diversity of Australian short fiction at its best.
* ABA "Indie Next List" pick for March 2022. * 2022 Best Young Australian Novelists awards, Winner. * Readings Prize for New Australian Fiction, Shortlist. * "A Best Book of 2022" —NYLON, Glamour, Refinery29 UK, Harpers BAZAAR UK * "A Most Anticipated Book" —Lit Hub, The Millions New Animal is a poignant, darkly comedic look at human connection from a biting and original new voice in Ella Baxter. Amelia Aurelia is approaching thirty and her closest relationships — other than her mother — are through her dating apps. She works at the family mortuary business as a cosmetic mortician with her eccentric step-father and older brother, whose throuple’s current preoccupation is with what type of snake to adopt. When Amelia’s affectionate mother passes away without warning, she is left without anchor. Fleeing the funeral, she seeks solace with her birth-father in Tasmania and stumbles into the local BDSM community, where her riotous attempts to belong are met with confusion, shock, and empathy. Hilarious and heartfelt, New Animal reveals hard-won truths as Amelia struggles to find her place in the world without her mother, with the help of her two well-intentioned fathers and adventures at the kink club.
'beautiful and lyrical' The Conversation Cynthia was just about to turn sixteen when the unthinkable happened. Her mother was taken away by the police, and her father left without a word three months later. After that night, Cynthia began to walk in slow circles outside the family home looking for traces of her sister Mallory - she's sure that she must be somewhere else now, wherever that is. Cynthia knows that she doesn't belong here. Her mother never belonged here either. This is the place of violence. Despair. The long dry. Blood caked under the nails. Desperate men. Long silences. The place where mothers go mad in locked bedrooms, where women like Cynthia imagine better futures. As a threatening wind begins to dry-whirl around her, seldom seen black clouds form above, roll over the golden-brown land - is that Mallory she can hear in the growling mass? In the harsh drought-stricken landscape of outback Queensland a woman can be lost in so many ways. The question is, will Cynthia be one of them? Defiant, ferocious and unyielding - The Furies is a debut novel by Mandy Beaumont that explores the isolation felt by so many women, and how powerful we can be when we join together. It puts her firmly on the literary map, blazing forth from the terrain of Charlotte Wood, Margaret Atwood and Carmen Maria Machado, with a unique and breathtaking power. 'Expect this debut novel to collect a swag of awards' Courier Mail 'a rallying cry . . . vivid, visceral, ferocious' Carmel Bird, The Age 'stays with you . . . Beaumont's prose shines' The Saturday Paper 'The Furies is unapologetically feminist in its preoccupations' The Conversation 'Mandy Beaumont . . . firmly places herself in the same league as Australian contemporaries such as Charlotte Wood, Sophie Laguna and Hannah Kent. As beautiful as it is gut-wrenching, this is a debut that pulls no punches' Newcastle Herald
Byobu reveals a rich inner world, one driven by its meticulous attention to our rich outer one. "a story’s existence, even if not well defined or well assigned, even if only in its formative stage, just barely latent, emits vague but urgent emanations." Byobu's every interaction trembles with possibility and faint menace. A crack in the walls of his house, marring it forever, means he must burn it down. A stoplight asks what the value of obedience is, what hopefulness it contains, and what insensible anarchy it defies. In brief episodes, aphorisms, and moments of spiritual turbulence and gentle scrutiny, reside a wealth of habits, worries, curiosities, pleasures, peculiarities, and efforts to understand. Representative of the modesty and complexity of Ida Vitale’s poetic universe, Byobu flushes the world with meaning and playfully offers another way of inhabiting the every day.
* The Story Prize Spotlight Award, Winner * Readings Prize for New Australian Fiction, Shortlist * Queensland Literary Awards – University of Southern Queensland Steele Rudd Award for a Short Story Collection, Shortlist * Age Book of the Year award, Finalist * An ABA Indie Next pick for “Great New Reads” for August. * "A Best Native Book of 2021" —The Tribal College Journal * "A Best Book of the Year" —Independent Book Review The remarkable stories in Born Into This are eye-opening, razor-sharp, and entertaining, often all at once. From an Aboriginal ranger trying to instill some pride in wayward urban teens on the harsh islands off the coast of Tasmania, to those scraping by on the margins of white society railroaded into complex and compromised decisions, Adam Thompson presents a powerful indictment of colonialism and racism. With humor, pathos, and the occasional sly twist, Thompson’s characters confront discrimination, untimely funerals, classroom politics, the ongoing legacy of cultural destruction, and — overhanging all like a discomforting, burgeoning awareness for both black and white Australia — the inexorable disappearance of the remnant natural world. "A legacy of cultural destruction in Australia and the disappearance of the natural world loom over stories of Aboriginal rangers, untimely funerals and angry bees in this sharp fiction debut." —New York Times Book Review "With its wit, intelligence and restless exploration of the parameters of race and place, Thompson’s debut collection is a welcome addition to the canon of Indigenous Australian writers." —Thuy On, The Guardian
You’ll never see a wasp in the same way again ... When Beth’s marriage ends, she’s determined to build a new life in the country for herself and her children. A quiet life lived closer to nature. She thinks she’s achieved the impossible – a civilised separation, a happy home and a cordial relationship with her estranged husband, Mark. There's even the promise of a new love. But when Mark tries to change the rules, Beth’s peaceful world is turned upside down. Disturbingly, she also discovers that European wasps have invaded her garden. Beth’s obsession with them and their queen holds up a distorted mirror to the human drama. As the chaos in Beth’s life gathers momentum, connections between the two worlds come sharply into focus. The lives of Beth and the others are neither separate to, nor safe from, the natural world. AUTHOR’S NOTE In this series of Wild Australia Stories I tell tales of the people, wildlife and land that I love. But there is more to wild Australia than brumbies, dingoes, dolphins and the magnificent outback. As a passionate conservationist and naturalist, I’m interested in all aspects of nature. One thing I’ve learned is that it’s not always about the big things. Little creatures have a surprising impact on our lives. If you’re squeamish about insects, look away now. If you’re fascinated by the Australian bush and the way all creatures great and small are connected, then Beth’s story is for you. - Praise for Wasp Season – -There is an ironic twist to this tale, a violent and sudden twist that will leave the reader gasping. Wasp Season is a fascinating study of nature and humans.– Wendy O’Hanlon, Acres Australia - ‘A thrilling story that describes both human and insect life in detail as they become intertwined ... an unforgettable, unputdownable trip into a garden that, on the surface, seems like a quiet refuge.’ - John Morrow, World of Books and Music - ‘Scoullar, it turns out, is a writer of documentary calibre.’ Australian Literary Review