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New Australian Fiction features brilliant writers with distinct experiences, voices and styles from all corners of Australia. Together they showcase the strength and diversity of Australian short fiction at its best.
The original, unforgettable and thought-provoking new novel by award-winning author Chris Flynn that will change how readers understand the world. Narrated by a 13,000-year-old extinct mammoth, this is the (mostly) true story of how a collection of prehistoric creatures came to be on sale at a natural history auction in New York in 2007. By tracing how and when these fossils were unearthed, Mammoth leads us on a funny and fascinating journey from the Pleistocene epoch to nineteenth-century America and beyond, revealing how ideas about science and religion have shaped our world. With our planet on the brink of calamitous climate change, Mammoth scrutinises humanity's role in the destruction of the natural world while also offering a message of hope.
Charts the history of South Asian diaspora, weaving together stories of various peoples colonized by the British Empire.
Fifteen-year-old Monk drifts through a monotonous existence in a grimy Chinatown apartment with her “grumpy brown couch” of a dad, until she meets high school senior Santa Coy ([email protected]). For a moment, it looks like he might be her boyfriend. But when Monk's dad becomes obsessed with Santa Coy's artwork, Monk finds herself shunted to the sidelines as her father and the object of her affections begin to hatch a scheme of their own. To keep up, Monk must navigate a combustible cocktail of odd assignments, peculiar places, and murky underworld connections. In Jamie Marina Lau's debut novel, shortlisted for Australia's prestigious Stella Prize when she was nineteen years old, hazily surreal vignettes conjure a multifaceted world of philosophical angst and lackadaisical violence.
One of CrimeReads Most Anticipated Books of the Year! "This literary thriller paints as vivid a landscape as any book coming out this summer...Gee creates a lush, tantalizing world that readers will want to travel into deeper and deeper."—CrimeReads Celia Lily is rich, beautiful, and admired. She’s also missing. And the search for the glamorous socialite is about to expose all the dark, dirty secrets of Vanishing Falls… Deep within the lush Tasmanian rainforest is the remote town of Vanishing Falls, a place with a storied past. The town’s showpiece, built in the 1800s, is its Calendar House—currently occupied by Jack Lily, a prominent art collector and landowner; his wife, Celia; and their four daughters. The elaborate, eccentrically designed mansion houses one masterpiece and 52 rooms—and Celia Lily isn’t in any of them. She has vanished without a trace.… Joelle Smithton knows that a few folks in Vanishing Falls believe that she’s simple-minded. It’s true that Joelle’s brain works a little differently—a legacy of shocking childhood trauma. But Joelle sees far more than most people realize, and remembers details that others cast away. For instance, she knows that Celia’s husband, Jack, has connections to unsavory local characters whom he’s desperate to keep hidden. He’s not the only one in town with something to conceal. Even Joelle’s own husband, Brian, a butcher, is acting suspiciously. While the police flounder, unable to find Celia, Joelle is gradually parsing the truth from the gossip she hears and from the simple gestures and statements that can unwittingly reveal so much. Just as the water from the falls disappears into the ground, gushing away through subterranean creeks, the secrets in Vanishing Falls are pulsing through the town, about to converge. And when they do, Joelle must summon the courage to reveal what really happened to Celia, even if it means exposing her own past…
A hypnotic and absorbing debut novel from an extraordinary new talent—a must-read for fans of Sally Rooney, Jennifer Down, Siri Hustvedt and André Aciman (Call Me By Your Name)
Domestic abuse is a national emergency: one in four Australian women has experienced violence from a man she was intimate with. But too often we ask the wrong question: why didn’t she leave? We should be asking: why did he do it? Investigative journalist Jess Hill puts perpetrators – and the systems that enable them – in the spotlight. See What You Made Me Do is a deep dive into the abuse so many women and children experience – abuse that is often reinforced by the justice system they trust to protect them. Critically, it shows that we can drastically reduce domestic violence – not in generations to come, but today. Combining forensic research with riveting storytelling, See What You Made Me Do radically rethinks how to confront the national crisis of fear and abuse in our homes. ‘A shattering book: clear-headed and meticulous, driving always at the truth’—Helen Garner ‘One Australian a week is dying as a result of domestic abuse. If that was terrorism, we’d have armed guards on every corner.’ —Jimmy Barnes ‘Confronting in its honesty this book challenges you to keep reading no matter how uncomfortable it is to face the profound rawness of people’s stories. Such a well written book and so well researched. See What You Made Me Do sheds new light on this complex issue that affects so many of us.’—Rosie Batty
This brilliant collection mixes the storytelling originality of George Saunders and Lydia Davis with a sensibility all its own, taking the reader on an extraordinary tour of an old and a new Australia. A woman on a passenger ship in 1958 gets involved with a young, wild Barry Humphries. A man looks back to the 1970s and his time as a member of Australia’s least competent scout troop. In 1988, a teenage boy recalls his sexual initiation, out on the tanbark. In 2015, two sisters text in Kmart about how to manage their irascible, isolated mum. Then, in the near future, a racist demagogue addresses the press the day after his electoral triumph. As the cities heat up and lose their water, a lady from one of the ‘better suburbs’ makes every effort to get her family into an exclusive gated community. Outstandingly original, bitingly satirical and written in a remarkable range of voices, A Couple of Things Before the End is a powerful vision of where we are – and where we may be headed. ‘These voices, so superbly heard and rendered, threw me into fits of laughter and slyly broke my heart.’ —Helen Garner ‘Astonishing ... an inventive collection of missives from the end of history. Complicated and savage and difficult and funny and melancholy, it’s both harsh and a caress. How do we speak and write into a future? I think Sean O’Beirne is showing us one way of doing it.’ —Christos Tsiolkas ‘O’Beirne inflects his identifiably Australian characters with a darkly comic and empathetic voice ... altogether, this collection invokes [our] questionable past, ironic present and disturbing future.’ —Books+Publishing
From the bestselling author of The Land Girls comes a beautifully realised novel that speaks to the true history and real experiences of post-war Australian women. Sydney 1945 The war is over, the fight begins. The war is over and so are the jobs (and freedoms) of tens of thousands of Australian women. The armaments factories are making washing machines instead of bullets and war correspondent Tilly Galloway has hung up her uniform and been forced to work on the women's pages of her newspaper - the only job available to her - where she struggles to write advice on fashion and make-up. As Sydney swells with returning servicemen and the city bustles back to post-war life, Tilly finds her world is anything but normal. As she desperately waits for word of her prisoner-of-war husband, she begins to research stories about the lives of the underpaid and overworked women who live in her own city. Those whose war service has been overlooked; the freedom and independence of their war lives lost to them. Meanwhile Tilly's waterside worker father is on strike, and her best friend Mary is struggling to cope with the stranger her own husband has become since being liberated from Changi a broken man. As strikes rip the country apart and the news from abroad causes despair, matters build to a heart-rending crescendo. Tilly realises that for her the war may have ended, but the fight is just beginning... PRAISE 'A richly crafted novel that graphically depicts life during those harrowing years. A touching tale and an enthralling read.' Reader's Digest 'A powerful and moving book.' Canberra Weekly