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Feltmaking is a popular and exciting contemporary medium, expanding in many new directions. This practical book focuses on the specific requirements for making felt bags. It explains the principles of using a resist to create 3D forms, and looks at shapes and styles of bags to suit all occasions. Clear instructions on feltmaking techniques for beginners are given. A guide to equipment and to choosing appropriate wool breeds and decoration for individual projects are given too. There is advice on design, choosing handles and fastenings, and the functionality and the form of a bag. There are detailed practical, step-by-step instructions for nine projects, covering both basic and advanced options, with easily adaptable elements. It is a fabulous guide to the various processes necessary to create a functional and unique felt bag.
This book gives an artist's view of what really happened when, in the late 19th and early 20th centuries, sculpture re-emerged from decades of semi-eclipse. An analysis of the achievements of Rodin, Degas, Brancusi, Picasso and Gonzalez is provided.
On photography's role in social communication, from early analog film to social media Photography has always been a social medium shared with others. But why do we communicate with each other using images? This publication explores the development of photography from a means of communication in the 19th century to its current digital representation online. Artists include: ABC Artists' Books Cooperative, Adam Broomberg & Oliver Chanarin with Der Greif, David Campany & Anastasia Samoylova, Fredi Casco, Moyra Davey, Themistokles von Eckenbrecher, Martin Fengel & Jörg Koopmann, Stuart Franklin, Gilbert & George, Dieter Hacker, Tomas van Houtryve, Philippe Kahn, On Kawara, Erik Kessels, Marc Lee, Lynn Hershman Leeson, Mike Mandel, Theresa Martinat, Eva & Franco Mattes, Jonas Meyer & Christin Müller, Peter Miller, Romain Roucoules, Thomas Ruff, Taryn Simon & Aaron Swartz, Andreas Slominski, Clare Strand and Corinne Vionnet.
Copper Plate Photogravure describes in comprehensive detail the technique of traditional copper plate photogravure as would be practiced by visual artists using normally available facilities and materials. Attention is paid to step-by-step guidance through the many stages of the process. A detailed manual of technique, Copper Plate Photogravure also offers the history of the medium and reference to past alternative methods of practice. Copper Plate Photogravure: Demystifying the Process is part of the current revitalization of one of the most satisfyingly beautiful image-making processes. The range of ink color and paper quality possibilities is endless. The potential for handwork and alteration of the copper plate provides yet another realm of expressive variation. The subject matter and the treatment are as variable and broad as photography itself. This book's purpose is to demystify and clarify what is a complex but altogether "do-able" photomechanical process using currently available materials. With Copper Plate Photogravure, you will learn how to: · produce a full-scale film positive from a photographic negative · sensitize the gravure tissue to prepare it for exposure to the positive · prepare the plate and develop the gelatin resist prior to etching · prepare the various strengths of etching solutions and etch the plate to achieve a full tonal scale · rework the plate using printmaking tools to correct flaws or to adjust the image for aesthetic reasons · use the appropriate printing inks, ink additives, quality papers, and printshop equipment to produce a high quality print A historical survey and appendices of detailed technical information, charts, and tables are included, as well as a list of suppliers and sources for the materials required, some of which are highly specialized. A comprehensive glossary introduces the non-photographer or non-printmaker to many of the terms particular to those fields and associated with this process.
"This is a book just the way I don't like them," the father of French Symbolism, StŽphane MallarmŽ, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, MallarmŽ's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If MallarmŽ captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from ValŽry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as MallarmŽ arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, MallarmŽ remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.
Alexander Kosolapov is one of the most remarkable go-betweeners of contemporary art, a nomadic presence across ideologies and cultures and a hero of Russian Conceptualism alongside Ilya Kabakov, Boris Mikhailov and Dmitri Prigov. In 1973, he cofounded the Sots-Art movement, which satirically conflated Soviet and American capitalist iconographies; in 1975 he relocated to New York, remaining there for 30 years and immersing himself in the American art scene. Dovetailing Russian political art with American Pop, Kosolapov created such well-known images as the Lenin Coca Cola (1985), Malevich Marlborough and Lenin McDonald's. In his most recent works, Kosolapov proposes new, nonexistent brands for post-Soviet Russia. This substantial survey appraises the entirety of his career to date.
How a German art dealer ensured the museum acquisition and dissemination of Picasso's prints in the postwar years How does any given body of work wind up in major collections, museums and exhibitions? Very often, it is because of the unsung efforts of individuals who advocate for the work in the face of conservatism and criticism. In Picasso's case, this role in Germany fell to the Bremen art dealer Michael Hertz. It was Hertz's commitment in the postwar period that resulted in the widespread acquisition of the artist by museums after World War II. In particular, Hertz's work on behalf of Picasso greatly benefited Kunsthalle Bremen, which has one of the most extensive collections of the artist's prints. The Picasso Connectionbrings together outstanding printworks by Picasso, ranging from lithographs and linocuts to book illustrations. Picasso's print oeuvre, as represented here, exemplifies the triumph of the affordable medium in postwar Germany, as well as Hertz's strong commitment.