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This book is a collection of eleven stories that cover a variety of themes.
This gripping and darkly funny memoir “is a testament to the undeniable, indestructible love between a mother and a daughter” (Isaac Mizrahi). Liz Scheier’s mother was a news junkie, a hilarious storyteller, a fast-talking charmer you couldn’t look away from, a single mother whose devotion crossed the line into obsession, and—when in the grips of the mental illness that plagued her—a masterful liar. On an otherwise uneventful afternoon when Scheier was eighteen, her mother sauntered into the room and dropped two bombshells. First, that she had been married for most of the previous two decades to a man Liz had never heard of and, second, that the man she had claimed was Liz’s dead father was entirely fictional. She’d made him up—his name, the stories, everything. Those big lies were the start, but not the end; it had taken dozens of smaller lies to support them, and by the time she was done she had built a fairy-tale, half-true life for the two of them. Judith Scheier’s charm was more than matched by her eccentricity, and Liz had always known there was something wrong in their home. After all, other mothers didn’t raise a child single-handedly with no visible source of income, or hide their children behind fake Social Security numbers, or host giant parties in a one-bedroom Manhattan apartment only to throw raging tantrums when the door closed behind the guests. Now, decades later, armed with clues to her father’s identity—and as her mother’s worsening dementia reveals truths she never intended to share—Liz attempts to uncover the real answers to the mysteries underpinning her childhood. Trying to construct a “normal” life out of decidedly abnormal roots, she navigates her own circuitous path to adulthood: a bizarre breakup, an unexpected romance, and the birth of her son and daughter. Along the way, Liz wrestles with questions of what we owe our parents even when they fail us, and of how to share her mother’s hilarity, limitless love, and creativity with children—without passing down the trauma of her mental illness. Never Simple is the story of enduring the legacy of a hard-to-love parent with compassion, humor, and, ultimately, self-preservation.
“The strong, authentic voices of the women sharing their own narratives and awakenings from life without fathers is the power of this book.” —Esme AAMBC Non-Fiction Self-Help Book of the Year AAMBC Breakout Author of the Year He Never Came Home is a collection of twenty-two personal essays written by girls and women who have been separated from their fathers by way of divorce, abandonment, or death. The contributors to this collection come from a wide range of different backgrounds in terms of race, socioeconomic status, religion, and geographic location. Their essays offer deep insights into the emotions related to losing one’s father, including sadness, indifference, anger, acceptance—and everything in between. This book, edited by Essence magazine’s west coast editor Regina R. Robertson, is first and foremost an offering to young girls and women who have endured the loss of their fathers. But it also speaks to mothers who are raising girls without a father present, offering important perspective into their daughter’s feelings and struggles. The essays in He Never Came Home are organized into three categories: “Divorce,” “Distant,” and “Deceased.” With essays by contributors including Emmy Award-winning actress Regina King, fitness expert and New York Times bestselling author Gabrielle Reece, television comedy writer Jenny Lee—and a foreword by TV news anchor Joy-Ann Reid—this anthology illustrates the journey of the fatherless, and provides a space for these writers to express their pain, hope, and healing, minus any judgments and without apology.
Details for Kismetwali and Other Stories Set against the backdrop of modern-day India, Kismetwali and Other Stories places the reader amidst circumstances that transcend place, purse and prestige. This octet of novellas offers a rare glimpse into the parallel lives of the privileged and penniless, converging on those astonishing moments when free will intercepts fate and the rigid divide between social classes is rendered insignificant. Each narrative showcases walas and walis of the working class—the common yet essential purveyors of goods and providers of service—as empowered individuals who take centre stage.The shavewala, a humble barber, becomes an intimate collaborator in a love story that spans the seven seas; the malishwali, a long-serving masseuse, conceals her mistress’s shocking secret while offering a gift of revelation to another; the kismetwali, a clairvoyant of unremarkable pedigree, solicits cosmic benefaction for her affluent clients. These socially eclipsed characters are the true protagonists in every story. About Reetika Khanna Nijhawan Reetika Khanna Nijhawan was born and raised in a small town in northern India. While growing up, she travelled the world extensively with her father, an officer in the merchant navy. After receiving her degree in Psychology from Delhi University, she worked as a flight attendant with Lufthansa German Airlines before settling down to write for ELLE and ELLE Décor in Mumbai. She later moved to Atlanta, where her work has been published in the Atlanta Journal-Constitution and Khabar magazine. Kismetwali and Other Stories is her first work of fiction. She penned these eight novellas over time, while waiting in the carpool line outside her daughter’s school.
Drawing from his wide-ranging career, a new collection features some of the humorist's work, including the title story, which is the basis for a feature film starring Maggie Smith.
Singularity gathers award-winning writer Melanie Tem’s most important short fiction, highlighting her diversity and mastery of her art. The sixty stories collected here range from "Sitting with the Driver," a western with a dark woman at its center, to "Little Shit," a contemporary tale of a woman who uses her deceptive appearance and psychic power to trap those who prey on the helpless. The child in "Corn teeth" longs not only to become a part of an alien family, but also to become an alien. And in the title tale, a man studies singularities and strin theory to both understand and blind himself to the truth about the woman he loves. Although the story is not science fiction, its exploration of physics is as rigorous as that found in the best sf. Here you will find no triumphant warriors, no powerful and beautiful protagonists, no monsters from beyond the dark cold void or madmen bent on conquest. Tem's characters are mothers and siblings, orphans and lonely seniors. Her stories are often about family, and always about relationships. Even though Kelly is the only character in "Iced in," the bitter truth that lies at the story's heart is that she is doomed by her failure to maintain relationships. Melanie Tem's stories are often haunted by ghosts and monsters, ghosts and monsters revealed as all too human. In Singularity, she explores the love and terror that lie deep within all of us.
Recommended by the National Library Board, Singapore and Ministry of Communications and Information A woman learns of a friend’s illness and wonders if she ever truly knew him. A boy who sees ghosts heeds the advice of a fortune-teller, with surprising consequences. A girl wakes up and realises everybody in her Bedok neighbourhood has vanished. From Cyril Wong, award-winning author of The Last Lesson of Mrs de Souza, comes another beautiful book about characters in crisis, with two stories crossing intriguingly into creative autobiography.