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Networked Bollywood provides interdisciplinary analysis of the role of the stars in the transformation of Hindi cinema into a global entertainment industry. The first Indian film was made in 1913. However, filmmaking was recognized as an industry almost a hundred years later. Yet, Indian films have been circulating globally since their inception. This book unearths this oft-elided history of Bollywood's globalization through multilingual, transnational research and discursive cultural analysis. The author illustrates how over the decades, a handful of primarily male megastars, as the heads of the industry's most prominent productions and corporations, combined overwhelming charismatic affect with unparalleled business influence. Through their “star switching power,” theorized here as a deeply gendered phenomenon and manifesting broader social inequalities, India's most prominent stars instigated new flows of cinema, industrial collaborations, structured distinctive business models, influenced state policy and diplomatic exchange, thereby defining the future of Bollywood's globalization.
Every year, thousands of young men and women come to Mumbai to make it big in Bollywood. They come from all over India. They come from all backgrounds. They all come with one common thing - hope. Starry-eyed, they land in Mumbai and begin a pursuit that will change their lives. Some will make it. Most won't. They know that. They know they are taking a chance, a roll of the dice, a gamble with their own future at stake. They are playing a game of roulette, where the odds are stacked against them; but they also know that the rewards are out of this world.
"Spreadable Media" maps fundamental changes taking place in the contemporary media environment, a space where corporations no longer tightly control media distribution. This book challenges some of the prevailing frameworks used to describe contemporary media.
'South Asian Media Cultures' examines a wide range of media cultures and practices from across South Asia, using a common set of historical, political and theoretical engagements. In the context of such pressing issues as peace, conflict, democracy, politics, religion, class, ethnicity and gender, these essays explore the ways different groups of South Asians produce, understand and critique the media available to them.
For women who have experienced domestic violence, proving that you are a “good victim” is no longer enough. Victims must also show that they are recovering, as if domestic violence were a disease: they must transform from “victims” into “survivors.” Women’s access to life-saving resources may even hinge on “good” performances of survivorhood. Through archival and ethnographic research, Paige L. Sweet reveals how trauma discourses and coerced therapy play central roles in women’s lives as they navigate state programs for assistance. Sweet uses an intersectional lens to uncover how “resilience” and “survivorhood” can become coercive and exclusionary forces in women’s lives. With nuance and compassion, The Politics of Surviving wrestles with questions about the gendered nature of the welfare state, the unintended consequences of feminist mobilizations for anti-violence programs, and the women who are left behind by the limited forms of citizenship we offer them.
Today, information communication technologies, such as the Internet and World Wide Web, are inextricably woven into the fabric of numerous facets of social and economic development. ""Networked Communities: Strategies for Digital Collaboration"" provides an understanding of best practices in building sustainable collaboration in intelligent community development. This unique collection contains extensive referencing and sophistication in the nature of dealing with communities using information communication technologies - a significant contribution to the field of digital collaboration.
How maturing digital media and network technologies are transforming place, culture, politics, and infrastructure in our everyday life.
How online affinity networks expand learning and opportunity for young people Boyband One Direction fanfiction writers, gamers who solve math problems together, Harry Potter fans who knit for a cause. Across subcultures and geographies, young fans have found each other and formed community online, learning from one another along the way. From these and other in-depth case studies of online affinity networks, Affinity Online considers how young people have found new opportunities for expanded learning in the digital age. These cases reveal the shared characteristics and unique cultures and practices of different online affinity networks, and how they support “connected learning”—learning that brings together youth interests, social activity, and accomplishment in civic, academic, and career relevant arenas. Although involvement in online communities is an established fixture of growing up in the networked age, participation in these spaces show how young people are actively taking up new media for their own engaged learning and social development. While providing a wealth of positive examples for how the online world provides new opportunities for learning, the book also examines the ways in which these communities still reproduce inequalities based on gender, race, and socioeconomic status. The book concludes with a set of concrete suggestions for how the positive learning opportunities offered by online communities could be made available to more young people, at school and at home. Affinity Online explores how online practices and networks bridge the divide between in-school and out-of-school learning, finding that online affinity networks are creating new spaces of opportunity for realizing the ideals of connected learning.
Retrospective Hallucination.............In Newly Decolonized India, Popular Film Found Itself At The Center Of The Celebration Of New Nationhood. Pranja Paramita Parasher Traces The Politics Of Representation, Who Is Acknowledged And Who Is Left Out, And Offers A Retrospective Glimpse Into The Aporias And Elisions Which Surround The Projection Of A Unified National Self. The Filmic Experience Is Visual, And Its Growing Library Forms An Archive Which Calls Into Question The Meaning Of History And Thus Allows Us To Imagine, To See, What Has Not Yet Been Thought. Review 1947'S Patriotic Self And It Is Gender'S Hollow Image That Is Most Haunting. Where Is Echo? Asks Gayatri Spivak Of Narcissism. From Replies And Silences Fixed In Film Records, Dr. Parasher Posits Echoes, Lost Stories Whose Dense Occupation Of Shadow Space Provides The Luminosity For Film'S Distracting Power, Radiant And Seductive In Its Absolute Control Of Reflected Light.