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Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s until around 1830, with late neoclassicism lingering through the 1870s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. The movement was born in Italy and France and spread across Europe to Russia and the United States. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to art, following the new “enlightened” thinking. This second edition of Historical Dictionary of Neoclassical Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries cover late Baroque and Rococo tendencies found in the early 18th century, and span the century to include artists who moved from neoclassicism to early romanticism. This book is an excellent resource for students, researchers, and anyone wanting to know more about neoclassical art and architecture.
Annotation. Fully colour-illustrated travel guides packed with information on the history and culture of a destination.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1945.
For four centuries, the Polish-Lithuanian state encompassed a major geographic region comparable to present-day Poland, Lithuania, Belarus, Ukraine, Russia, Latvia, Estonia, and Romania. Governed by a constitutional monarchy that offered the numerous nobility extensive civil and political rights, it enjoyed unusual domestic tranquility, for its military strength kept most enemies at bay until the mid-seventeenth century and the country generally avoided civil wars. Selling grain and timber to western Europe helped make it exceptionally wealthy for much of the period. The Polish-Lithuanian State, 1386-1795 is the first account in English devoted specifically to this important era. It takes a regional rather than a national approach, considering the internal development of the Ukrainian, Jewish, Lithuanian, and Prussian German nations that coexisted with the Poles in this multinational state. Presenting Jewish history also clarifies urban history, because Jews lived in the unincorporated "private cities" and suburbs, which historians have overlooked in favor of incorporated "royal cities." In the seventeenth and eighteenth centuries the private cities and suburbs often thrived while the inner cities decayed. The book also traces the institutional development of the Roman Catholic Church in Poland-Lithuania, one of the few European states to escape bloody religious conflict during the Reformation and Counter Reformation. Both seasoned historians and general readers will appreciate the many excellent brief biographies that advance the narrative and illuminate the subject matter of this comprehensive and absorbing volume.
The Lands of Partitioned Poland, 1795-1918 comprehensively covers an important, complex, and controversial period in the history of Poland and East Central Europe, beginning in 1795 when the remnanst of the Polish Commonwealth were distributed among Prussia, Austria, and Russia, and culminating in 1918 with the re-establishment of an independent Polish state. Until this thorough and authoritative study, literature on the subject in English has been limited to a few chapters in multiauthored works. Chronologically, Wandycz traces the histories of the lands under Prussian, Austrian, and Russian rule, pointing out their divergent evolution as well as the threads that bound them together. The result is a balanced, comprehensive picture of the social, political, economic, and cultural developments of all nationalities inhabiting the land of the old commonwealth, rather than a limited history of one state (Poland) and one people (the Poles).
"Cavanaugh's scholarship is distinguished by several qualities: detailed knowledge, a rare comparative awareness of adjacent disciplines, and of course, a substantial, synthetic knowledge of modern artistic developments in Western Europe and the U.S. Out Looking In will be relevant to a large and varied public."--John E. Bowlt, author of Forbidden Art: Soviet Nonconformist Art, 1956-1988 "This is an essential book for scholars of modernism who are eager, in the wake of post-structuralist and post-modernist reevaluations of the construction of modernism's history, to broaden discussions beyond a narrow French orientation. It will serve as an important stimulus for rethinking European art in general in this period."--Linda Dalrymple Henderson, University of Texas, Austin "Clearly written and well organized, [Out Looking In] will be the indispensable reference work in English on early modern Polish art. Cavanuagh's treatment, based on solid research and critical insight, is illuminating."--Vojtech Jirat-Wasiutynski, Professor of Art, Queen's University "The visual richness and comprehensiveness of Out Looking In will make it a primary resource in the West for images of early modern Polish art as well as arguing for the centrality of Polish art to the discussion of European modernism. This is revisionism at its most insightful."--Wendy Salmond, author of Arts and Crafts in Late Imperial Russia "This book goes a long way in correcting our geographically narrow understanding of European modernism. While arguing for Poland's place in the annals of artistic modernism, Cavanaugh elegantly manoeuvers between the sensitive issues determining national artistic identity and the international context of this debate."--Myroslava M. Mudrak, Ohio State University "This is one of the most important critical analyses of turn-of-the-century Polish art. Out Looking In will inspire a broad response from a wide international cricle of historians of art, literature, and artistic culture."--Wieslaw Juszczak, Art Institute of the Polish Academy of Sciences and Letters and Art History Department, University of Warsaw