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Needlework as art is an unchanged, high-quality reprint of the original edition of 1886. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
This glorious book is filled to the brim with a wide ranging history of textiles and 350 superb illustrations drawn from many countries and sources vestments and costume, samplers and pictures, great beds and furniture. The story of embroidery and needlework is discussed within the fascinating context of the history of fabrics, of decorative costume, of interior decoration, of church and state ceremonial, of girl's education, of furniture and pastimes. Silk, cotton, linen, and the significance of colours and dyes are also considered. Two interesting chapters reveal the world-wide fascination in an influence of Chinese embroidery and Indian textiles. With a broad account of the artistic achievements of every facet of decorative needlework the book is rich with the art-historical background encompassing the most magnificent of all embroidery, the mediaeval English vestments so coveted by Popes and Bishops across Europe, to the domestic treasures created in more recent centuries. Baroque, Rococo, neo-classical and other period characteristics are each discussed with reference to works created by children, young girls, and ladies who made furniture coverings destined for posterity. The nineteenth century saw extremes of art and fashion ranging from Berlin woolwork to Art Needlework and the eclectic inspiration represented by William Morris, all leading to simpler modernist styles which evolved over the twentieth century. The author sets in political and social context the whole panoply of textiles distinguishing between the magnificent products of professional workshops and the uniquely individual and especially charming amateur embroideries that survive today amongst the most beautiful treasures of the decorative arts. Mr Synge's text is authoritative but examines with infectious enthusiasm this field which has never been sufficiently understood but now interests more people than ever before. It will appeal to all who admire beautiful things, fine workmanship, good design and lovely fabrics. 320 colour & 30 b/w illustrations
'I would like to make things beautiful, but a tawdry and repulsive kind of beauty. A braver sort than people have from birth. Sexy zombies on a bicep. That sort of thing.' Ces longs to be a tattoo artist and embroider skin with beautiful images. But for now she's just trying to reach adulthood without falling apart. Powerful, poetic and disturbing, Needlework is a girl's meditation on her efforts to maintain her bodily and spiritual integrity in the face of abuse, violation and neglect.
Reproduction of the original: Needlework as Art by Lady M. Alford
Includes: Embroidery and Embroidery Stitches -- Canvas Stitches -- Crewel-Stitch -- Chain-Stitch -- Herring-Bone-Stitch -- Buttonhole-Stitch -- Feather and Oriental Stitches -- Rope and Knot Stitches -- Interlacings, Surface Stitches, and Diapers -- Satin-Stitch and its Offshoots -- Darning -- Laid-Work -- Couching -- Couched Gold -- Appliqué -- Inlay, Mosaic, and Cut-Work -- Embroidery in Relief -- Raised Gold -- Quilting -- Stitch Groups -- One Stitch or Many? -- Outline -- Shading -- Figure Embroidery -- The Direction of the Stitch -- Church Work -- White Work -- A Plea for Simplicity -- Embroider Design -- Embroidery Materials -- A Word to the Worker.
WINNER OF A CHOICE OUTSTANDING ACADEMIC TITLE AWARD 2018 In the early twentieth century, Marguerite Zorach and Georgiana Brown Harbeson were at the forefront of the modern embroidery movement in the United States. In the first scholarly examination of their work and influence, Cynthia Fowler explores the arguments presented by these pioneering women and their collaborators for embroidery to be considered as art. Using key exhibitions and contemporary criticism, The Modern Embroidery Movement focuses extensively on the individual work of Zorach and Brown Harbeson, casting a new light on their careers. Documenting a previously marginalised movement, Fowler brings together the history of craft, art and women's rights and firmly establishes embroidery as a significant aspect of modern art.