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The English Library of the University of Toronto presents information on Canadian poet Edwin John Pratt (1882-?). The library offers biographical information on Pratt, the full text of several of Pratt's poems, and a bibliography of his works.
"Published in conjunction with the exhibition 'Ned Pratt: One Wave', organized by The Rooms, St. John's, NL, September 22, 2018 to January 20, 2019, and touring nationally 2019-22" -- Publisher.
A definitive biography of an iconic Canadian architect—and a social portrait of the midcentury design world he lived in. Ron Thom came of age in the mid-20th century, just as the modern movement and an impending building boom were about to reshape the country. Talented in music and art as well as design, he rejected sleek austerity in favor of modern architecture that is warm, intimate, and beautiful. He worked from coast to coast, and his most renowned buildings—Massey College, Trent University, the Shaw Festival Theatre, and landmark houses—continue to inspire generations of architects, as well as the legions of people who work, study, visit, and live in them. In Adele Weder’s new biography, Thom emerges as a complex figure, gifted with creative genius but pursued by demons. More than just the life story of one man, this book is a portrait of the society that shaped him. His world included Jack Shadbolt, Arthur Erickson, the Massey family, Barbara, and Murray Frum, and many other luminaries of 20th-century Canada. To unpack this multifaceted story, Weder pored through institutional and personal archives in Victoria, Vancouver, Calgary, Montreal, Peterborough, and Toronto. She tracked down and interviewed Thom’s surviving friends, colleagues, and family members across the country, from New Brunswick to Vancouver Island. Her extensive research serves as the bedrock for Ron Thom, Architect—a book for anyone interested in a transformative era in Canada's cultural history.
The prize-winning War Memorial Gymnasium at the University of British Columbia is discussed here, examining what the building's design, construction and shifting functions reveal about the university's values during the post-war years.
Carl Klinck's autobiography is combined with a history of the development of Canadian literature as a
Brings together all of the writings of Northrop Frye, both published and unpublished, on the subject of Canadian literature and culture, from his early book reviews of the 1930s and 1940s through his cultural commentaries of the 60s, 70s, and 80s.
The volume offers a full sampling of Pratt's poems chosen both for their representativeness and for their intrinsic value.
The collected essays that comprise The Traveling and Writing Self examine the critical relationship between the journey, the author of the travel narrative, and published and private texts. Contributors draw attention to the performed nature of the travel writer’s self, emphasizing that the carefully crafted persona of the traveler-protagonist is a fiction. The traveler’s identity is frequently in flux, negotiating between social convention, literary convention, personal motivations, and nationalist agendas. The Traveling and Writing Self is a notable addition to studies of travel writing because the contributors explore several genres in addition to the traditional accounts of the journey; these genres include histories of exploration, diaries, memoir, poetry, film, and short story. Not limited to a specific historical era or geographical location, individual chapters explore the work of Rebecca Solnit, Isak Dinesen, Melinda Atwood, William Byrd, E. J. Pratt, Beatrice Grimshaw, and Louisa May Alcott. From each, we learn that perhaps the most interesting subject of any travel account is the author.