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After accidentally getting lost on the 3rd floor of the school, Mason Pierce finds himself returning day after day outside the music room of his high school. He sits outside in the hallway, listening to music coming out from the locked room and enjoying every minute of it. Despite someone being inside, Mason never had a chance to meet the person inside until one day, he found it slightly open. He opened the door and found himself with something different in his despairingly controlled lifestyle. From the problems with his father to his belittling towards himself, Mason will find that there was more than one way to live and to feel towards himself and other people.
In Naupaka Emmalee Gray Denning is trying to cope with the death of her husband. Burying herself in work, her children and the Lodge. She believes she is finding peace in her new existence until a documentary showcasing her as an artist appears on a local television station bringing with it danger. She chooses to flee life as she knows it, in order to protect her children and family. Can she find solace and safety in the new life she is trying to make for herself?
Lideweij is thousands of miles away from her true love. They'd been inseparable for years, fighting Hodgkin Lymphoma side by side, until Lideweij make the excruciating decision not to be at his side when he passes away. She leaves for Hawaii, the place where only then months earlier Sander had proposed to her and told her about the legend of the Naupaka flower. Her journey helps her to work through the deep sorrow. Tears are gradually replaced by inspiring insides and new dreams. Grazia Magazine gave Naupaka 4 stars. Daily newspaper de Volkskrant mentioned Naupaka the most controversal novel of the year.
Part of a new series called Hawaiian Legends for Little Ones, Naupaka introduces kids ages 0-4 to one of Hawaii's best-known love stories that explains why the native plant naupaka--which can be found on the beach and in the mountains--blooms only half a flower. In simple, poetic language, this origin story gives small kids a taste of Hawaii's rich history of storytelling. Three other titles in the series are: Hina, Pele Finds a Home, and Maui Hooks the Islands--all legends that will give kids a wider view of Hawaiian culture, history, and its natural world.
This sequel to Pearsall's bestselling "The Pleasure Prescription" shows couples the way to true happiness. Drawing on 2,000-year-old Polynesian wisdom, "Partners in Pleasure" shows how to go beyond self-fulfillment to selfless, shared pleasure. The Foreword features rare written wisdom from a well-respected kapuna (Hawaiian elder).
Detailed instructions for growing native Hawaiian plants from cuttings or seeds, air-layering, grafting, watering, xeriscaping, transplanting, etc., and basic landscape maintenance. Also explains the plants' importance in Hawaiian culture.
Winner of the 2021 Silver Medal for Best Illustrator, Moonbeam Children's Book Awards On a school trip to Honolulu’s Bishop Museum, Manu and his classmates are excited to see an ancient skirt made with a million yellow feathers from the ‘ō‘ō, a bird native to Hawai‘i that had gone extinct long ago. Manu knew his full name, Manu‘ō‘ōmauloa, meant “May the ‘ō‘ō bird live on” but never understood: Why was he named after a native forest bird that no longer existed? Manu told his parents he wanted to know more about ‘ō‘ō birds and together they searched the internet. The next day, his teacher shared more facts with the class. There was so much to learn! As his mind fills with new discoveries, Manu has vivid dreams of his namesake bird. After a surprise visit to Hawai‘i Island where the family sees native forest birds in their natural setting, Manu finally understands the meaning of his name, and that he can help the birds and promote a healthy forest. Manu, the Boy Who Loved Birds is a story about extinction, conservation, and culture, told through a child’s experience and curiosity. Readers learn along with Manu about the extinct honeyeater for which he was named, his Hawaiian heritage, and the relationship between animals and habitat. An afterword includes in-depth information on Hawai‘i’s forest birds and featherwork in old Hawai‘i, a glossary, and a list of things to do to help. Illustrated with eye-catching, full-color block prints, the book accurately depicts and incorporates natural science and culture in a whimsical way, showing how we can all make a difference for wildlife. The book is also available in a Hawaiian-language edition, ‘O Manu, ke Keiki Aloha Manu, translated by Blaine Namahana Tolentino (ISBN 9780824883430).
After accidentally getting lost on the 3rd floor of the school, Mason Pierce finds himself returning day after day outside the music room of his high school. He sits outside in the hallway, listening to music coming out from the locked room and enjoying every minute of it. Despite someone being inside, Mason never had a chance to meet the person inside until one day, he found it slightly open. He opened the door and found himself with something different in his despairingly controlled lifestyle. From the problems with his father to his belittling towards himself, Mason will find that there was more than one way to live and to feel towards himself and other people.
This is a significant update to the highly influential text People and Cultures of Hawaii: A Psychocultural Profile. Since its publication in 1980, the immigrant groups it discusses in depth have matured and new ones have been added to the mix. The present work tracks the course of these changes over the past twenty years, constructing a historical understanding of each group as it evolved from race to ethnicity to culture. Individual chapters begin with an overview of one of fifteen groups. Following the development of its unique ethnocultural identity, distinctive character traits such as temperament and emotional expression are explored—as well as ethnic stereotypes. Also discussed are modifications to the group’s ethnocultural identity over time and generational change—which traits may have changed over generations and which are more hardwired or enduring. An important feature of each chapter is the focus on the group’s family social structure, generational and gender roles, power distribution, and central values and life goals. Readers will also find a description of the group’s own internal social class structure, social and political strategies, and occupational and educational patterns. Finally, contributors consider how a particular ethnic group has blended into Hawai‘i’s culturally sensitive society. People and Cultures of Hawai‘i: The Evolution of Culture and Ethnicity will, like its predecessor, fill an important niche in understanding the history of different ethnic groups in Hawai‘i.