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“If good design tells the truth,” writes Robert Grudin in this path-breaking book on esthetics and authority, “poor design tells a lie, a lie usually related . . . to the getting or abusing of power.” From the ornate cathedrals of Renaissance Europe to the much-maligned Ford Edsel of the late 1950s, all products of human design communicate much more than their mere intended functions. Design holds both psychological and moral power over us, and these forces may be manipulated, however subtly, to surprising effect. In an argument that touches upon subjects as seemingly unrelated as the Japanese tea ceremony, Italian mannerist painting, and Thomas Jefferson’s Monticello plantation, Grudin turns his attention to the role of design in our daily lives, focusing especially on how political and economic powers impress themselves on us through the built environment. Although architects and designers will find valuable insights here, Grudin’s intended audience is not exclusively the trained expert but all those who use designs and live within them every day.
These genuine collections of poetry beautifully convey the importance of reaching Truth, as well as enlightenment, eternal life, and inner peace. What is Truth? What is the life of the natural flow of the universe? Nature’s Flow easily and simply teaches how to become the perfect and pure true mind, and how to live by the natural flow of the universe. Woo Myung guides the reader to enlighten that humans are Truth and that everything is oneness. The poetry candidly and poignantly demonstrates that only the person who becomes one with everything can be in heaven and can live life with wisdom. Official website: www.woomyung.org
Nature's Choice: What Science Reveals About the Biological Origins of Sexual Orientation offers both a comprehensive review of findings from over twenty years of research on the factor of biology in the determination of sexual orientation and a fresh perspective on this complex and politically charged subject.
Nature's Covenant, a reading of John Ruskin, including his neglected poems and early prose writings, brings forth a fresh awareness of his career as an interpreter of landscape, where landscape is conceived as a filter of human meaning, of aesthetic and theological significance. The book shows the correlation in Ruskin's work between the Reformed theology of his religious tradition and the Romantic poetics of literature that he sought to practice. It reconstructs the particular hermeneutic of landscape that Ruskin developed, a vision of the natural world that depended equally upon the Romantic/evangelical renovation of heart and eye and a remarkable articulation of the typology of nature. Ruskin's own theôria, or contemplation of nature's text, the full-scale development of which takes place in Modern Painters II, is revealed and explored, inviting renewed understanding of works both early and late, especially of certain key chapters of such often neglected works as "The Requiem" of St. Mark's Rest or the "Revision" of Deucalion. Finley shifts the emphasis away from the secularized readings of this century to recover lost religious meanings in Ruskin's critical writing, including his unpublished sermons. No previous modern study has focused on Ruskin's religious upbringings and its influence on his mature writings while countering the critical received orthodoxy about his faith, his "unconversion," and inevitable secularization often retold as part of the narrative of modernism, which proclaimed the necessary supersession of Victorian superstition by modern enlightenment. Because of its commitment to a reading of Ruskin's religious sense in light of his romantic inheritance, Nature's Covenant is also a book about Victorian romanticism, sharing in the current reevaluation of Wordsworth's later career, and in the renewed scholarly attention to Sir Walter Scott.