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Early one morning Raghu and Dhani find an unusual bustle at school. Someone important is to speak in the morning assembly. Mr C. K. Nair of Kerala Sashtra Sahitya Parishad informs them about the Silent Valley Movement and how ecology of the Silent Valley, natural rainforests of Kerala, would get destroyed because the government wants to clear a part of the forest to create a reservoir. Is this a bigger trouble than anyone could ever have imagined! Does development justify destroying an entire ecosystem? Is this sacrifice worthwhile? Raghu and Dhani are left wondering. On a school trip soon, a thin, stooping man with binoculars around his neck uncovers the magic of the silent valley for Raghu and Dhani. In the forest, they spot a lion-tailed macaque, Nilgiri wood pigeon, Malabar parakeet, the great Indian hornbill and marvel at the sparkling waters of Kunthipuzha river and the many shades of green. Who is this mysterious old man? Will this paradise get destroyed? Will Raghu and Dhani join the Silent Valley movement? Other titles in the series: • Bapu and the Missing Blue Pencil • Rao Jodha and the Curse of the Hermit • Tagore and the Song of the Crazy Wind • King Ashoka and the Garden of Herbs • The Forests belong to us • The River of Life About the series: Caring for Nature series focuses on some important unforgettable stories of people’s movements, such as Chipko Andolan and Silent Valley Movement, among others to save their forests, rivers, or land from greedy interests.
The ancient and mysterious midrash of Perek Shirah uses verses from Scripture to illustrate the 'song' of the different components and inhabitants of the natural world - their spiritual lessons for mankind. 'Nature's Song' is the only comprehensive English elucidation of the entire text of Perek Shirah.
WINNER OF THE 2018 JOHN BURROUGHS MEDAL FOR OUTSTANDING NATURAL HISTORY WRITING “Both a love song to trees, an exploration of their biology, and a wonderfully philosophical analysis of their role they play in human history and in modern culture.” —Science Friday The author of Sounds Wild and Broken and the Pulitzer Prize finalist The Forest Unseen visits with nature’s most magnificent networkers — trees David Haskell has won acclaim for eloquent writing and deep engagement with the natural world. Now, he brings his powers of observation to the biological networks that surround all species, including humans. Haskell repeatedly visits a dozen trees, exploring connections with people, microbes, fungi, and other plants and animals. He takes us to trees in cities (from Manhattan to Jerusalem), forests (Amazonian, North American, and boreal) and areas on the front lines of environmental change (eroding coastlines, burned mountainsides, and war zones.) In each place he shows how human history, ecology, and well-being are intimately intertwined with the lives of trees. Scientific, lyrical, and contemplative, Haskell reveals the biological connections that underpin all life. In a world beset by barriers, he reminds us that life’s substance and beauty emerge from relationship and interdependence.
The voices of birds have always been a source of fascination. Nature's Music brings together some of the world's experts on birdsong, to review the advances that have taken place in our understanding of how and why birds sing, what their songs and calls mean, and how they have evolved. All contributors have strived to speak, not only to fellow experts, but also to the general reader. The result is a book of readable science, richly illustrated with recordings and pictures of the sounds of birds. Bird song is much more than just one behaviour of a single, particular group of organisms. It is a model for the study of a wide variety of animal behaviour systems, ecological, evolutionary and neurobiological. Bird song sits at the intersection of breeding, social and cognitive behaviour and ecology. As such interest in this book will extend far beyond the purely ornithological - to behavioural ecologists psychologists and neurobiologists of all kinds.* The scoop on local dialects in birdsong* How birdsongs are used for fighting and flirting* The writers are all international authorities on their subject
A beautiful song comes to life in this story set in Hawaii The day the baby boy was born, on a beautiful Hawaiian island, the world sang him a lullaby. What a good song. But what is the good song? The boy listens for it and finds it in his heart and shares it with the world. Inspired by the medley of the classic songs “Over the Rainbow” and “What a Wonderful World” sung by Hawaiian singer Israel Kamakawiwo‘ole, the good song is aloha—love.
The bedtime book about endangered species When Mother Earth bids goodnight, / the world is bathed in silver light. / She says, “Goodnight, my precious ones.” / Nature’s song has just begun. Mother Earth’s Lullaby is a gentle bedtime call to some of the world’s most endangered animals. Rhythm, rhyme, and repetition create a quiet moment for children burrowing down in their own beds for the night, imparting a sense that even the most endangered animals feel safe at this peaceful time of day. In successive spreads, a baby giant panda, yellow-footed rock wallaby, California condor, Ariel toucan, American red wolf, Sumatran tiger, polar bear, Javan rhinoceros, Vaquita dolphin, Northern spotted owl, Hawaiian goose, and Key deer are snuggled to sleep by attentive parents in their dens and nests under the moon and stars. Brief descriptions of each animal appear in the back of the book.
Vashti believes that she cannot draw, but her art teacher's encouragement leads her to change her mind and she goes on to encourage another student who feels the same as she had.
Understanding the dynamics of British colonialism and the enormous ecological transformations that took place through the mobilization and globalized management of natures. For many critics, Romanticism is synonymous with nature writing, for representations of the natural world appear during this period with a freshness, concreteness, depth, and intensity that have rarely been equaled. Why did nature matter so much to writers of the late eighteenth and early nineteenth centuries? And how did it play such an important role in their understanding of themselves and the world? In Natures in Translation, Alan Bewell argues that there is no Nature in the singular, only natures that have undergone transformation through time and across space. He examines how writers—as disparate as Erasmus and Charles Darwin, Joseph Banks, Gilbert White, William Bartram, William Wordsworth, John Clare, and Mary Shelley—understood a world in which natures were traveling and resettling the globe like never before. Bewell presents British natural history as a translational activity aimed at globalizing local natures by making them mobile, exchangeable, comparable, and representable. Bewell explores how colonial writers, in the period leading up to the formulation of evolutionary theory, responded to a world in which new natures were coming into being while others disappeared. For some of these writers, colonial natural history held the promise of ushering in a “cosmopolitan” nature in which every species, through trade and exchange, might become a true “citizen of the world.” Others struggled with the question of how to live after the natures they depended upon were gone. Ultimately, Natures in Translation demonstrates that—far from being separate from the dominant concerns of British imperial culture—nature was integrally bound up with the business of empire.
Sing a Song of Seasons is a lavishly illustrated collection of 366 nature poems — one for every day of the year. Filled with familiar favorites and new discoveries written by a wide variety of poets, including William Shakespeare, Emily Dickinson, John Updike, Langston Hughes, N. M. Bodecker, Okamoto Kanoko, and many more, this is the perfect book for children (and grown-ups!) to share at the beginning or the end of the day.