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Our world is made up of interconnected systems. When one element changes, the entire system is affected, and nature must absorb the changes or be thrown out of balance. People often cause these environmental chain reactions through negative actions such as dumping chemical waste. But sometimes they are caused by a good ideas. It might start with a plan to get rid of disease causing insects or to fertilize soil to grow more crops. An environmental chain reaction can affect an area as small as a pond in a city park or as big as the whole planet. Nature requires a delicate balance, and it often takes just one small action to have far reaching effects.
The central Gujarat region of western India is home to the entrepreneurial landowning Patel caste who have leveraged their rural dominance to become a powerful global diaspora of merchants, industrialists, and professionals. Investigating the Patels’ intriguing ascent, Vinay Gidwani analyzes its broad implications for the nature of labor and capital worldwide. With the Patels as his central case, Gidwani interrogates established concepts of value, development, and the relationship between capital and history. Capitalism, he argues, is not a frame of economic organization based on the smooth, consistent operation of a series of laws, but rather an assemblage of contingent and interrupted logics stitched together into the appearance of a deus ex machina. Following this line of thinking, Gidwani points to ways in which political economy might be freed of its lingering Eurocentrism, raises questions about the adequacy of postcolonial studies’ critique of Marx and capitalism, and opens the possibility of situating capitalism as a geographically uneven social formation in which different normative or value-creating practices are imperfectly sutured together in ways that can equally impair and enable profit and accumulation. Both theoretically astute and empirically informed, Capital, Interrupted unsettles encrusted understandings of staple concepts within the human sciences such as hegemony, governmentality, caste, and agency and, ultimately, does nothing less than rethink the very constitution of capitalism. Vinay Gidwani is associate professor of geography and global studies at the University of Minnesota.
This book investigates the nature and phenomena of interruption in ways, which have relevance for contemporary dramatherapy practice. It is a timely contribution amidst an 'Age of Interruption' and examines how dramatherapists might respond with agency and discernment in personal, professional and cultural contexts. The writing gathers fresh ideas on how to conceptualise and utilize interruptions artistically, socially and politically. Individual chapters destabilise traditional conceptions of verbal and behavioural models of psychotherapy and offer a new vision based in the arts and philosophy. There are examples of interruption in practice contexts, augmented by extracts from case studies and clinical vignettes. The book is not a sequential narrative - rather a bricolage of ideas, which create intersections between aesthetics, language and the imagination. New and international voices in dramatherapy emerge to generate a radical immanence; from Greek shadow puppetry to the Japanese horticultural practice of Shakkei; from the appearance of 'ghosts' in the consulting room to images in the third space of the therapeutic encounter, interruptions are reckoned with as relevant and generative. This book will be of interest to students, arts therapists, scholars and practitioners, who are concerned with the nature of interruption and how dramatherapy can offer a means of active engagement.
Shakespeare / Nature sets new agendas for the study of nature in Shakespeare's work. Offering a rich exploration of the intersections between the human and non-human worlds, the chapters focus on the contested and persuasive language of nature, both as organic matter and cultural conditioning. Rooted in close textual analysis and historical acuity, this collection addresses Shakespeare's works through the many ways in which 'nature' performs, as a cultural category, a moral marker and a set of essential conditions through which the human may pass, as well as affect. Addressing the complex conditions of the play worlds, the chapters explore the assorted forms through which Shakespeare's nature makes sense of its narratives and supports, upholds or contests its story-telling. Over the course of the collection, the contributors examine plays including Macbeth, Julius Caesar, The Tempest, The Taming of the Shrew, Othello, Love's Labour's Lost, Hamlet, Timon of Athens and many more. They discuss them through the various lenses of philosophy, historicism, psychoanalysis, gender studies, cosmography, geography, sexuality, linguistics, environmentalism, feminism and robotics, to provide new and nuanced readings of the intersectional terms of both meaning and matter. Approaching 'nature' in all its multiplicity, this collection sets out to examine the divergent and complex ways in which the human and non-human worlds intersect and the development of a language of symbiosis that attempts to both control and create the terms of human authority. It offers an entirely new approach to the subject of nature, bringing together disparate methods that have previously been pursued independently to offer a shared investment in the intersections between the human and non-human worlds and how these discourses shape and condition the emotional, organic, cultural and psychological landscapes of Shakespeare's play worlds.
Fiction-FantasyI walk down the topsy turvy path in the forest I used to call my kingdom. It's dirty, but I love it. I spot many beautiful wildflowers and precious clovers. I've walked this path for many years. It's like a memory path. I keep walking and I finally see two small red hands. When mybrother and I were born, we painted our hands and printed them on a tree.It reminds us of all the picnics we've had under it. I keep walking and I spotour backyard. It doesn't have a fence, and willow trees are all around.Dandelions cover the ground like a layer of paint. I finally make my wayover to our little cottage. I arrive.
Explores the human propensity for owning and having.
Sacred Nature: Animism and Materiality in Ancient Religions is the second volume of the series Material Religion in Antiquity (MaReA). The book collects the proceedings of the international online workshop carrying the same title organized by CAMNES, SoRS on 20–21 May 2021. Sacred Nature brings together the perspectives of scholars from different disciplines (archaeology, anthropology, iconography, philology, history of religions) about the notions of nature, sacredness, animism and materiality in ancient religions of the Old and the New World. The contributions highlight various ways of understandings the relationships that occurred between human beings, animals, plants, rivers, deities and the land in the religious life of ancient societies. In particular, each chapter explores entangled aspects of the perception of nature and its other-than-human inhabitants, and contributes to readdress some notions about nature, personhood/agency, divinity/sacrality, and materiality/spirituality in ancient religions and cosmologies. In this line, the book seeks to promote a starkly inter-disciplinary and religious-anthropological approach to the definition of ‘sacred nature’, especially engaging with the analytical category of animism as a fruitful conceptual tool for the investigation of human-environmental relations in the ancient religious conceptions, representations and practices. Dialoguing with animism and drawing upon the question on how an ancient religion happened materially, the volume presents key case studies that explore how nature and its non-human inhabitants were understood, represented, engaged with and interwoven in the sacred and sensuous landscapes of ancients.
A friend and associate of the Transcendentalists in Concord, Nathaniel Hawthorne has rarely been taken seriously as a writer interested in the natural world. This book seeks to redress this omission by elucidating the sense of environmentality that emanates from Hawthorne’s romances and other writings. Hawthorne’s sense of kinship with the natural world runs deep in his work, particularly when his fiction is examined alongside his voluminous notebooks. Rethinking Nathaniel Hawthorne and Nature also contributes to the growing scholarly work aiming to illuminate Hawthorne as a writer deeply engaged in the issues of his day, particularly involving the environment, rather than an author simply interested in reinterpreting colonial history. Today’s readers stand to gain a rich new understanding of Hawthorne by reassessing Hawthorne’s attitude toward the natural world.
Visits to customers by a cross-functional team of marketers and engineers play an important role in new product development, entry into new markets, and in exploring customer satisfaction and dissatisfaction. The new edition of this widely used professional resource provides step-by-step instructions for making effective use of this market research technique.Using a wealth of specific examples, Edward F. McQuarrie explains how to set feasible objectives and how to select the right number of the right kind of customers to visit. One of the leading experts in the field, McQuarrie demonstrates how to construct a discussion guide and how to devise good questions, and offers practical advice on how to conduct face-to-face interviews.Extensively updated throughout, this third edition includes three new chapters as well as expanded coverage of the analysis of visit data. It also discusses which industries and product categories are most (and least) suitable to the customer visit technique. The author also covers how the customer visit technique compares to other market research techniques such as focus groups.