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Fusing myriad primary and secondary sources, historian Larry Cebula offers a compelling master narrative of the impact of Christianity on the Columbian Plateau peoples in the Pacific Northwest from 1700 to 1850. ø For the Native peoples of the Columbian Plateau, the arrival of whites was understood primarily as a spiritual event, calling for religious explanations. Between 1700 and 1806, Native peoples of the Columbian Plateau experienced the presence of whites indirectly through the arrival of horses, some trade goods by long-distance exchange, and epidemic diseases that decimated their population and shook their faith in their religious beliefs. Many responded by participating in the Prophet Dance movement to restore their frayed links to the spirit world. ø When whites arrived in the early nineteenth century, the Native peoples of the Columbian Plateau were more concerned with learning about white people's religious beliefs and spiritual power than with acquiring their trade goods; trading posts were seen as windows into another world rather than sources of goods. The whites? strange appearance and seeming immunity to disease and the unique qualities of their goods and technologies suggested great spiritual power to the Native peoples. But disillusionment awaited: Catholic and Protestant missionaries came to teach the Native peoples about Christianity, yet these white spiritual practices failed to protect them from a new round of epidemic disease. By 1850, with their world devastatingly altered, most Plateau Indians had rejected Christianity
Presents eighty photos of Umatilla, Walla Walla, and Cayuse Indians from the Columbia River Plateau taken by Major Moorhouse, an Indian agent and amateur photographer who served the Pacific Northwest territory. Simultaneous.
Among Native American Plateau people, women are important culture bearers, responsible for passing spiritual values from one generation to the next by many means, including manual art forms, stories, and songs. This book explores each of the Plateau arts by means of Native American legends and poems, articles by various scholars, and interviews with Native American women artists.
This book brings overdue recognition to the artistry and craftsmanship of the Plateau Indians by focusing on the remarkable collection amassed by the late Doris Swayze Bounds, an Oregon banker, who grew up among the Native people. Many of the items in her collection came to her as gifts from her Indian friends. 280 illustrations, 48 in color.
Written to appeal to professional archaeologists, students, and the interested public alike, this book is a long overdue introduction to the ancient peoples of the Great Basin and northern Colorado Plateau. Through detailed syntheses, the reader is drawn into the story of the habitation of the Great Basin from the entry of the first Native Americans through the arrival of Europeans. Ancient Peoples is a major contribution to Great Basin archaeology and anthropology, as well as the general study of foraging societies.
Archaeologist Keyser and Klassen share with readers the origins, diversity, and beauty of Plains rock art, with the hope of encouraging greater awareness and respect for this cultural tradition by society as a whole. Their guide covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology and dating; and suggests interpretations of images and compositions. The text is illustrated throughout with black-and-white photos, maps and drawings. The writing is serious, but accessible to the general reader. c. Book News Inc.
"This book recounts my journey through the Colorado Plateau, a journey through place and time and self.... During my explorations of more than three decades, I found a land that sears into my heart and soul, a place that has taught me and changed me. I also discovered a land of conflict and endurance, a land that has given birth to one of the great chapters in American history." --from the Introduction The Colorado Plateau, stretching across four states and covering nearly 80 million acres, is one of the most unique and spectacular landscapes in the world. Remote, rugged, and dry -- at once forlorn and glorious -- it is a separate place, a place with its own distinctive landscape, history, and future.In Fire on the Plateau, legal scholar and writer Charles Wilkinson relates the powerful story of how, over the past thirty years, he has been drawn ever more deeply into the redrock country and Indian societies of the Colorado Plateau. His work in the early 1970s as staff attorney for the newly formed Native American Rights Fund brought him into close contact with Navajo and Hopi people. His growing friendships with American Indians and increasing understanding of their cultures, along with his longstanding scholarship and experiences on federal public lands, led him to delve into the complicated history of the region.Wilkinson examines that history -- the sometimes violent conflicts between indigenous populations and more recent settlers, the political machinations by industry and the legal establishment, the contentious disputes over resources and land use -- and provides a compelling look at the epic events that have shaped the region. From centuries of habitation by native peoples to Mormon settlement, from the "Big Build-Up" of the post-World War II era to the increased environmental awareness of recent years, he explores the conquests of tribes and lands that have taken place, and the ways in which both have endured.Throughout, Wilkinson uses his own personal experiences as a lawyer working with Indian people and his heartfelt insights about a land that he grew to love to tie together the threads of the story. Fire on the Plateau is a vital and dynamic work that is sure to strike a chord with anyone interested in the past or future of the American Southwest.
Focuses on the strange and wondrous ceremonial masks of the Cheyenne, Blackfoot, Ogalala and other Plains peoples.
The National Museum of the American Indian is one of the world's great conservators of cultural heritage, and its collections hold more than 800,000 objects spanning 13,000 years of history of the Native peoples of the Western Hemisphere, from Tierra del Fuego in the south to the Arctic in the north. Drawing on new insights from archaeology, history, and art history, Infinity of Nations uses culturally, historically, and aesthetically significant objects as a point of entry to understanding the people who created them. Following an introduction on the power of objects to engage our imagination, each chapter presents an overview of a region of the Americas and its cultural complexities, written by a noted specialist on that region. Community knowledge-keepers and an impressive new generation of Native scholars contribute highlights on objects that represent important ideas or that capture moments of social change. Together these writers create an extraordinary mosaic. What emerges is a portrait of a complex and dynamic world shaped from its earliest history by contact and exchange among peoples. Illustrated with more than 200 strikingly beautiful photographs published here for the first time, Infinity of Nations opens new avenues that extend well beyond those of conventional cultural studies. Authoritative and accessible, here is an important resource for anyone interested in learning about Native cultures of the Americas.
Songs of Power and Prayer in the Columbia Plateau explores the role of song as a transformative force in the twentieth century, tracing a cultural, spiritual, and musical encounter that upended notions of indigeneity and the rules of engagement for Indians and priests in the Columbia Plateau. In Chad Hamill's narrative, a Jesuit and his two Indian "grandfathers"--one a medicine man, the other a hymn singer--engage in a collective search for the sacred. The priest becomes a student of the medicine man. The medicine man becomes a Catholic. The Indian hymn singer brings indigenous songs to the Catholic mass. Using song as a thread, these men weave together two worlds previously at odds, realizing a promise born two centuries earlier within the prophecies of Circling Raven and Shining Shirt. Songs of Power and Prayer reveals how song can bridge worlds: between the individual and Spirit, the Jesuits and the Indians. Whether sung in an indigenous ceremony or adapted for Catholic Indian services, song abides as a force that strengthens Native identity and acts as a conduit for power and prayer. A First Peoples: New Directions in Indigenous Studies book