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What do R.K. Narayan, G.V. Desani, Anita Desai, Zulfikar Ghose, Suniti Namjoshi, and Salman Rushdie have in common? They represent Indian writing in English over five decades. Vilified by many cultural nationalists for not writing in native languages, they nonetheless present a critique of the historical and cultural conditions that promoted and sustained writing in English. They also have in common a counterrealist aesthetic that asks its own social, political, and textual questions. This book is about the need to look at the tradition of Indian writing in English from the perspective of counterrealism. The departure from the conventions of mimetic writing not only challenges the limits of realism but also enables Indo-Anglian authors to access formative areas of colonial experience. Kanaganayakam analyzes the fiction of writers who work in this vibrant Indo-Anglian tradition and demonstrates patterns of continuity and change during the last five decades. Each chapter draws attention to what is distinctive about the artifice in each author while pointing to the features that connect them. The book concludes with a study of contemporary writing and its commitment to non-mimetic forms.
The Book Aims At An Appraisal Of R.N. Tagore S Novels In English Translations. It Highlights His Thematic Concerns And Novelistic Technique. The Book Also Provides A Comprehensive And Authentic Account Of His Literary Genius And His Vision Of The Human Predicament. It Contains A Faithful Profile Of His Age Marked By Profound Convulsions In Individual And Collective Consciousness.This Specific Study Of Tagore S Novels Based On The Themes Of Humanism And Nationalism Has Shown His Position And Achievement In The Domain Of Indian Fiction. The Book Studies Tagore S Art Of Writing Novels For Promotion Of Human Value And National Integration.Making An Attempt To Define And Interpret Humanism And Nationalism, And Their Application As Themes Of Novels By The Great Indo-Anglian Novelists And R.N. Tagore, The Book Provides A Critique Of R.N. Tagore S Nine Novels So Far Translated Into English. It Concludes With A Brief Critique On R.N. Tagore S Final Vision Of Life And Man.
Writing histories of literature means making selections, passing value judgments, and incorporating or rejecting foregoing traditions. The book argues that in many parts of India, literary histories play an important role in creating a cultural ethos. They are closely linked with nationalism in general and various regional ‘sub-nationalisms’ in particular. The contributors to this volume look at a great variety of aspects of the historiography of modern regional languages of India. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
“The Mahatma Misunderstood” studies the relationship between the production of novels in late-colonial India and nationalist agitation promoted by the Indian National Congress. The volume examines the process by which novelists who were critically engaged with Gandhian nationalism, and who saw both the potentials and the pitfalls of Gandhian political strategies, came to be seen as the Mahatma’s standard-bearers rather than his loyal opposition.
The search for self in the fiction of Arun Joshi involves a movement from the narrowest meaning of 'self' to its deepest and sublime formation or at least a struggle towards a higher mode of being. Joshi's concern with the "shining secrets" of life in the "mysterious underworld" of one's unconscious, invites various modern and post-modern definitions of self.
A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration. Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. The most comprehensive study yet of literature and imperialism in the early and mid-Victorian years, Rule of Darkness offers, in addition, a revisionary interpretation of imperialism as a significant factor in later British cultural history, from the 1880s to World War I. It is essential reading for anyone concerned with Victorian culture and society and, more generally, with the relationship between Victorian writers and imperialism, 'and between racist ideology and patterns of domination in modern history.
During the twentieth century, at the height of the independence movement and after, Indian literary writing in English was entrusted with the task of consolidating the image of a unified, seemingly caste-free, modernising India for consumption both at home and abroad. This led to a critical insistence on the proximity of the national and the literary, which in turn, led to the canonisation of certain writers and themes and the dismissal of others. Examining English anthologies of 'Indian literature', as well as the establishment of the Sahitya Akademi (the national academy of letters) and the work of R. K. Narayan and Mulk Raj Anand among others, Rosemary Marangoly George exposes the painstaking efforts that went into the elaboration of a 'national literature' in English for independent India even while deliberating the fundamental limitations of using a nation-centric critical framework for reading literary works.
Kamala Markandaya, b. 1924, Indo-English novelist.
Personal and National Destinies in Independent India is an innovative analysis of the interface between individual lives and national history, between citizen and state in modern India, as reflected in contemporary fiction. It critiques the selected works of a host of distinguished Indian English novelists such as Gurcharan Das, Arun Joshi, Rohinton Mistry, Arundhati Roy, Meher Pestonji, Kiran Desai, Vikas Swarup, David Davidar, Aravind Adiga, Manjula Padmanabhan and Tarun Tejpal. The author offers a new interpretation of twelve major novels with reference to the enormous framework of nearly seventy years of the history and politics, culture and economy of independent India. This is a study of fiction that re-writes the grand Indian narrative from a genuine, subaltern point of view and pays tribute to the heroism of ordinary Indians in times of extraordinary transformation. In these times of conflict and disparity which threaten democratic values, these novelists advocate an inclusive and humane India with a strong moral core instead of aggressive or elitist nationalism. They represent an era of painful introspection, an attempt to keep the soul of the nation alive. This unique project would be of interest to students and scholars of Literature, Political Science and History, especially Post-colonial studies. The vast scope of the time period, geographical expanse, social groups, writers and works covered here makes the work comprehensive and contemporary; very few such works on recent Indian history and fiction exist as of now.