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First published in 1952, South Carolina Negroes, 1877-1900 rediscovers a time and a people nearly erased from public memory. In this pathbreaking book, George B. Tindall turns to the period after Reconstruction before a tide of reaction imposed a new system of controls on the black population of the state. He examines the progress and achievements, along with the frustrations, of South Carolina's African Americans in politics, education, labor, and various aspects of social life during the short decades before segregation became the law and custom of the land. Chronicling the evolution of Jim Crow white supremacy, the book originally appeared on the eve of the Civil Rights movement when the nation's system of disfranchisement, segregation, and economic oppression was coming under increasing criticism and attack.
Extraordinary photos that reveal the social, economic, and cultural realities of the Black South A True Likeness showcases the extraordinary photography of Richard Samuel Roberts (1880–1935), who operated a studio in Columbia, South Carolina, from 1920 to 1935. He was one of the few major African American commercial photographers working in the region during the first half of the twentieth century, and his images reveal the social, economic, and cultural realities of the black South and document the rise of a small but significant southern black middle class. The nearly two hundred photographs in A True Likeness were selected from three thousand glass plates that had been stored for decades in a crawl space under the Roberts home. The collection includes "true likenesses" of teachers, preachers, undertakers, carpenters, brick masons, dressmakers, chauffeurs, entertainers, and athletes, as well as the poor, with dignity and respect and an eye for character and beauty. Thomas L. Johnson and Phillip C. Dunn received a 1987 Lillian Smith Book Award for their work on this book. This new edition of A True Likeness features a new foreword by Elaine Nichols, the supervisory curator of culture at the Smithsonian National Museum of African American History and Culture in Washington, D.C. A new afterword is provided by Thomas L. Johnson.
The author examines the education, public offices, religion, and general culture of the large plantation owners of antebellum South Carolina. He appends brief biographical sketches of almost 400 plantation owners, including birth and death dates, names of plantations, land and slave holdings, details of education, church affiliations, public offices held, society memberships, and publications credited.
Lower Richland County encompasses approximately 360 square miles in the heart of South Carolina's geographic center. The Wateree River cradles it to the east, and the Congaree River borders the south and southwest. Virginia settlers discovered this rich land over 250 years ago. They became wealthy planters and accumulated large land tracts, creating plantation systems that sustained the economy. From 1783 until 1820, cotton was the principal cash crop, and the slave population increased tremendously and played a vital role in the development of agriculture and the economy in the area.