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This Notebook / Journal is the Perfect Gift Idea for women, girls, wife, mother, grandmother, friend, coworker, teammate and your loved one feature 120 pages of lined paper with a matte finish cover. Perfect for note taking, diary entry, journal writing, to do list or daily schedules.
Ella feels like she is stuck in a pile of gloomy mud. She misses her mom so much. So, Ella embarks on a quest to find happiness again; wishing upon a star, trying to cook it up in a magic potion, and searching for it in all the places her grieving young heart leads her. And bit by bit...Ella begins to find solace in memories of her Mom. Something Lost Something Found is a story for young readers about the profound bonds we share with our loved ones, the importance of childhood memories, and the innate yearning to endure even the most indescribable grief. This tale’s empathy and wisdom shine through every wistful, charming scene.
Christine Naman wants you to know about her daughter, Natalie, the light of her life. A bright child with sparkling eyes and a personality to match. Raised in a loving household in an upper-middle-class neighborhood. A girl who excelled in the gifted program, look dance lessons, played the flute, and went to church. Natalie is also a narcotics addict. She has stolen from her parents, has disappeared for days, has sold her body for pills, and has hidden drugs in stuffed animals in her flowery, pink bedroom. Is love enough to save her from herself? About Natalie tells one woman's searingly candid but poignant story-known all too well by families across the country-and reveals the roller coaster of emotions and nightmarish experiences that come with loving an addict. There is despair and joy; denial and acceptance; rage and tranquility. interspersed is Natalie's compelling poetry, revealing the unvarnished truth of her struggle. By sharing the difficult days of isolation, guilt, pain, and humiliation that being the parent of an addict can bring, Naman offers comfort and consolation to others in similar circumstances. Ultimately, About Natalie is a story of loving no matter what, keeping the faith, battling hard, and getting back on the right road. Book jacket.
For more than thirty years Natalie Goldberg has been challenging and cheering on writers with her books and workshops. In her groundbreaking first book, she brings together Zen meditation and writing in a new way. Writing practice, as she calls it, is no different from other forms of Zen practice—"it is backed by two thousand years of studying the mind." This thirtieth-anniversary edition includes new forewords by Julia Cameron and Bill Addison. It also includes a new preface in which Goldberg reflects on the enduring quality of the teachings here. She writes, "What have I learned about writing over these thirty years? I’ve written fourteen books, and it’s the practice here in Bones that is the foundation, sustaining and building my writing voice, that keeps me honest, teaches me how to endure the hard times and how to drop below discursive thinking, to taste the real meat of our minds and the life around us."
Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don't more wives kill their husbands?
A Pura Belpré Honor Book * A Schneider Family Book Award Honor Book for Teens In this gorgeously written and authentic novel, Verónica, a Peruvian-American teen with hip dysplasia, auditions to become a mermaid at a Central Florida theme park in the summer before her senior year, all while figuring out her first real boyfriend and how to feel safe in her own body. Verónica has had many surgeries to manage her disability. The best form of rehabilitation is swimming, so she spends hours in the pool, but not just to strengthen her body. Her Florida town is home to Mermaid Cove, a kitschy underwater attraction where professional mermaids perform in giant tanks . . . and Verónica wants to audition. But her conservative Peruvian parents would never go for it. And they definitely would never let her be with Alex, her cute new neighbor. She decides it’s time to seize control of her life, but her plans come crashing down when she learns her parents have been hiding the truth from her—the truth about her own body.
The new novel from the author of As We Have Always Done, a poetic world-building journey into the power of Anishinaabe life and traditions amid colonialism In fierce prose and poetic fragments, Leanne Betasamosake Simpson’s Noopiming braids together humor, piercing detail, and a deep, abiding commitment to Anishinaabe life to tell stories of resistance, love, and joy. Mashkawaji (they/them) lies frozen in the ice, remembering the sharpness of unmuted feeling from long ago, finding freedom and solace in isolated suspension. They introduce the seven characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman, their conscience; Sabe, a gentle giant, their marrow; Adik, the caribou, their nervous system; and Asin and Lucy, the humans who represent their eyes, ears, and brain. Simpson’s book As We Have Always Done argued for the central place of storytelling in imagining radical futures. Noopiming (Anishinaabemowin for “in the bush”) enacts these ideas. The novel’s characters emerge from deep within Abinhinaabeg thought to commune beyond an unnatural urban-settler world littered with SpongeBob Band-Aids, Ziploc baggies, and Fjällräven Kånken backpacks. A bold literary act of decolonization and resistance, Noopiming offers a breaking open of the self to a world alive with people, animals, ancestors, and spirits—and the daily work of healing.
Sitting down to write -- The writer's material -- Words -- Phrase to clause to sentence -- A dash through punctuation -- Thinking in diagrams -- Writing is argument -- Convincing -- Tone and voice -- Academic writing -- Writing long -- How to write to a person in admiration -- Business proposals and reports -- Copywriting -- Writing for social media
Harry the eight year old son of Malcolm and Natalie Firth, engages Larry Dexxman to find his mother, but he has no idea of the can of worms that Larry is about to open. Larry's wife Penny, Neil and Denise his two new assistants, and Sally his tiny Shih-Tzu/Yorkshire terrier cross, embark on a mission to find her . With the help of MI6, they delve into the murky depths of Malcolm's life and are astounded and horrified to find that he has links with Vincente Vasquez, a known villain, suspected of drug smuggling and murder. When Special Branch shows an interest in his case, Larry finds that he has unwittingly become embroiled in an ongoing espionage investigation, which seems to be inexorably linked to Natalie's disappearance. Whether Natalie is alive or dead is a moot point, when keeping himself, his friends, and Harry alive, becomes the order of the day.
In this collection of her finest and best-known short essays, Natalia Ginzburg explores both the mundane details and inescapable catastrophes of personal life with the grace and wit that have assured her rightful place in the pantheon of classic mid-century authors. Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize. "A glowing light of modern Italian literature . . . Ginzburg's magic is the utter simplicity of her prose, suddenly illuminated by one word that makes a lightning streak of a plain phrase. . . . As direct and clean as if it were carved in stone, it yet speaks thoughts of the heart.' — The New York Times Book Review