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Eight essays on science fiction and fantasy: "Narrative Strategies in Science Fiction," "Immortality in Science Fiction," "Why There Is (Almost) No Such Thing as Science Fiction," "Perfectibility and the Novel of the Future," "In Search of a New Genre," "Ecology and Dystopia," "Cosmic Horror," and "Growing Up as a Superhero." Complete with bibliography and index.
Eight highly-readable essays on science fiction and fantasy writers, including David Brin, Jonathan Carroll, Samuel R. Delany, Joe Haldeman, Robert Irwin, Graham Joyce, Michael Shea, plus a major piece, "Against the New Gods," on British SF and crime writer Sydney Fowler Wright. Complete with Bibliography and Index.
Well-known critic and novelist Brian Stableford here discusses the writers, editors, and publishers who helped create the modern genre of science fiction: Mary Wollstonecraft Shelley, Edgar Allan Poe, Camille Flammarion, Jules Verne, H. G. Wells, Hugo Gernsback, John W. Campbell Jr., Edward E. "Doc" Smith, Robert A. Heinlein, James Blish, Gregory Benford, and Ian Watson. Complete with bibliography and index.
The new collection features 14 essays relevant to the Literary Decadence movement, including pieces on: Joris-Karl Huysmans, Charles-Augustin Sainte-Beuve, Aloysius Bertrand, Theophile Gautier, Victor Hugo, Honore de Balzac, Gustave Flaubert, Emile Zola, Edmond de Goncourt, and Anatole France. Complete with bibliography and index.
In the tradition of the old "Ace Doubles," two-in-one books (flip one over to read the second title)--here is the fourth Wildside Double. "Les Fleurs du Mal: A Tale of the Biotech Revolution," by Brian Stableford. In the year 2550, where premediated murder is supposedly impossible, a serial killer begins attacking very old men with specially bred plants that eat them from the inside out, creating the bizarre "flowers of evil" ("les fleurs du mal"). Biotech artist Oscar Wilde teams with UN detectives Charlotte Holmes and Hal Watson to unravel this futuristic nightmare. A Hugo Award finalist in the Novella category. "The Undead: A Tale of the Biotech Revolution," by Brian Stableford. In the world of the future, the latest rage is the creation of "Undead" personality simulations to place within the tombstones of the recently departed. But when a cluster of new monuments is vandalized, cemetery Chief Security Officer Tann Hicks must find the perpetrators and stop the crimes. Are the sims really dead? As the controversy over the Undead grows, with religious fanatics lining up against right-to-life advocates, Tann finds himself at the center of a growing political and media storm.
Cris's life falls apart after he and his girlfriend Claire are tattooed by artist Devon Curtin--who's murdered shortly after. Twenty years later, Curtin's fans, who believe his art was magical, are putting together an exhibit of his work, including the never-before-seen tattooes on Cris and Claire. Cris wants nothing to do with the show, but soon realizes that he and Claire might be in real danger. Because Devon Curtin's killer has never been caught...
Thirty-four review essays of science fiction, fantasy, and horror authors and musical groups, including works by the following: Poul Anderson, Kim Antieau, Jackie Askew, Ataraxia, Stephen Baxter, Gregory Benford, David Britton, Philip George Chadwick, Hal Clement, Kathryn Cramer, Avram Davidson, Grania Davis, Stephen Dedman, Marcus Donnelly, Greg Egan, Michael Flynn, Forkbeard Fantasy, Neil Gaiman, Glenn Grant, Charles L. Harness, David G. Hartwell, Alexander Jablokov, John Kessel, Sophia Kingshill, Nancy Kress, Manuela Dunn Mascetti, Paul McAuley, Tim Powers, Albert Robida, Mary Doria Russell, William Moy Russell, Sharon Shinn, Sopor Aeternus and the Ensemble of Shadows, Emile Souvestre, Michel de Spiegeleire, Allen Steele, Michael Swanwick, Judith Tarr, Thee Vampire Guild, Jeff VanderMeer, Freda Warrington, John D. Wilson, Terri Windling, and Ronald Wright.
Over 3,200 entries An essential guide to authors and their works that focuses on the general canon of British literature from the fifteenth century to the present. There is also some coverage of non-fiction such as biographies, memoirs, and science, as well as inclusion of major American and Commonwealth writers. This online-exclusive new edition adds 60,000 new words, including over 50 new entries dealing with authors who have risen to prominence in the last five years, as well as fully updating the entries that currently exist. Each entry provides details of a writer's nationality and birth/death dates, followed by a listing of their titles arranged chronologically by date of publication.
Inspired by the new diversity of science fiction, fantasy, and horror in the twenty-first century, Hot Equations: Science, Fantasy, and the Radical Imagination on a Troubled Planet confronts the kinds of literary and political “realism” that continue to suppress the radical imagination. Alluding both to the ongoing climate catastrophe and to Tom Godwin’s “The Cold Equations”—that famous touchstone of “hard science fiction”—Hot Equations reads the crises of our "post-normal" moment via works that increasingly subvert genre containment and spill out into the public sphere. Drawing on archives and contemporary theory, author Jesse S. Cohn argues that these imaginative works of science fiction, fantasy, and horror strike at the very foundations of modernity, calling its basic assumptions into question. They threaten the modern order with a simultaneously terrible and promising anarchy, pointing to ways beyond the present medical, ecological, and political crises of pandemic, climate change, and rising global fascism. Examining books ranging from well-known titles like The Hunger Games and The Caves of Steel to newer works such as Under the Pendulum Sun and The Stone Sky, Cohn investigates the ways in which science fiction, fantasy, and horror address contemporary politics, social issues, and more. The “cold equations” that established normal life in the modern world may be in shambles, Cohn suggests, but a New Black Fantastic makes it possible for the radical imagination to glimpse viable possibilities on the other side of crisis.