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First published in 1794, with a reprint in 1967, this book includes a succinct account of life along the River Sierra Leone. There is a description of the manners, diversions, arts, commerce, cultivation, punishments and other interesting particulars relating to the Sierra Leone Company.
Anna Maria Falconbridge’s Narrative of Two Voyages, consisting of fourteen letters to a friend about her experiences, is the first published Englishwoman’s narrative of a visit to West Africa. Alexander Falconbridge’s Account of the Slave Trade describes the horrific conditions he had witnessed in West Africa. Published in 1788 by the London Committee for the Abolition of the Slave Trade, it was the first piece of published abolitionist propaganda.
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
A new analysis of the origins of the Haitian Revolution, revealing the consciousness, solidarity, and resistance that helped it succeed.