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The Everett D. Graff Collection of Western Americana consists of some 10,000 books, manuscripts, maps, pamphlets, broadsides, broadsheets, and photographs, of which about half are described in the present catalogue. The Graff Collection displays the remarkable breadth of interest, knowledge, and taste of a great bibliophile and student of Western American history. From this rich collection, now in The Newberry Library, Chicago, its former Curator, Colton Storm, has compiled a discriminating and representative Catalogue of the rarer and more unusual materials. Collectors, bibliographers, librarians, historians, and book dealers specializing in Americana will find the Graff Catalogue an interesting and essential tool. Detailed collations and binding descriptions are cited, and many of the more important works have been annotated by Mr. Graff and Mr. Storm. An extensive index of persons and subjects makes the book useful to the scholar as well as to the collector and dealer. The book is not a bibliography but rather a guide to rare or unique source materials now enriching The Newberry Library's outstanding holdings in American history.
White Captives offers a new perspective of Indian-white coexistence on the American frontier through analysis of historical, anthropological, political, and literary materials. --> Namias shows that visual, literary, and historical accounts of the capture of Euro-Americans by Indians are commentaries on the uncertain boundaries of gender, race, and culture during the colonial Indian Wars, the American Revolution, and the Civil War. She compares the experiences and representations of male and female captives over time and on successive frontiers and examines the narratives of captives Jane McCrea, Mary Jemison, and Sarah Wakefield.
The Native Americans of mixed ancestry in 1830 and why Andrew Jackson implemented a law to remove them.
No homeseekers were ever plagued with more bad luck than those who followed the Englishman John Charles Beales to southern Texas late in 1834. On the banks of Las Moras Creek, not far from the Rio Grande, they established the colony of Dolores. Among them were the British-born Sarah Ann Horn and her husband and two small sons. For the pretty Sarah Ann, who shared her neighbors’ fear of Comanche raids, the year or so in Dolores was a preview of a special hell to come. The threat of an invasion by Santa Anna, an uncongenial climate, a lack of trees for lumber, an unnavigable river, crop failures, and a scarcity of commodities contributed to the colonists’ discouragement and discord. In Comanche Bondage the distinguished southwestern historian Carl Coke Rister has written the history of the Dolores enterprise, drawing on Beale’s journals and other documents, and including reports of the survivors. Leaving Dolores in the wake of news about the Alamo and Goliad disasters, the Horn family and their neighbors the Harrises headed toward Matamoras. They never arrived there. Later a broken Sarah Ann Horn told the horrifying story of the murder of the men and of the years of captivity she and Mrs. Harris and their children endured at the hands of the Comanches. Rister has edited and annotated her 1839 narrative, which complements and extends his account of Beales’s folly.—Print Ed.
Cinematic Comanches engages in a description and critical appraisal of Indigenous hype, visual representation, and audience reception of Comanche culture and history through the 2013 Disney film The Lone Ranger.
Embracing the crossroads that made the region distinctive this book reveals how American families have always been characterized by greater diversity than idealizations of the traditional family have allowed. The essays show how family life figured prominently in relations to larger struggles for conquest and control.