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Shipwreck Narratives: Out of Our Depth studies both the representation of shipwreck and the ways in which shipwrecks are used in creative, philosophical, and political works. The first part of the book examines historical shipwreck narratives published over a period of two centuries and their legacies. Michael Titlestad points to a range of narrative conventions, literary tropes and questions concerning representation and its limits in narratives about these historic shipwrecks. The second part engages novels, poems, films, artwork, and musical composition that grapple with shipwreck. Collectively the chapters suggest the spectacular productivity of shipwreck narrative; the multiple ways in which its concerns and logic have inspired anxious creativity in the last century. Titlestad recognizes in weaving in his personal experience that shipwreck—the destruction of form and the advent of disorder—could be seen not only as a corollary for his own neurological disorder, but also an abiding principle in tropology. This book describes how shipwreck has figured in texts (from historical narratives to fiction, film and music) as an analogue for emotional, psychological, and physical fragmentation.
Disaster strikes. A ship goes down, a plane crashes, a party of travellers is cut off. But when the panic and confusion subside and the dead are counted, the survivors must find a way to keep surviving. And in desperation, unconstrained by law or conventional authority, the tactics they resort to can be both horrifying and ultimately self-destructive. Learmonth and Tabakoff outline the physical and neurological changes that typically affect the victims of disaster. Then, using true stories from history as case studies, they investigate the scenario famously imagined by William Golding in Lord of the Flies and borne out by the extraordinary Robbers Cave experiments of the 1950s. As this fascinating book unfolds the awful truth becomes clear. In extremis, humans are capable of a swift descent into murderous savagery that is both hard to believe - and impossible to forget. Eleanor Learmonth has worked as a teacher and freelance journalist in Japan and Australia. She has a reputation as a magnet for natural disasters. Jenny Tabakoff has been a senior journalist in Australia and Britain for The Times, the Sydney Morning Herald and AAP. She is the co-author of Australian Style. Eleanor and Jenny live in Sydney with their husbands and children. They met at the school gate. 'Succinct yet considered, accessible yet authoritative, Learmonth and Tabakoff strike a happy balance between scholarliness and readability throughout...cogent presentation of some truly harrowing subject matter, which less responsible hands might have milked for vulgar sensationalism.' Bookseller and Publisher 'Well researched and well argued, lively and energetic, No Mercy is full of insights into leadership, loyalty, sacrifice and compassion that will challenge readers to wonder what they might do if similarly tested.' Booktopia Buzz 'Sometimes adversity brings out the best in people, at other times it does the opposite. This is about those other times...excellent reading when you’re safely at home.' Weekend Herald 'A fascinating post-mortem of how certain groups manage to survive while others flailed about in drunken, murderous chaos.' Daily Telegraph 'This fascinating book shines light on an awful truth.' Get Reading