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This collection of essays explores the multifaceted representation of power and authority in a variety of late antique and medieval hagiographical narratives (Lives, Martyr Acts, oneiric and miraculous accounts). The narratives under analysis, written in some of the major languages of the Islamicate world and the Christian East and Christian West - Arabic, Armenian, Georgian, Greek, Latin, Middle Persian, Ottoman Turkish, and Persian - prominently feature a diverse range of historical and fictional figures from a wide cross-section of society - from female lay saints in Italy and Zoroastrians in Sasanian and Islamic Iran to apostles and bishops and emperors and caliphs. Each chapter investigates how power and authority were narrated from above (courts/saints) and below (saints/laity) and, by extension, navigated in various communities. As each chapter delves into the specific literary and social scene of a particular time, place, or hagiographer, the volume as a whole offers a broad view; it brings to the fore important shared literary and social historical aspects such as the possible itineraries of popular narratives and motifs across Eurasia and commonly held notions in the religio-political thought worlds of hagiographers and their communities. Through close readings and varied analyses, this collection contributes to the burgeoning interest in reading hagiography as literature while it offers new perspectives on the social and religious history of late antique and medieval communities.
Saint Thecla was one of the most prominent figures of early Christianity who provided a model of virginity and a role-model for women in the early Church. She was the object of cult and of pilgrimage and her tale in the Acts of Paul and Thecla made a tremendous impact on later hagiographies of both female and male saints. This volume explores this impact on medieval hagiographical texts composed in Armenian, Coptic, Ethiopic, Greek, Irish, Latin, Persian, and Syriac. It investigates how they evoked and/or invoked Thecla and her tale in constructing the lives and story worlds of their chosen saints and offers detailed original readings of the lives of various heroines and heroes. The book adds further depth and nuance to our understanding of Thecla's popularity and the spread of her legend and cult.
Schwabe Epicurea Herausgegeben von Michael Erler und Wolfgang Rother In dieser Reihe erscheinen Texte, Kommentare und Studien zu Epikur und zur epikureischen Tradition bis zur Neuzeit. Dem wissenschaftlichen Beirat gehören an: Graziano Arrighetti (Pisa), Jürgen Hammerstaedt (Köln), Carlos Levy (Paris), Anthony A. Long (University of California, Berkeley), Francesca Longo Auricchio (Napoli), Antony McKenna (Saint-étienne), Günther Mensching (Hannover), Martin Mulsow (Erfurt), Dirk Obbink (Oxford), Gianni Paganini (Vercelli), David Sedley (Christs College, Cambridge), Edoardo Tortarolo (Vercelli) Die Reihe ist offen für die internationale Forschung. Die Bücher können in Deutsch, Englisch, Französisch oder Italienisch abgefasst werden.
Saint Thecla was one of the most prominent figures of early Christianity who provided a model of virginity and a role-model for women in the early Church. She was the object of cult and of pilgrimage and her tale in the Acts of Paul and Thecla made a tremendous impact on later hagiographies of both female and male saints. This volume explores this impact on medieval hagiographical texts composed in Armenian, Coptic, Ethiopic, Greek, Irish, Latin, Persian, and Syriac. It investigates how they evoked and/or invoked Thecla and her tale in constructing the lives and story worlds of their chosen saints and offers detailed original readings of the lives of various heroines and heroes. The book adds further depth and nuance to our understanding of Thecla's popularity and the spread of her legend and cult.
The collective volume Syriac Hagiography: Texts and Beyond explores several late-antique and medieval Syriac hagiographical works from the complementary perspectives of literature and cult.
In 1322, a Jewish doctor named Abner entered a synagogue in the Castilian city of Burgos and began to weep in prayer. Falling asleep, he dreamed of a "great man" who urged him to awaken from his slumber. Shortly thereafter, he converted to Christianity and wrote a number of works attacking his old faith. Abner tells the story in fantastic detail in the opening to his Hebrew-language but anti-Jewish polemical treatise, Teacher of Righteousness. In the religiously plural context of the medieval Western Mediterranean, religious conversion played an important role as a marker of social boundaries and individual identity. The writers of medieval religious polemics such as Teacher of Righteousness often began by giving a brief, first-person account of the rejection of their old faith and their embrace of the new. In such accounts, Ryan Szpiech argues, the narrative form plays an important role in dramatizing the transition from infidelity to faith. Szpiech draws on a wide body of sources from Christian, Jewish, and Muslim polemics to investigate the place of narrative in the representation of conversion. Making a firm distinction between stories told about conversion and the experience of religious change, his book is not a history of conversion itself but a comparative study of how and why it was presented in narrative form within the context of religious disputation. He argues that between the twelfth and fifteenth centuries, conversion narratives were needed to represent communal notions of history and authority in allegorical, dramatic terms. After considering the late antique paradigms on which medieval Christian conversion narratives were based, Szpiech juxtaposes Christian stories with contemporary accounts of conversion to Islam and Judaism. He emphasizes that polemical conflict between Abrahamic religions in the medieval Mediterranean centered on competing visions of history and salvation. By seeing conversion not as an individual experience but as a public narrative, Conversion and Narrative provides a new, interdisciplinary perspective on medieval writing about religious disputes.
Drawing on comparative literature, ritual and performance studies, and the history of asceticism, Derek Krueger explores how early Christian writers came to view writing as salvific, as worship through the production of art. Exploring the emergence of new and distinctly Christian ideas about authorship in late antiquity, Writing and Holiness probes saints' lives and hymns produced in the Greek East to reveal how the ascetic call to imitate Christ's humility rendered artistic and literary creativity problematic. In claiming authority and power, hagiographers appeared to violate the saintly practices that they sought to promote. Christian writers meditated within their texts on these tensions and ultimately developed a new set of answers to the question "What is an author?" Each of the texts examined here used writing as a technique for the representation of holiness. Some are narrative representations of saints that facilitate veneration; others are collections of accounts of miracles, composed to publicize a shrine. Rather than viewing an author's piety as a barrier to historical inquiry, Krueger argues that consideration of writing as a form of piety opens windows onto new modes of practice. He interprets Christian authors as participants in the religious system they described, as devotees, monastics, and faithful emulators of the saints, and he shows how their literary practice integrated authorship into other Christian practices, such as asceticism, devotion, pilgrimage, liturgy, and sacrifice. In considering the distinctly literary contributions to the formation of Christian piety in late antiquity, Writing and Holiness uncovers Christian literary theories with implications for both Eastern and Western medieval literatures.
This volume represents the first discussion of rewriting in Byzantium. It brings together a rich variety of articles treating hagiographical rewriting from various angles. The contributors discuss and comment on different kinds of texts from late antiquity to late Byzantium.
Roman identity is one of the most interesting cases of social identity because in the course of time, it could mean so many different things: for instance, Greek-speaking subjects of the Byzantine empire, inhabitants of the city of Rome, autonomous civic or regional groups, Latin speakers under ‘barbarian’ rule in the West or, increasingly, representatives of the Church of Rome. Eventually, the Christian dimension of Roman identity gained ground. The shifting concepts of Romanness represent a methodological challenge for studies of ethnicity because, depending on its uses, Roman identity may be regarded as ‘ethnic’ in a broad sense, but under most criteria, it is not. Romanness is indeed a test case how an established and prestigious social identity can acquire many different shades of meaning, which we would class as civic, political, imperial, ethnic, cultural, legal, religious, regional or as status groups. This book offers comprehensive overviews of the meaning of Romanness in most (former) Roman provinces, complemented by a number of comparative and thematic studies. A similarly wide-ranging overview has not been available so far.
From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.