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In Narrating Humanity, Cynthia G. Franklin makes a critical intervention into practices of life writing and contemporary crises in the United States about who counts as human. To enable this intervention, she proposes a powerful new analytical language centered on “narrative humanity,” “narrated humanity,” and “grounded narrative humanity” and foregrounds concepts of the human that emerge from movement politics. While stories of “narrative humanity” propagate the status quo, Franklin argues, those of “narrated humanity” and “grounded narrative humanity” are ones that articulate ways of being human necessary for not only surviving but also thriving during a time of accelerating crises brought on by the intersecting effects of racial capitalism, imperialism, heteropatriarchy, and climate change. Through chapters focused on Hurricane Katrina; Black Lives Matter; the Palestinian-led Boycott, Divestment and Sanctions movement; and the Native Hawaiian movement to protect Mauna a Wākea, Franklin reveals how life writing can be mobilized to do more than perpetuate dominant forms of dehumanization that underwrite violence. She contends that life narratives can help materialize ways of being human inspired by these contemporary political movements that are based on queer kinship, inter/national solidarity, abolitionist care, and decolonial connectivity among humans, more-than-humans, land, and waters. Engaging writers, artists, and activists who inspire radical forms of relationality, she comes to write side-by-side with them in her own acts of narrated humanity by refusing the boundaries between autobiography, community-based activism, and literary and cultural criticism.
Through chapters focused on Hurricane Katrina; Black Lives Matter; the Palestinian-led Boycott, Divestment and Sanctions movement; and the Native Hawaiian movement to protect Mauna a Wakea, Franklin reveals how life writing can be mobilised to do more than perpetuate dominant forms of dehumanisation that underwrite violence. She contends that life narratives can help materialise ways of being human inspired by these contemporary political movements that are based on queer kinship, inter/national solidarity, abolitionist care, and decolonial connectivity among humans, more-than-humans, land, and waters. Engaging writers, artists, and activists who inspire radical forms of relationality, Franklin comes to write side-by-side with them in her own acts of narrated humanity by refusing the boundaries between autobiography, community-based activism, and literary and cultural criticism.
We live in a mutilated world and our humanity seems irrevocably damaged. Many critics suggest we have reached the end of humanity. In this challenging book, Ken Plummer suggests that such claims may be premature; instead, what we need is a new transformative understanding of humanity. Critical Humanism critically reflects upon and reimagines humanism for the twenty-first century. What is now required is a fresh, wide-ranging imaginary of an open, worldly, plural and caring humanity. It needs to take a critical stance towards older, often divisive ideas of what it means to be human, while reconnecting to a wider understanding of the rich diversity of life in the pluriverse. In an age of post- and transhumanist turns, Plummer provides a personal, political and passionate call for thinkers, researchers and activists to not turn their backs on humanism. We need instead to create a vital new political imaginary of being human in a connected planet. We simply cannot afford to be anti-human or posthuman. Restoring our belief in humanity has never been more important for edging towards a better world for all.
The Epistle to the Romans remains the centerpiece of all serious Pauline theological research. Each of the major sections of Romans has received significant attention in recent scholarship, yet no consensus has emerged about how to read the opening chapters of Paul's most important letter, Romans 1-4. This collection of essays returns to the beginning of Paul's theological masterpiece to probe longstanding puzzles and to offer new readings and fresh insights on some of the most cherished chapters in the entire Pauline corpus.
In All of Us or None, Monisha Das Gupta tells the story of contemporary antideportation organizing in the United States by migrants and refugees labeled as criminal aliens. These activists, who live daily with criminalization, work against forms of deportation that Das Gupta calls settler carcerality—the United States’ use of deportation to exert territorial control in the face of Indigenous self-determination. Drawing on fieldwork with antideportation organizing groups in New York, Los Angeles, Long Beach, and Honolulu, Das Gupta documents the inventive methods of struggle against settler carcerality. Das Gupta shows how the organizers’ actions and visions depart from the settler colonial nature of the mainstream demands for a pathway to citizenship and civil rights. Through direct action, storytelling, political education, and youth and queer leadership, these organizations and collectives conceptualize an abolitionist vision of migration justice that rejects the settler state and encompasses all those who are disavowed. By highlighting this work, Das Gupta demonstrates the transformative promise offered by a dissident migrant-led politics working toward dismantling settler structures and logics.
In this new edition of A Short History of the Middle Ages, Barbara H. Rosenwein offers a panoramic view of the medieval world from Iceland to China and from Sweden to West Africa. Yet the book never loses sight of the main contours of the period (c.300 to c.1500) or of the fate of the heirs of the Roman Empire. Its lively and informative narrative covers the major events, political and religious movements, men and women, saints and sinners, economic and cultural changes, ideals, fears, and fantasies of the period in Europe, Byzantium, and the Islamic world. A comprehensive new map program, updated for the global reach of this edition, offers a way to visualize the era’s enormous political, economic, and religious changes. Line drawings make clear archaeological finds and architectural structures All of the maps, genealogies, and figures in the book, as well as practice questions and suggested answers, are available at utphistorymatters.com,
Prodigals, a memoir inessays, explores the life of Sarah Beth Childers'swildly creative brother, who committed suicide at twenty-two, and her life with him and after him, through the lens of the Biblical parable of the Prodigal Son. This book examines the ways Childers's brother's story was both universal and uniquely Appalachian. While the archetype of the prodigal son carries all its assumed baggage, the Appalachian setting of Prodigals brings its own influences.Childers foregrounds the Appalachian landscape in her narrative, depicting its hardwood forests, winding roads, mining-stained creeks and rivers, hill-clinging goats and cows, neighborhoods and trailer parks tucked between mountains. The Childers family's fervent religious faith and resistance to medical intervention seemsnormal in this world, as doestheir conflicting desires to both escape from Appalachia and to stay forever at home. Weaving in the stories of other famous prodigals, including Branwell Brontë, the alcoholic brother of the Brontë sisters; Jimmy Swaggart, the fallen televangelist;Robert Crumb, her brother's beloved author of sexist and racist comic books; and even herself, Childers examines the role of the prodigalwithin the intimate tapestry of family life and beyond-to its larger sociocultural meanings.
Shifters come in all shapes and sizes. Some can be found in the universes of Odyssey and Miss Delight, or the Pixie Dust setting, and some are found elsewhere. Whether they are laying their lives on the line for their cubs, their mates or their friends, or hunting down some unsuspecting human, they live among the heroes and villains that dwell in our imagination. Within these covers lies a dozen short stories and a swathe of flash fiction and poetry focused on shifters of many forms, from the werewolves of Lunar One to the arach and lizardine, to creatures great and small, land-bound and from the sea.