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Through Naqsh, The Author Explores And Documents Exhaustively In Detail The Art Of Wood Carving Of Traditional Architecture Of Gujarat. Traversing From The History Of Wood Carving Of India, The Book Investigates Thoroughly The Tools And Techniques Applied By The Craftsmen Working Within The Trade Guilds. The Main Section Comprises Of The Ornamentations (Symbols, Motifs And Patterns) Witnessed On The Traditional Wooden Houses, Which Are Categorized And Analyzed In Terms Of Its Aesthetics, Its Occurence In Time And Its Physical And Symbolic Relation To The House. The Author Then Establishes Its Links And Connections To The Examples Found In Other Cultures And Explains The Dissemination Of This Art.
This book is a TranslaTion of Shaykh Husain Ahmad Madani’s autobiography, highlighting the colonial practices that reduced Indians to economic poverty, erasing their culture and corrupting their faith. It shows the jihad of Shaykh Madani, free from the Eurocentric paradigm of vested interest and hierarchy. It explains why the British imprisoned him in Malta, for two years in Sabarmati prison with hard labour and in Nene Jail, Allahabad. The book also brings forward the role of prominent individuals and institutes in ending the British colonialism of India. It traces the resistance movement from the foundation of Darul-Uloom Deoband by Shaykh Qasim Nanotwi and Shaykh Rashid Aḥmad Gangohi after the 1857 British occupation of Delhi. It also includes the role of Shaykh Sayyid Aḥmad Shaheed and Shaykh al-Hind Mahmud Hasan. This book is a small way of acknowledging his contribution and challenging nationalist and exclusivist historians who have written out the Muslims’ efforts in liberating India. The book will be helpful to students and researchers across colleges, universities and Darul Ulooms. More than that, it will be useful to anyone who wants to learn about the anti-colonial movement in India.
Scores of books and articles have been published, addressing one or another aspect of the Islamic Revolution in Iran. Missing from this body of scholarship, however, has been a comprehensive analysis of the intellectual and ideological cornerstones of one of the most dramatic revolutions in our time. In this remarkable volume, Hamid Dabashi brings together, in a sustained and engagingly written narrative, the leading revolutionaries who have shaped the ideological disposition of this cataclysmic event. Dabashi has spent over ten years studying the writings, in their original Persian and Arabic, of the most influential Iranian clerics and thinkers.Examining the revolutionary sentiments and ideas of such figures as Jalal Al-e Ahmad, Ali Sharicati, Morteza Motahhari, Sayyad Abolhasan Bani-Sadr, and finally the Ayatollah Khomeini, the work also analyzes the larger historical and theoretical implications of any construction of the Islamic Ideology. Carefully located in the social and intellectual context of the four decades preceding the 1979 revolution, Theology of Discontent is the definitive treatment of the ideological foundations of the Islamic Revolution, with particular attention to the larger, more enduring ramifications of this revolution for radical Islamic revivalism in the entire Muslim world.This volume will be of interest to Islamicists, Middle East historians and specialists, as well as scholars and students of liberation theologies, comparative religious revolutions, and mass collective behavior. Bruce Lawrence of Duke University calls this volume a superb and unprecedented study.... In brilliant figural strokes, he arrays EuroAmerican sociological theory as the crucial backdrop of a deeper understanding of contemporary Iranian history.
CD : Urban music - some of it reflecting a fusion of European and Central Asian influences - is gathered in the first part of the disc, while rural and ritualistic music and chant appear toward the end.
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.